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EMILY MARY, COUNTESS OF SALISBURY 
ENGRAVED BY VALENTINE GREEN, AFTER SIR JOSHUA REYNOLDS 


[NUMBER 83] 


THE 


PREDERIC R. HALSEY 
COLLECTION OF PRINTS 


PART XIII 


MEZZOTINTS OF THE 


XVII, XVIII AND XIX CENTURIES 
MOSTLY PORTRAITS, 


COLOR PRINTS, STIPPLES AND 
MISCELLANEOUS ENGRAVINGS 


TO BE SOLD 
MONDAY, TUESDAY, THURSDAY AND FRIDAY 
EVENINGS 


FEBRUARY 10, 11, 13 AND 14, 1919 


On Public Exhibition from Monday, February 3rd 


THE ANDERSON GALLERIES 


PARK AVENUE AND FIFTY-NINTH STREET 
NEW YORK 


THE 


FREDERIC R. HALSEY 
COLLECTION OF PRINTS 


PART XiIll 


FIRST SESSION 
LOTS 1-134 


ENGLISH, DUTCH AND FRENCH MEZZOTINTS 


pad 


w- 


‘ie 


iy) 


LOTS | to 270 


ADAMS (F. E.). Air, after John Roux. Large 4to. 


SPOONER (C.). Earth,—Water, after R. Plye. With mar- 
gins. Large 4to. 


ASHBY (H.). Rev. John Hewlett, after the engraver’s own 
painting. Open. letter proof, with large margin. Large 4to. 


BAILLIE (W.). James, Duke of Monmouth .on horseback, 
after Netcher and Wyke. With large margin. Oblong folio. 
(5) 


ALLARD (C.) Excudit. The Duchess of Cleveland, after 
P. Lely. Marie Therese, Queen of France. Unknown to 
LeBlane. Both with margins. Large 4tos. (2) 


BARNEY (W. W.). Lady Caroline Spencer, after M. Cos- 
way. Sm. 14. Very fine and brilliant open letter proof 
with large margin. 


SMITH HAD ‘NEVER SEEN THE PRINT AND QUOTES IT FROM EVAN’S 
Kasdtr CATALOGUE. No. 20206. : 


BA 


rT 


id = 


ae 
4, 04 


4 BARNEY (W. W.). Lords George and Charles Spencer, 


after R. Cosway. Sm. 15. The only state mentioned. Fine 
open letter proof with good margin. Small repairs in the 
margin. Very rare. Framed. 


5 BECKETT (1). Adrian Beverland, after Du Bois. Sm. 6. 
The Same, seated in front ~ 


With margin. Small folio. 
of a table smoking; behind the table a young woman in low 
dress. Sm. 7 I. Closely trimmed except at the bottom and 
for this reason only, laid down and a new plate-mark added. 
Large 4to. The Queen Dowager (Catherine widow of 
Charles II). Oval. Sm. 14. With margin lacking the 
plate-mark. 4to. The Duchess of Cleveland, after G. 
Kneller, Oval. Sm. 22 If (of 3). With good margin. 
4to. (4) ' 


6 BECKETT (I.). Henry Compton, Bishop of London, after 


J. Riley. Oval. Sm. 26 III (of 4). Large 4to——Prince 
George of Denmark, after J. Riley. Oval. Sm. 39 II (of 3). 
With small margin showing the plate-mark. Large 4to.—— 
Mrs. Anne Killigrew, after her own painting. Oval. Sm. 56 
II (of 3). With small margin, showing the plate-mark. 
Lightly tinted with the brush and laid down. Small 
4to.——The Earl of Melfort, after G. Kneller. Oval. Sm. 
73 II. With good margin. (4) : 


7 BECKETT (I.). Madam Sooms, after G. Kneller. Sm. 91 “ 


before the spelling of the name was changed to ‘‘Soams,’’ 

‘‘et ex’’ was erased and ‘‘cum Privilegio Regis’’ was added. 
With margin. Large 4to.——Petrus Vander Meulen, after 
N. de Largilliére. Sm. 95 II. Closely trimmed, except at 
the bottom. Oval large 4to. Cupid and Psyche, after 


A. Veronese. LeBl. 348 II. With ‘‘I. Smith ex.’’ instead of 


‘J. Becket fecit,’? but before the drapery. With margin 
showing the plate-mark. Oblong small folio——Another 
impression of the same. Third state with the drapery and 
with margin showing the plate-mark. Portrait of a lady 
(Griselda, Countess of Marchmont?), after G. Kneller. 


o “\ 


Sm. 101 II. The engraver’s name and address are bur- 


nished out and Smith’s address substituted. With margin 
trimmed just at the plate-mark. 4to. 


6 


Had) 


BOCKMAN (W.). The owl face, after J. Molin. Trimmed 
closely to the plate-mark. Large 4to. 


BLACKMORE (T.). Samuel Foote, after J. Reynolds. Sm. 
2 II. Proof before the name of the personage. Good im- 
pression with margin. The print has been folded and 
pressed out. (7) — 


BLOOTELING (A.). Mary, Princess of Orange, after P. 
Lely. Sm. Add. and Corr. p. 68, m. a. Trimmed closely to 
the plate-mark, lacking it at the bottom, inclusive the artist’s 
names. Oval. Small 4to. Venus and Cupid. Proof be- 
fore all letters, with small margin showing the plate-mark. 
A tear carefully repaired. Small folio. 


BELLIN (S.). W. H. Weeks, after Thos. Roods. Lettered 
proof on India paper. With large margin. 4to. 
Parrott, after H. W. Pickersgill. Lettered proof on India 
paper. Full margin. 4to. 


BONNAR (W. AND. T.). George Johnston, LL.D., M.D., after 
Wm. Bonnar. Open letter proof on India paper. With 
small margin and a printer’s crease in the India paper of 
the lower margin. Large folio. (5) 


BOCKMAN (G.). Sir John Ligonier, after Worsdale. Sm. 
11 I. Before any inscription. With margin. Very rare. 
Large 4to. ! 


BOCKMAN (G.). John Wilkes. Sm. 25. With very small 
‘margin, but showing the entire inscription plate. Large 4to. 


BODENEHR (J. G.). Johann Melchior Dinglinger, after A. 
D. Manyoki. Fine impression with good margin. Folio. 
Thomas Matthews. Good impression with very small margin, 
but showing the plate-mark. Folio. Samuel Urlsperger. 
With the separate inscription plate and with large margin. 
4to. 


BOUYS (A.). Cecilia De Lisorez, after the engraver’s own 
painting. Small folio. (5) 


V6 


& 


John — 


a a A 
ua! 
= ~, Minn 
Se 
be 


Pd 


Xs 


Ji 


60 


-* 


Ad 


11 


12 


13 


BOWLES (CARRINGTON) Printed and Sold by. Beauty 
and Concord. Trimmed closely to the plate-mark. Small 
folio. Age and Avarice. With large margin (deckle 
edges). Small folio. Peace—Plenty. Numbers 501 and 
002. The first with large margin (deckle edges), the second 
with good margin; below, trimmed just at the plate-mark. 
Small folio. Spectators at a print-shop in St. Paul’s 
Church Yard. Number 300. With large margin (deckle 
edges). Small folio. (5) 


BOWLES (CARRINGTON) Printed and Sold by. The Con-~ | 


a 
\ ae 
BOWLES (CARRINGTON) Printed and Sold by. The 


templative Charmer. Number 413. With margin. Rare. 


Small folio. \ 


Spruce Sportsman, or Beauty the Best Shot. With small 
margin, lacking the publication line. Small folio. The 
Pleasures of Life. Trimmed closely to the plate-mark and 
lacking the publication-line. Oblong, small folio. The 
Old Ballad-Singer. With small margin showing the plate- 
mark. Small folio. The Dutch Merchant. Trimmed 
closely to the plate-mark. Small folio. (4) 


BOWLES (CARRINGTON) Printed and Sold by. The 
Twelve Months, after R. Dighton. Numbers 526 to 537. 
With big margins. Repairs in the margins, otherwise intact. 
A very rare set. Small folios. (12) 


BROWNE (ALEX.) Sold by. Charles I and Prince Charles, 
after A. Van Dyck. Sm. 2. The state cannot be definitely 
ascertained as the publication line is erased from the print. 
Trimmed closely to the plate-mark, but showing the full in- 
scription space. Royal folio. 


BROWNE (ALEX.) Sold by. The Lady Elizabeth Butler, 


Countess of Chesterfield, after P. Lely. Sm. 7 Il. With 
very small margin, but showing the full inscription. Large 
4to. The Lady Essex Finch, after P. Lely. Sm.10. Very 
small margin, but showing the full inscription. Large 4to. 
From the Strawberry Hill Collection (with Horace Wal- 
pole’s handwriting). Samuel Butler, after P. Lely. Sm. 
11 III. The plate is retouched and altered and the name 


8 


- 


of the personage (Lord Grey) changed, but before the ad- 
dress was changed a second time. Fine impression, trimmed 
closely to the plate-mark. Large 4to. (3) 


17 BROWNE (ALEX.) Sold by. The Lady Grey, after P. Lely. 


18 


Sm. 12. I, before ‘‘Bakewell’s’’ address was substituted for 
that of ‘‘Browne.’’ With very small margin, but showing 
the full inscription. Large 4to. Sr. Tretswell Hollis, 
after P. Lely. Sm. 14. I, the bottom of the engraved surface 
still shows the marks of the clearing of the plate. Closely 
trimmed, but showing the full inscription. Backed with 
thin paper on account of a small tear at the bottom. Large 
4to. Madame Jane Kelleway, after P. Lely. Sm. 16. 
III. Closely trimmed, but showing the full inscription. 
Large 4to. (3) 


BROWNE (ALEX.) Sold by. Sir John Lowther, after P. 


Lely. Sm. 21. III. Closely trimmed, but showing the full 
inscription. Small folio. Elizabeth, Countess of North- 
umberland, after P. Lely. Sm. 25. With large margin. 
Another Portrait of the Same, after P. Lely. Sm. 26. II. 
Closely trimmed, but showing the full inscription. Small 
folio Josling, Earl of Northumberland, after P. Lely. 
Sm. 27. With small margin; laid down.—Frances Stuart, 
Countess of Portland, after A. van Dyck. Sm. 29. With 
small margin. Very brilliant and early impression, before 
the inscription space was cleaned. Small folio. (5) 


19 BROWN (ALEX.) Sold by. Frances, Duchess of Richmond 


and Lenox, after P. Lely. Sm. 31. I, before the reduction 
of the plate, and before the retouch and the change of the 
inscription. Folio. Also a counter proof of the same. 
Henry Sidney, son to Robert Earle of Leicester, after P. 
Lely. Sm. 35. II. With margin showing the plate-mark. 
Small folio. (38) | 


20 BROWNE (ALEX.) Sold by. James, Duke of York and 


e- 


Albany, after P. Lely. Sm. 42. With very small margin, 
but showing the full inscription. Large 4to. Also a 
counter proof of the same. Duchess of York, after P. 
Lely. Sm. 43. II (of 3), before the inscription was changed 


9 


to ‘‘Maria D. G. Aug: Seo: Fran: et Hib: Regina, ete.”’ 
Closely trimmed, but showing the full inscription. Large 
4to. (3) 


21 BURFORD (T.). Charles Churchill, after J. 8S. C. Schaak. 
Sm: 2. With very large margin. Royal folio. a 


a3 ; 
la ™ BURGLEN (C. L.). George II, King of Great Britain. VAs 


4 yl With margin showing the plate-mark. Folio. rey 


CAMPBELL (A. G.). Thomas Moore, after Th. Lawrence. 
Fine impression on India paper, with large margin. Folio. 


CARTER (J.). Isambard K.., Brunel, after S. Drummond. 
Fine proof before letters on India paper, with large margin. 
Folio. (4) 


22 CLINT (G.). John Bannister, after the engraver’s own 
painting. Open letter proof with margin and with Ban--) 
3 fe nister’s autograph. Slightly rubbed. Folio—John Poole, 
after H. W. Pickersgill. Proof before letters, with the 
: yf autograph facsimile only. With small margin showing the ~~ 
4 ‘ plate-mark. Large 4to.—James Belcher, after Ch. Alling- 
ham. Open letter proof, with margin lacking the plate- 
mark at the bottom only, but showing the full inscription. 
Large 4to. Thomas Erskine, after Th. Lawrence. Seript 
letter proof, with very small margin, but showing the plate- 
mark. Large 4to. (4) 


23 COOMBES (P.). Charles Moore, after I. Kerseboom. Closely 
trimmed, but showing the plate-mark; a small brown stain 
near the right edge. The only plate known by this artist. 

| 3 Small folio. 


4, yr. ‘ COOPER (E.) Sold by. Samuel Butler. Good old impression, 
trimmed closely to the plate-mark. Large 4to.—John 
Egerton, Earl of Bridgewater, after W. Claret. Good old 
impression, closely trimmed. Small 4to. 


BROOKSHAW (R.). The Jovial Flanderkins—The Flemish 
Concert. Both after D. Teniers. Trimmed closely to the 
plate-mark. Small folios. (5) 


10 


(24 COUSINS (H.). James Scarlett, Ist Baron Abinger, after 
M. A. Shee. Proof before letters, with the autograph fac- 
) Bled simile. With large margin. Folio. Dr. Thomas Brown, 
: ‘ after G. Watson. Proof before letters on India paper. With 
doin large margin. Royal folio. Sir Astley Cooper, after A. 
Morton. Proof before letters on India paper. With large 

margin. Royal folio. (3) 


25 COUSINS (H.). George Crewe and his son, after R. R. 
Reinagle. Proof before letters on India paper. With large 
margin. Royal folio. William Howley, after C. R. Leslie. 

|2 ei With full margin. Folio—James Smith, after James 
Lonsdale. Proof before letters, with full margin. Large 

4to. 

on India paper, backed with thin white paper. Imperial 

folio. T. Campbell, after Th. Lawrence. Engraved in 

conjunction with Samuel Cousins. Proof before letters, with 

large margin. Folio. Dr. Thomas Brown, after John 

Graham. Engraved in conjunction with Samuel Cousins. 

Seript letter proof on India paper, with full margin. Folio. 


COUSINS (S.). John Bell, after Th. Stewardson. Open 
letter proof with good margin. Folio. (7) 


96 DAWE (H.). Dr. George Birkbeck, after S. Lane. Proof 
before all letters, with margin, but lacking the plate-mark. 
4 He Royal folio. Lord Teignmouth, after H. P. Briggs. 
Seript letter proof, with small margin lacking the plate- 
mark. Folio. Ralph Wardlaw, after P. Paillou. Script 
letter proof on India paper (of the first 50). With small 
margin, but showing the plate-mark. Royal folio. (3) 


27 DAWE (T.). The Letter Woman, after H. Morland. Sm. 16. 


Fine impression with the inscription with margin showing 4 
. / {te the plate-mark at top and sides. At the bottom it is trimmed ° 


4 close to it. Oyster Woman, after H. Morland. Sm. 17. 
zr 4, yt Fine impression with margin trimmed to the plate-mark at 
ai top and sides, at the bottom the margin and the inscription- 
4 space are missing. The Laundry Maid, after H. Morland. 


Charles Warren, after A. Shee. Proof before letters . 


we 


% Fa 


E Sm. 20. Fine impression with the inscription. Trimmed © | 
r closely to the plate-mark éxcept at the top and laid down on \ , 


account of a crease. Framed. All folios. (Set of 3.) 


" 1 1 


28 DE BLOIS (A.). Madam Elinora Gwynne, after P. Lely. 
With good margin. 


of = DE HONDEKOETER (M.). Poultry Yard, after his own 
painting. An. 1. Closely trimmed and lacking the plate, _ 
mark inclusive the artist’s and publisher’s names. Oblong, 
small folio. 


DELATER (J.). William III., King of Great Britain. De 
L. 1. An interesting print with margin showing the plate- 
mark. Large 4to. (3) 


29 DICKINSON (W.). Diana, Viscountess Crosbie, after J. Rey- 
nolds. Sm. 14. II. Fine impression with the inscription. 
With small margin showing the plate-mark. Laid down for 
fb jd : no apparent reason. Framed. 


30 DICKINSON (W.). Brass Crosby, after R. E. Pine. Sm. 15. 
With good margin. The publication date is scratched off. 
Small folio. Soame Jenyns, after J. Reynolds. Sm. 40. 
/§@= Fine impression with large margin. Small folio. Thomas 
Percy, after J. Reynolds. Sm. 60. Undescribed state; the 
inscription is completely changed. With small margin, but 
showing the plate-mark. Small folio. Master Samuel 
Wesley, after J. Russell. Sm. 87. Fine impression with the 
inscription. With large margin at top and sides, at the 
bottom the margin and publication-line are lacking. (4) 


31 DIXON (J.). William John, Earl of Ancrum, after §. Gilpin 
and R. Cosway. Sm. 2. With the inscription, but before 


/G0- the inscription space was cleaned. With large margin. The 
proof had been folded on the right side and pressed out 
A i. again. William Powell, after W. Lawrenson. Sm. 29. II. 


With large margin. Small folio. (2) 


32 DIXON (J.). William Robertson, after J. Reynolds. Sm. 30. 
II (of 3). Old impression with good margin. A wormhole 
/ f- covered up. Royal folio. Charles Townshend, after J. 
bal Reynolds. Sm. 34. III. Fine impression, but a trifle rubbed. 
4, d,': Folio. (2) 


12 


33 DUNKARTON (R.). Robert Earl of Buckinghamshire, after 

Th. Lawrence. Not mentioned by Smith. Fine impression 

7 with inscription and with large margin—Mary Queen of 
| 2a v. Scots and Lord Darnley, after R. Elstracke. Possibly a 
= proof. Closely trimmed and re-margined. Large 4to. 
Oliver Cromwell, after a drawing by Bullfinch. With margin 

showing the plate-mark. Small 4to. Henry Wriothese- 


lay, Earl of Southampton. Proof before all letters, with * 


good margin. 4to. John Williams, after C. Janssen. Fine 
impression with large margin. 4to. 


EMMETT (WILLIAM). George, Prince of Denmark, after 
G. Kneller. Sm. 3. Early impression with good margin. 
Large 4to. (6) 


34 ENGRAVER NOT ASCERTAINED. Catherine Braganza, 
Queen of Great Britain (Wife of Charles IT), after J. Huys- 
a man. Sm. p. 1651, No. 14, III, before Boydell’s publication. 
; 23 Vi Trimmed closely to the plate-mark. Oval. Large 4to. 
Another portrait of the same (The Queen Dowager), after 
W. Wissing. Sm. p. 1651, No. 15. II, with ‘‘cum Privilegio 
Regis.’’ With small margin, lacking the plate-mark. Oval. 
Small 4to. Oliver Cromwell, after R. Walker. Sm. p. 
1651, No. 37, I, before Rob. Sayer’s address. With very 
large margin. Large 4to. (3) 


385 ENGRAVER NOT ASCERTAINED. Philip Dormer Stan- 
hope, 4th Earl of Chesterfield. Sm. p. 1662, No. 16, I (possi- 
:/ 4 aa bly a Dublin print). Proof before all letters, with margin 
: trimmed at the plate-mark. Fine and rare. Small folio. 
4 yf ; Richard Cooper. Possibly engraved by himself, after G. 
oe" Schroeder. Sm. p. 1694, No. 23. The only state; with good 
margin. Small folio. John Overton. Sm. p. 1699, No. 
78. The only state. Trimmed closely to the plate-mark. 

Small 4to. (38) 


36 ENGRAVER NOT ASCERTAINED. Thomas Otway, after 

P. Lely. Sm. p. 1668, No. 95. State cannot be ascertained, 

: / 3 - as the publication line is missing. With very small margin, 
lacking the plate-mark at the bottom. Small folio. Alger- 
non Sidney. Probably by Luttrel. Sm. p. 1672, No. 110, I, 


13 


before ‘‘I. Smith ex.’’ was added to the inscription. With 
small margin showing the plate-mark. A trifle foxed. Rare. 
Small 4to. (2) 


Ww 


37 ENGRAVER NOT ASCERTAINED. Oliver Cromwell, after 


a 
nf. 


Cooper. Sm. p. 1684 No. 26, I, before Sympson’s. address 
was changed to Bowles’. Closely trimmed and lacking the 
plate-mark. Extremely rare. There are only three known 
of this state, according to Smith. Small folio. - 


ENGRAVER NOT ASCERTAINED. Another portrait of 


the same, after P. Lely. Sm. p. 1685 No. 27. II, before the 


address was changed to ‘‘Bowles & Carver.” Closely 


trimmed to the plate-mark, lacking it at the bottom and in- 
laid. Fine. Small folio. 


ENGRAVER NOT ASCERTAINED. William, Duke of 
Cumberland, after T. Hudson and J. Wooton. Sm. p. 1685, | / 


No. 29. Possibly an after state of a plate by Brooks. With 


- margin, lacking the plate-mark at the bottom only. Small 


folio. Frederick, Duke of Gloucester and Princess Ann. 
Sm. p. 1690, No. 47a. Good old impression with margin 
showing the plate-mark. Small folio. Thomas Walker. 
Possibly engraved by Perry. Sm. p. 1710, No. 11, i 
Overton’s address has been changed to Sayer’s. With full 
margin (deckle edges). Small folio.—lsaace Newton, from 
a marble bust. Sm. p. 1698, No. 74. With good margin. 
Small folio. George Augustus Frederick, Prince of 
Wales. Not mentioned by Smith. Trimmed closely to the 
plate-mark. Small folio. Joseph Champion. Sm. p. 1722, 
No. 40. Trimmed closely to the border. 4to. Baron 
Heathfield. Sm. p. 1727, No. 60. The only state. Trimmed 
closely and lacking the plate-mark. Laid down on account 


of imperfections (mostly on the back). Small folio—An-_ 


other portrait of the same. Copy of Sm. p. 1728, No. 60. 
Published by J. M. Will. Augsburg. With margin showing 
the plate-mark, except at the bottom. Small folio. (8) 


40 ENGRAVER NOT ASCERTAINED. Mrs. Callander. At- 


Jee 


tributed to W. Dickinson, after J. Reynolds. Sm. p. 1722, — 


No. 38, II. With good margin. Fine. Small folio. 
14 


+ 


* 


ald Sad ee, 


41 ENGRAVER NOT ASCERTAINED. Miss Holland. Sm. 

pp. 1732-33, No. 85, II. With good margin. Small folio. 

/6 # —John Wilkes, after E. Pine. Sm. p. 1749, No. 160. The 

only state. Closely trimmed to the plate-mark, lacking it at 

AA ‘ the bottom. Royal folio— Miss Thoughtful (Charlotte 

. Williams). Sm. p. 1750, No. 163, II, the name of the per- 
sonage is replaced by the above title. With margin showing 

the plate-mark. Small folio. (3) | 


42 ENGRAVER NOT ASCERTAINED. The Slip—or Miss 
Willing to be in the Fashion. Sm. p. 1754, No. 80. Trimmed 
“ closely and remargined. Small folio. Jack Oakham 
$6 oil Throwing out a Signal for an Engagement. Sm. p. 1755, 
No. 159. Early impression. Trimmed closely to the plate- 
mark. Small folio. The Private Correspondence, or 
Betty in the Secret. Sm. p. 1755, No. 137. Harly impres- 
sion with good margin. Small folio. The Military 
Beauty. Sm. p. 1755, No. 142. With margin showing the 
plate-mark. Small folio. The Toilet. Sm. p. 1755, No. 

184. Also with good margin. Small folio. (5) 


48° ENGRAVER NOT ASCERTAINED. Love’s Last Shift or 

the Old Fool in Fashion (The Duke of Queensberry). Sm. 

i p. 1755, No. 171. Early impression with small margin 

g ao showing the plate-mark. Small folio——The Invitation. 


$m. p. 1754, No. 85. Fine impression with large margin... ° 


Small folio. Sweet Echo. Sm. p. 1755, No. 178. Fine 
impression with good margin. Small folio. Expectation. 
Sm. p. 1755, No. 180. Early impression with margin. Small 
folio. (4) 


44 ENGRAVER NOT ASCERTAINED. The Fair Shepherdess. 
Sm. p. 1755, No. 182. Early impression with good margin. 


£0 Small folio. Le Garcon en Matelot. Closely trimmed and 

4 7 a“ remargined. Small folio. The Fortune Teller. Proof 
before all letters. With good margin. 8vo. Conjugal 

44 , Peace. Sm. p. 1755, No. 185. Old impression with large 


margin. Small folio. Another Impression of the Same. 


s* 


With large margin and nicely colored with the brush. Small~ ~)") 


folio. Beauty in Search of Knowledge. Sm. p. 1755, 
No. 190. With margin showing the plate-mark. Small folio. 
——The Fair Penitent. Sm. p. 1755, No. 164. With un- 
- trimmed margin (deckle edges). Small folio. (7) 
15 


fd - 


| = 


Xo” 


AY. 


one 


44. 


uo ~ 
$55 


46 ENGRAVER NOT ASCERTAINED. 


45 ENGRAVER NOT ASCERTAINED. The Toilet. Sm. p. 1755, 
No. 184, proof before all letters. With good margin. Fine. 


Small folio. a 


¥ 


Charmer. Sm. p. 1755, No. 194. With small margin 
showing the plate-mark. Nicely colored with the brush. 
Small folio. The Interview between Tom Jones and 
Sophia Western. Sm. p. 1755, No. 200. Harly impression. 
The margin trimmed closely to the plate-mark. Small folio. 
Winter. Sm. p. 1755, No. 209. With good margin. 
Nicely colored with the brvsh. Small folio. (3) 


47 ENGRAVER NOT ASCERTAINED. The Nutting Villager. 


Sm. p. 1755, No. 210. Harly impression with good margin. 
Small folio. The Maid of the Oaks. Sm. p. 1755, No. 214. 
Early impression with large margin. Laid down for no 
apparent reason. Small folio. Reflection. Sm. p. 1755, 
No. 217. With margin showing the plate-mark. Small folio. 


(3) 


48 ENGRAVER NOT ASCERTAINED. The Charms of the | 


The Contemplative? 3 


ct 


Red Coat. Sm. p. 1756, No. 227. The faces slightly tinted. _ 


Trimmed closely to the plate-mark. Small folio. ‘Young 
Caledon’s Courtship. Sm. p. 1756, No. 244. With margin 
showing the plate-mark. Small folio. Visit to a Sister. 
Sm. p. 1756, No. 249. With big margin. Colored with the 
brush. Small folio. A Board School Governess. Sm. 
p. 1756, No. 252. Closely trimmed to the plate-mark except 
at the top and bottom, where it shows a small margin. Small 
folio. Damon and Pastora. Sm. p. 1755, No. 169. With 


‘margin showing the plate-mark. Small folio. (9) 


49 ENGRAVER NOT ASCERTAINED. The Sportsman Enam- 


oured or The Wife in Danger. ‘Sm. p. 1756, No. 263. With 
small margin. Small folio———The Carter—A Happy 
Family. Proofs before all letters, with margins showing the 


plate-marks. Small folios Joseph Addison—Abraham — 


Cowley. Printed for R. Sayer. Sm. pp. 1761-62. With the 
inscription and with full margins (deckle edges). 8vo. (5) 


16 


50 ENGRAVER NOT ASCERTAINED. Abraham Cowley.— 


p= 


Matthew Prior. Printed for R. Sayer. Sm. pp. 1762-63. 
With the inscriptions and good margins. Sir Richard 
Steele, after G. Kneller. Sm. p. 1706, No. 101. Good old 
impression, with margin showing the plate-mark. Small 
4to. Mrs. Hale, engraved by Corbutt. Lady Selina 


_ Hastings, engraved by C. Spooner, both after J. Reynolds. 


Miss Kneller in the Character of St. Agnes Mary 
Duchess of Ancaster. Miss Wilkinson, with margins show- 
ing the plate-marks. Printed for John Mowles. Lady 
Lenox Churning. Tinted. Most of them cut down and in- 
laid. Lady seated, wearing a hood. Trimmed closely. 
Framed. 8vos. ‘‘Monsieur Alexandre-Valtemare.’’ Trial 
proof with corrections. With good margin, 4to. Michael 
Bryan. Proof before all letters. With good margin. Small 
folio. Oliver Cromwell. With the letters O and C only. 
Trimmed close to the plate-mark. 12mo. (13) 


01 ENGRAVER NOT ASCERTAINED. Charlotte Queen of 


:. 
inn 


Great Britain (Wife of George III). Bust in oval stone * 
frame resting on a base. Proof before all letters with small ' 


margin showing the plate-mark. Small folio. Thomas 
Denison. Proof before all letters, with the coat-of-arms 
only. Closely trimmed to the plate-mark. Small folio. 


Revd. R. Hamilton. Proof before all letters, with full 


margin. Large 4to. Hugh Leyeester. Proof before all 
letters, with good margin. Imperial folio. Derekhuyt( ?) 
Knight of Malta (Le Baron de Berguette). Proof before 
all letters and before the coat-of-arms. With small margin, 
showing the plate-mark. Small folio. (5) 


52 ENGRAVER NOT ASCERTAINED. Mask of Garrick, after 


G. E. Pine. Trimmed down and remargined. Large 4to. 
George IV. King of Great Britain. Half length in the robes 


of the Garter. Proof with the coat-of-arms only. With . 
Girl ... 


good margin but trimmed to the plate-mark. Folio. 
with Cup and Ball, after P. Falconet. Proof before all 
letters. Closely trimmed, but showing all of the inscription 
margin. Small folio. (3) 


dar 


53 ENGRAVER NOT ASCERTAINED. Lady Playing the 


ge Guitar (Miss Linley?); on the wall a portrait of R. B. ) 
Ad, - Sheridan. Engraved possibly by Gerard. Proof before all r% | 
letters with large margin. Fine. Folio. ed 


54 ENGRAVER NOT ASCERTAINED, Lady standing, with 
turban and feathers, holding a notebook in left hand; in 


6 ” oval border (Miss Brent or Mrs. Billington). Closely 
. trimmed to the plate-mark and lacking the inscription 
BA of. K margin. Very rare. Small 4to. Lady, two children and 


a gentleman in a park. Proof before any inscription, with 
margin showing the plate-mark. Folded across the center. 
Folio. (2) 


ss; ENGRAVER NOT ASCERTAINED, Lord Lyndhurst. Proof 
before all letters, with full margin. Folio—John Moore. 
Proof before all letters, on India paper, with full margin. 


/ 7 ee A printer’s crease to the right. Small 4to.——George Mor- 

land, after his own painting. Reversed copy of the mezzo- 

id tint by W. Ward. Sm. 60,1. Proof before all letters. With 
$. oe small margin showing the plate-mark.  4to. Richard ~ 


Suett. Engraved possibly by Cawthorne. With full margin. 

Ato. William Prince of Orange. Engraved possibly by _ sa 
Hodges, Jr. Proof before all letters, with a painted border. , 

With margin showing the plate-mark. Small folio. 
Robert Peel. Engraved possibly by Young. Proof before 
all letters, with small margin showing the plate-mark. 
Imperial folio. Miss Rafter (McClive) in the character 
of Phillida, after G. Schalken. With the inscription. Laid 
down and matted. Large 4to. David Riecedo. Proof 
before all letters, with margin, but lacking the plate-mark. 
Small folio. (8) 


56 ENGRAVER NOT ASCERTAINED. Sophia Wilhelmina, 
so Princess of Prussia. Proof before all letters, with margin Bee' 
ae lacking the plate-mark. Small folio. Wilhelmina, Prin- 

cess of Prussia. Bust in oval on rectangular ground. Proof 
before all letters, with untrimmed margin (deckle edges). 
Small folio. (2) | 


ID 


18 


5? ENGRAVER NOT ASCERTAINED. David Riccedo. Proof 


Sa 


Ze - 


; 


’ 


before all letters, with margin showing the plate-mark. 
Small folio. Hyacinthe Rigaud. Proof before all letters, 
with large margin. Small 4to. George Romney. Proof 
before all letters, with good margin. Royal folio. William 
III, King of Great Britain. Proof before all letters, with 
margin showing the plate-mark. Fine, small folio. Will- 
mot of Chaddeston. Proof before all letters, with full 
margin. 8vo. Bust of a Young Man in Armor. With 


wig and lace tie. Proof before all letters. Closely trimmed 


to the plate-mark. Small folio. Bust of an Elderly man, 
in plain clothes and white necktie. Proof before all letters, 
With good margin. Small folio. (7) 


98 ENGRAVER NOT ASCERTAINED. . A Chancellor and his 


db- 
AH, 


Secretary, seated at a table. Proof before all letters, with 
small margin, showing the plate-mark. Oblong folio. 
Man standing, after J. Reynolds. Proof before all letters. 
With small margin showing the plate-mark. Small folio. 
The Match Seller, after W. Salter. Proof before all 
letters, with margin lacking the plate-mark. Large 4to. 
The Henpeck’d Husband—The Dying Usurer. Not men- 
tioned by Smith. Proofs before all letters, with good mar- 
gins. The inscription margin of the second is partly cut off. 
Oblong Royal folios. 


ESPLENS (JOHN AND CHARLES). George Heriot, after 


G. Scougal. Sm. p. 3, I. Fine old impression, with very 
small margin just showing the plate-mark. Small folio. (6) 


99 FABER, SR. (J.). Ancient Philosophers and Poets, after 


yf 


s 


drawings from the antique by P. P. Rubens. Smith 2. 
Democritus. With small margin, but showing the plate- 
mark, Horace. The margin trimmed just at the plate- 
mark. Both good old impressions. Small folios. Charles 
I, after A. van Dyck. Sm. 24, III (of 4). Closely trimmed, 
but showing the full inscription. Large 4to. Another 
portrait of Charles I, after A. van Dyck. Sm. 25. With 
small margin but showing the plate-mark. Small folio: 
White Kennett, drawn from life by the engraver. Sm. 50, 
IIT, with R. H. Laurie’s address. With large margin. Small 


19 


we 


£7 


a! 


folio. 


Desiderius Erasmus. Sm. 58, i, II, with R. Hous- 


ton’s retouch. Trimmed closely to the plate-mark. Small 
Hulricus Zuinglius. Sm. 58, v, I, before R. Houston’s _ 


4to. 
retouch. Closely trimmed, but showing the full inscription. 
Remargined. Small 4to. Nicolas Rowe. Sm. 61. Fine 
old impression, before Bakewell’s address. Closely trimmed 
and lacking the plate-mark. Rare. Folio. (8) 


60 FABER, JR. (J.). William Barrell, after T. Hudson. Sm. 25. 


With small margin just showing the plate-mark. Small 
folio. Eustace Budgell, after D. Fermin. Sm. 50. With- 
out Bowles’s address. Only three impressions known to 
exist according to Smith. Closely trimmed, but showing the 
full inscription. Small folio. Bampfylde Moore Carew, 
after R. Phelps. Sm. 56, I. With large margin. Fine. 
Large 4to. Charles I, after Faithorne. Smith 74, II, 


with Bowles’s address. With good margin. Small folio—— _ 


Henry Clarke, after T. Hudson. Sm. 84. Closely trimmed, 
but showing the full inscription. Large 4to. 
Lord Craven, after M. Dahl. Sm. 93. With good margin. 
Small folio. (6) 


61 FABER, JR. (J.). Oliver Cromwell, after P. Lely. Sm. 96, I, 


before the date was changed to ‘‘1750.’’ Fine impression 
with good margin. 


FABER, JR. (J.).. William Duke of Devonshire, after J. 


Reynolds. Sm. 114, I, before Bowles’s address. With margin 
showing the plate-mark. Fine. Small folio—Johannes 
Devoto, after V. Damini. Sm. 115. Closely trimmed, show- 
ing the full inscription. Fine impression but slightly rubbed. 
Small folio. Prince Edward, Brother of George III, after 


R. Wilson. Sm. 120, I, before Bowles’s address. With small 
margin, lacking the plate-mark at the bottom only, but show- 


ing the full inscription. Fine. Large 4to.—bLady Jane 
Gray. One of the four portraits on the plate. Sm. 124, 
p. 345. Closely trimmed. 
bank. Sm. 133, II (of 3), before the retouch. With good 
margin. Small folio. Philip Frowde, after T. Murray. 
Sm. 149. With small margin showing the plate-mark. A 


20 


William — 


Martin Folkes, after J. Vander- 


<cgdien 
' ass ‘a “im 
———— ee lc rl ee 


scratch extending from the lower margin into the border 
and slightly into the background. Large 4to. John 
Guyse, after R. Van Bleeck. Sm. 170, II, with the address 
of ‘‘ John Oswald’’ changed to that of ‘‘Bowles.’’ With very 
small margin, just showing the plate-mark. Small folio. 
Nicholas Haddock, after T. Gibson. Sm. 172, I, before the 
retouch and before ‘‘Price 2s.’’ With good margin. Small 
folio. (8) 


63 FABER, JR. (J.). John Junes Heidegger, after J. B. Vanloo. 


[2 = 


Be 


_ nished out. With good margin. Large 4to. 


Sm. 184, I, before the retouch and before the price was bur- 
Hugh Howard, 
after M. Dahl. Sm. 193, II. With very large margin. Large 
4to. Matthew Hutton, after T. Hudson. Sm. 199, L., be- 
fore the retouch, and before the price was burnished out 
and before other changes were made in the inscription. With 
good margin. Large 4to. James I, King of Great Britain, 
ete., after A. van Dyck. Sm. 201. Closely trimmed and 
lacking the publication line. Not a contemporary impres- 
sion. Large 4to. Ignatius Loyola, after Titian. Sm. 227. 
Fine impression. With very large margin. 4to. Owen 


MacSwiny, after J. B. Vanloo. Sm. 231, I, before the 


scratches in the inscription space. With small margin lack- 
ing the plate-mark at the bottom only, but showing the full 
inscription. Small folio. Christopher Pinchbeck, after 
I. Whood. Sm. 289, I, before the retouch. Trimmed just 
at the plate-mark and remargined. Large 4to. Sir Robert 
Ladbroke, after T. Hudson. Sm. 213. Possibly a second 
state, but the publication line is unfortunately cut off. 
Slightly trimmed on all sides. Royal folio. (8) 


64 FABER, JR. (J.). Richard Nash, after T. Hudson. Sm. 253, I. 


G- 


Before the plate was damaged by spots and scratches in the 
inscription space and on the breast of the personage. With 
good margin. Large 4to. Charles Newby, after Ch. 
Philips. Sm. 254. With good margin, slightly creased, 
otherwise fine. Small folio. Isaac Newton, after J. Van- 
derbank. Sm. 258, I. Before the retouch and before ‘‘112’’ 
at the bottom to the right. With small margin, but showing 
the plate-mark. Small folio. (3) 


21 


65 FABER, JR. (J.). Chaloner Ogle, after C. Zinke. Sm. 260, I. 
Before the plate was changed to ‘“Sir Richard Hawke.”’ 


/ es , Trimmed just at the plate-mark. Small folio. Alexander 
d PY aoe Pope, after G. Kneller. Sm. 293, II, with Bowles address. 
Trimmed just at the plate-mark. Large 4to. (2) 


66 FABER, JR. (J.). Matthew Prior, after G. Kneller. Sm. 298. 


¢ - With good margin. Small folio—James Quin, after T. 

yf Hudson. Sm. 301. Fine impression, but closely trimmed, 

b ae : lacking the plate-mark and the publication line. Large 4to. 
(2) 


67 FABER, JR. (J.). Michael Richards, after G. Kneller. Sm. 
303, II. With good margin showing the full inscription, but 
lacking the plate-mark at the bottom. Small folio—— 


a 
/ 6 | Michael Rysbrack, after J. Vanderbank. Sm. 314, II, with 
Faber’s address. Trimmed closely to the plate-mark. Small 
4, i, folio. Samuel Scott, after T. Hudson. Sm. 319, il. 


Faber’s Drury Lane address has been changed to Blooms- 
bury Square. With good margin. Small folio Another 
impression of the same. Trimmed closely to the subject.—— 
John Seldon, Sm. 322, II, with good margin. Large 8vo. 
Qir James Thornhill, after I. Highmore. Sm. 345, II. 
The address is changed from ‘‘Drury Lane”’ to ‘“Blooms- 
bury Square.’’? With good margin. Small folio. Matthew 
Tindall, after B. Dandridge. Sm. 347, I. Contemporary 
impression with the complete address. With very large 
margin (deckle edges). Small folio. Daniel Turner, 
after a drawing from life by the engraver. Sm. 355, I, be- 
fore the retouch. With very large margin (deckle edges). 
Ato. Alexander Van Haecken, after T. Hudson. Sm. 360, 
II. Fine impression with the inscription and with margin 
showing the plate-mark. Small folio. (9) 


68 FABER, JR. (J.). John Vanbrugh, after J. Richardson. Sm. 
358, Fine impression with good margin. Only three impres- 
w. sions are known according to Smith. Small folio—Robert 
4 “Wilkes, after I. Ellis, Sm. 383, II, with Bowles’s address. 
yf With good margin; a printer’s crease through the sky near 

po the right upper corner. Small folio. (2) | 


22 


69 FABER, JR. (J.). William III, after J. Wyck. Sm. 387, II. 


wr - 


Closely trimmed, but showing the full inscription. Fine. 
Oblong royal folio. A School of Boys—A School of Girls, 
after P. Mercier. Sm. 411. Good old impressions with 
margins. Small oblong folios. The Choice, after Mercier. 
Sm. 412. Trimmed closely to the plate-mark, but showing 
the full inscription. Small oblong folio. (4) 


70 FAITHORNE, JR. (W.). Jeremiah Collier, after P. Lely. 


ig 


Sm. 6. Trimmed closely to the plate-mark and laid down on 
account of imperfections. Rare. 4to. John Dryden, 
after I. Closterman. Sm. 9. Trimmed closely to the plate- 
mark. Folded and carefully pressed out. 4to. Elizabeth 
Cooper, after P. Lely. Sm. 7, I, before the retouch and be- 
fore the verses. Trimmed closely to the plate-mark. Fine. 
Small folio. Richard Gomeldon, after I. Kerseboom. Sm. 
16, II, with good margin. Large 4to.—Mary Princess of 
Orange, after A. Van Dyck. Sm. 27; III. Sayer’s address 
is burnished out. With good margin. Large 4to. (5) 


71 FAITHORNE, JR. (W.). Mary Princess of Orange. Sm. 27, 


FD 
27 


72 


ge 
je 


I, before the retouch, before Sayer’s address and before 
Van Dyck’s name instead of Hanneman’s. With margin 
showing the plate-mark. Fine. Large 4to. Another im- 
pression of the same. The same state, according to Smith, 
but apparently toned down with the burnisher, as the print 
has a much softer appearance. With margin showing the 
plate-mark. Fine. Mary, Lady Rooke, after M. Dahl. 
Sm. 31, I, before the name of the personage. With small 
margin showing the plate-mark. Large 4to. Thomas 
Shadwell, after I. Kerseboom. Sm. 36, I, before the name 
of the personage, etc. Trimmed closely to the plate-mark, 
but showing the full inscription space. Fine. Large 4to. (4) 


FINLAYSON (J.). Gertrude, Viscountess Villiers, after F. 


Calze. Sm. 17. Very fine and brilliant impression with the 
inscription and with large margin. The plate has been folded 
and pressed out. 


23 


F hoes 


joe 


73 FISHER (E.). John Armstrong, after J. Reynolds. Sm. 3 I, 


17 


proof before all letters, not mentioned by Smith. Closely . 
trimmed but showing the full inscription space. Inlaid. 
Folio. John Stuart, Lord Cardiff, after J. Reynolds. 
Sm. 7, I, before the address was changed to W. Humphrey’s. 
Closely trimmed, but showing the full inscription. Small 
pieces of the lower corners replaced. Folio. William 
Havard, after T. Worlidge. Sm. 27, only one state. Closely 
trimmed, but showing the greatest part of the inscription 
margin. Laid down for no apparent reason. Very scarce. 


mee: 
cae =n 


Large 4to. On the paper below is written: ‘‘Private plate 


and proof from the Collection of John Philip Kemble. ”’ 
Nathaniel Hone, after his own painting. Sm. 30. Possibly a 
first state. With good margin. Large 4to. (4) 


FISHER (E.). John Lord Viscount Ligonier, after J. Rey- 


nolds. Sm. 38. Very fine and brilliant impression with the 
inscription and with large margin. 


FISHER (E.). Elizabeth, Countess of Northumberland, after 


J. Reynolds: Sm. 45. Very fine and brilliant impression 
with the inscription. With large margin. Not an early 
‘impression. The Studious Fair. Not mentioned by Smith. 
With good margin showing the plate-mark. Repairs where 
the plate-mark had given way. Small folio. (2) 


FREIDHOFF (J. J.). Mocking of Christ. Proof before all 


letters, with full margin. Oblong royal folio. Engraver 
unknown. Salmacis and Hermaphrodite, after G. Reni. 
Trimmed closely to the engraved surface and inlaid. Oblong 
royal folio. Lambert Krahe, after J. Fratrel. With large 
margin. 4to. Friedrich Heinrich Fuger, after his own 
painting. With full margin. Folio. (4) 


FRYE (T.). Charlotte, Queen of Great Britain, after the 


engraver’s own design. Sm. 3. Fine impression with the 
inscription and with large margin. Folio. Thomas Frye, 
after the engraver’s own design. Sm. 6. Fine proof before 
the title. With large margin. The plate has been creased. 
Folio. Woman with Fan in her Hand, after the en- 


fh 
* 


graver’s own design. Sm. 22. Very fine and brilliant im- he 


pression with large margin. Folio. (3) 


24 


2 hay 


£E ? eo y CS Ps 
Melt ee “hgh tee | Mita. 
ites’ felt mile Oe ara 


MARY ISABELLA, DUCHESS OF RUTLAND 
ENGRAVED BY VALENTINE GREEN, AFTER SIR JOSHUA REYNOLDS 


[NUMBER 82] 


78 


82 


4,000 = 


GOLE (J.). Ludolph Bakhuisen. Fine impression with the 
Separate inscription plate. With good margin. Small 4to. 
Leopold I, Roman Emperor. Fine impression with margin 
showing the plate-mark. Slightly foxed. Small 4to. A. 
Van Ostade, after his own painting. With margin. 4to. 
Charles V, Duke of Lorraine, after A. Wissing. Wes. 55. 
Closely trimmed, lacking the plate-mark, including the en- 
graver’s name. Small folio. 


GRAHAM (G.). John Earl of Bute, after A. Ramsay. Sm. 
1, with large margin. 8vo. 


GREEN (V.). Repose in Egypt. Closely trimmed and re- 
margined. Small 4to. 


GROZER (J.). Euhun Sang Lum Akao, after H. Danloux. 
Sm. 10, I, with a good margin. Small folio. (7) 


GREEN (V.). Lemuel Francis Abbott, painted by himself. 
Sm. 1, IJ, open letter proof, with the date changed from 
“1800” to ‘‘1805.’’ With very large margin. Elizabeth 
Fortescue, Countess of Ancrum, after P. Falconet. Sm. 3. 
Very brilliant proof with the artists’ names and publication- 
line in traced letters only. With large margin. A crease 
across the engraved surface. (2) 


GREEN (V.). George the IV, when Prince of Wales with his 
Brother Frederick Duke of York, after B. West. Sm. 48, II. 
Very fine proof with the inscription in traced letters, but 
with the date ‘‘Nov. 4,’’ added. With margin trimmed to 
the plate-mark. 


GREEN (V.). Henry Grattan, after F. Wheatley. Sm. 52. 
Good impression with inscription. With large margin. 
Miss Polly Kennedy or Jones, after E. Calze. Superb proof 
with the artists’ names and the publication line in traced 
letters. With large margin. (2) 


GREEN (V.). Mary Isabella (Somerset) Duchess of Rutland, 
after J. Reynolds. W. 103, II. Sm. 115, II. Very fine 
impression before the alteration of the plate. With margin 
showing the plate-mark. Very rare. Royal folio. Framed. 

[SEE ILLUSTRATION ] 


a ures 25 


83 GREEN (V.). Emily Mary (Hill) Countess of Salisbury, 
after J. Reynolds. W.110, II. Sm. 116, II. Fine impres- — 


oot 
j % a sion with very small margin. Just showing the plate-mark. oe 
: Two wormholes and, a few rust spots are hardly noticeable. “A 
Pa Very rare. Royal folio. Framed. eh 
[Srz FRONTISPIECE] .* Ve 


84 GREEN (V.).. Fidelia and Spiranza, after B. West. W. 207. 
oe Sm. 160, II. Fine impression with the inscription in traced 
9 letters, but the date altered to ‘‘Nov. 9, 1778.’’ With large 
margin. Benjamin Stillingfleet, after J. Zoffany. Sm. 
124, the only state. Closely trimmed, but showing the full 
inscription. Large 4to. (2) ; 


85 GREENWOOD (J.). Philip Sherard and William Tiffin, after 
N. Hone. Sm. 4. Fine and brilliant impression. The plate 


/ oat was never finished. With large margin. An inscription in 
ink apparently in the engraver’s own hand in the lower — 
margin. 3 ohn 


86 GREENWOOD (J.). Simon Fokke, after J. Buys. A. p. 613, 
No. 7. Proof before all letters; the margin trimmed just at 


2 e the plate-mark. Folio.Rembrandt’s Father, after Rem- 
: brandt. Sm. 9. Impression with the inseription. With 
4, . margin. Creased and ironed out. (2) 


87 GRIFFIER (J.). James II, King of Great Britain, after G. ~~ 4 
Kneller. Sm. 4, I, with Griffier’s monogram. Fine impres- 2 
i sion with large margin. Small folio. Another impression 
of the same. Second state, Griffier’s monogram is burnished 
out and two short vertical strokes appear near the place. 
where it was. Closely trimmed and remargined. Small 
folio. (2) , mre 


88 HAID (J. E.). John Bunyan, after T. Sadler. Fine impres- 

sion with good margin. Small 4to. Christian Fiirchte- 

7 a gott Gellert, after A. Graff. Fine impression with good. 
2 margin. Johann -Jakob Haid, after A. Graff. Trimmed 


closely at the plate-mark. Folio. La Fille Menagere. A 
Gy lr reversed copy after Houston’s ‘‘The Fair Oysterinda’’ (Peg 
Woffington). With margin, but the bottom lacking the plate- 


26 | i 


:” 


mark and the publication-line. Folio. Jaque Mettenleiter 
et Jean Elie Haid, after J. Mettenleiter. LeBl. 46. Very 
fine and brilliant impression with the inscription. With 
large margin. L’Etat Ecclesiastic (Mgr. Cl. de Saint 
Simon), L’Etat Militaire (Comte d’Evreaux), L’Etat Paisan, 
L’Etat Rotouries (Lenorment de Tournehem). All except 
‘“‘L’Etat Paisan’’ reversed copies after line engravings by 
Drevet, Schmidt and Dupuis. With full margins. Very 
fine. Folios. (9) 


89 HAID (J. J.). Jacque Antoine Allard, after N. de Largilliére. 


re 


dob 


With good margin. Folio. Jakob Bender, after M. 
Merian. Closely trimmed to the plate-mark. Three times 
folded. Folio. Philip Adam Benz, after J. Holzer. With 
margin showing the plate-mark. Folio——Franz Ernst 
Bruckmann, after J. C. Eichler. With good margin. Small 
folio. Heinrich Graf Bunau, after A. M. Wernerin. With 
good margin. Small folio. Claude Alexandre, Comte de 


Bonneval (Osman Ashmed Pasha). With good margin. . 


Folio. Jakob Wilhelm Feuerlein, after W. Busch. With 
large margin. Small folio. Jakob Frey, after D. Dupra. 
Trimmed closely to the plate-mark. Folio. Samuel 
Christian Hollman, after G. D. Haid. With full margin. 
Small folio. | 


HAID (J. G.). Gideon de Laudon. With large margin. 


Large 4to. 


HAID (J. P.). John Wilkes. Reversed copy after J. Watson. 


With full margin. Fine. Folio. (11) 


90 HAID (J. J.). Johann Rudolph Hubert, after his own paint- 


/ - 


ing (directed to right). With margin showing the plate- 
mark. Folio. The Same (directed to left). With good 
margin, Folio. 
painting. With large margin. Folio. George Des Marees, 
after his own painting. With large margin. Folio. 
Giovanni Lami, after Feretti. With large margin. Small 
folio.m—Lodovico Antonio Muratori. Trimmed closely to 
the plate-mark, and folded across the inscription. Small 
folio. Johann Georg Schelhorn, after A. Loéscher. With 
large margin. Small folio. Christoph Jakob Trew. Small 


27 


Marcus Friedrich Kleinert, after his own - 


folio Samuel Urlsperger, after the engraver’s own paint- 
ing. With small margin, showing the plate-mark. Folio. 
——Another Engraving of the Same, after the same. With 
full margin. Folio. Another Portrait of the Same. After 
J. L. Haid. With full margin. Small folio. (11) 


jfe 91 HODGES (C. H.). H. W. Daendels, after C. Maaskamp. With 
large margin. William Pitt, after W. Owen. With large 
margin. Folio. (2) 


je 92 HODGES (C.H.). Mrs. Williams Hope of Amsterdam, after 
q J. Reynolds. Sm. 18. Fine impression with the inscription. 
With untrimmed margin (deckle edges). . 


93 HODGES (C. H.). William Wilberforce, after I. Rising. Sm. 
34. State unknown to Smith. Very fine and brilliant open 


f0 letter proof with the date ‘‘Octr. 1st 1791,’’ instead of ‘‘Feb. 

4} - 1st 1792’ as given by Smith. With very large margin. . 
. Van Kinsenberg, after F. L. Burchmann. Unknown to 

NY edad Smith, Leblanc and Andresen. With margin at top and 


sides, at the bottom it is cut just below the name of the 
personage. (2) 


94 HOUSTON (R.). Charlotte, Queen of Great Britain, after 
M. Benwell. Sm. 21. Fine impression with the inscription. 
With large margin. Elizabeth, Countess of Northumber- 
/g - land, after J. Reynolds. Sm. 83. Closely trimmed, but 
showing the full inscription. Remargined. 8vo. Richard 
Penderill, after G. Zoust. Sm. 88, V. With good margin. 
Small folio. Matthew Skegegs, after T. King. Sm. 111, Il 
(of 3), before the address was changed to ‘‘Chancery Lane.”’ 
Closely trimmed and inlaid. Small folio. Domestick 
Employment. Washing, after P. Mercier. Sm. 141, No. 3. 
With good margin, but at the bottom lacking the plate-mark. 
With the publication line. Small folio. (5) 


95 HOUSTON (R.). Maria Countess of Coventry, after J. 


Liotard. Sm. 32, I. Very fine impression before the plate 
7 fe was reduced in size and the inscription altered. With small 
] margin trimmed to the plate-mark. 
28 


96 HOUSTON (R.). Anthony Maddox, after T. King. Sm. 75. 
The only state. With very small margin, trimmed very near 

ad the plate-mark, but showing the full inscription margin. 

jd Small folio. The Fair Oysterinda (Peg Woffington), 

after P. Mercier. With good margin. Peace, after R. 
Pyle. With good margin. The Jovial Fellow, after J. 
Vandermyn. Sm. 151. With good margin. Slightly creased. . 
Small folio. The Same. Reversed copy, published by t 
Bowles and Carver. Closely trimmed and lacking the plate- | 
mark. Small folio. The Humorist or Fiddling Boy. 
Printed for J. Bowles. With margin. 8vo. (6) 


$7 HOUSTON (R.). Richard Grenville Temple, after W. Hoare. 


ves Sm. 113, I. Very fine and brilliant impression. With mar- Srv ; 
bd gin. Lady’s Maid fsa Aelia H. Morland., Sm. 22. In vir Bisa 


of Dawe). Second state. Fine impression with margi “Unaathe 2 ¢ 
( ) Pp cil “ Horradli 


showing the plate-mark. Framed. (2) 


98 HUDSON (H.). Joseph Planta, after G. Engleheart. Sm. 7, 
I. Proof before all letters. With good margin. 


/ j cae HUMPHREY (W.). Christopher Pinchbeck, after a drawing 
by Cunningham. Sm. 15. With good margin. Small 4to.— 
Dr. Dodd. Sm. 1726, No. 53, II, with W. Humphrey’s ad- 
dress. Supposed to have been engraved by J. R. Smith. 
With good margin. Small folio. 


JACKSON (M.). Nancy Dawson. Sm. 2, II (of 4), slightly 
and well retouched, the price burnished out and the address 
changed to Robt. Sayer’s, but before the door in the back- 
ground. With good margin. Colored with the brush. Small 
folio. (3) 


99 JEHNER (J.). Dionysius Areopagita, after J. Reynolds. Not 
mentioned by Smith. With large margin. 4to. 


JOHNSON (T.). Lady Ann Campbell, after J. Reynolds. 
With margin. 8vo. Thos. Britton. Sm. 1, I With 
small margin showing the plate-mark. Small folio. 


KEATING (G.). Mr. Kemble in the Character of King 
Richard the Third, after G. Stuart. Sm. 5. Fine and bril- 
liant impression with the inscription. With large margin. (4) 


29 


100 


101 


JONES (J.). Warren Hastings, after J. T. Seton. Sm. 35, 1, 
before R. Dalton’s address. With large margin except at 
bottom, where it shows the plate-mark only. Artificially 
browned. Royal folio. | 


JONES (J.). Miss Kemble, after J. Reynolds. Sm. 45. Re- 
strike with untrimmed margin. Creased. Folio. 

ENGRAVER UNKNOWN. Polly Peacham (Lavinia Fenton). 
Not mentioned by Smith. Trimmed at the plate-mark and 
laid down. Small folio. Anthony Todd, after G. 


Romney. Sm. 72, I, magnificent proof before the name of. 


the personage. With very large margin. (3) 


KILIAN (G.). Louis XIV, King of France, after Fiter.. ” 


Very fine impression with margin showing the plate-mark. 
Folio. 

KYTE (F.). Worthies of Britain. Shakespear, Johnson, 
Milton and Butler. Sm. 13 C. With good margin. Small 
folio. Also Edmund Spencer, one of the four portraits 
of plate C. cut out and inlaid. 

LANG (J. A.). Cupid. Proof before all letters, with large 
margin. Fine. Folio. (4) 


LAURIE (R.). David Garrick, Mr. Palmer, Mr. Parsons, 
after R. Dighton. Sm. 1, ¢, f, and g. All second states, 
before the names of the personages, and the last before the 
vignette. With large margins. 8vos. Lady Anne Cock- 
burn, after H. B. Hamilton. Not mentioned by Smith. 
Closely trimmed and remargined. 8vo. (4) 


LAURIE (R.). The Fair Penitent, after W. Millar. Proof 
with the artists’ names and publication line in scratched 
letters. With good margin. Folio. Rival Milliners, 
after J. Collett. Early impression with the title scraped 

on mezzotinted ground. Trimmed closely to the plate-mark. 
Fine. Oblong folio. The Jealous Maids, after J. Collett. 


From the retouched plate. The margin is cleaned and the 


inscription is engraved. With good margin. Oblong folio. 


(3) 


105 LAURIE AND WHITTLE (Published by). Frederick the 


ie 


Great, King of Prussia reviewing his troops. Very fine 


30 


il : is 
ain 


Te 


‘4 


te 


impression with full margin. Small folio. George 
Prince of Wales. With margin showing the plate-mark. 
On late paper. Dr. Isaac Watts. With good margin. 
Small folio. The Cherry Girl. Very fine impression, 
trimmed closely to the plate-mark. Small folio. The 
Lovely Fruiteress. Very fine impression with large margin. 
Small folio. (5) 


106 LAURIE AND WHITTLE (Published by). The St. James’s 


fe” 


Beauty.—The St. Giles’s Beauty. Both with good margins. 
Fine. Small folios. The Strawberry Girl—The Water 
Cress Girl. Very fine impression, the first with full margin 
(deckle edges), the second closely trimmed and lacking the 
publication line. Small folios. (4) 


107 LENS (B.). Old Woman Drinking Gin, after Dusart. With 


VE 


margin showing the plate-mark. 12mo. Earth, after 
L. de Boullogne. With small margin just showing the 
plate-mark. Oblong small folio. Alpheus and Arethusa. 
With margin. 8vo. ‘Indian Queen. Indian King. Empress 
of China and two others. The two last ones proofs before 
all letters. All with margins and showing the plate-marks, 
except one. 12mos. 


LEONHART (J. F.). Andres Paul Peer. Before the inscrip- 
tion, only bearing the initials of the engraver and the date. 
With good margin. Very rare. Small 4to. 


MULTZ (A. D.). George Philip Volkhamer. First state, be- 
fore the name of the personage and before Weigel’s address. 
With large margin. Large 8vo. Johann Leonhard Beil. 
Fine impression, trimmed closely to the plate-mark. Rare. 
Small 4to. Unknown Portrait, after J. L. Beil. Trimmed 
closely to the plate-mark, but the inscription at the top 
with name of the personage is lost. Small 4to. 


LOGGAN (D.). William Laud, after A. van Dyck. Sm. 5, II. 
Trimmed closely to the plate-mark. Large 4to. Very rare. 


LUTTRELL (E.). Robert Cony. Sm. 6, II. With plain neck 
cloth instead of lacebands. Trimmed closely to the plate- 
mark. Small folio. Arthur, Earl of Essex, after P. Lely. 
Sm. 7, II, before ‘‘Smith’’ was substituted for ‘‘L Loyd.”’ 
Trimmed closely to the plate-mark. Fine and rare. Small 
Ato. (15) | 


31 


cs, 


<> 
bake 


108 MAC ARDELL (J.). Thomas Ashton, after J. Reynolds. 

Sm. 6. State not described by Smith; with the ‘“D.D.”’ but 

without ‘‘Et Honbili Hospitio ete.’’ at the bottom. With 

/ je margin. Large 4to. Henry Fox, after Liotard. Sm. 71, 
1(?). Closely trimmed, but showing the full inscription. 


44 Small folio. Augusta, Hereditary Princess of Bruns- 
A ies wick & Luneburg, after J. Reynolds. Sm. 9. Very fine 
and brilliant impression with the inscription. With margin 
showing the plate-mark. Charlotte, Queen of Great 
Britain. Sm. 41, II, without Mac Ardell’s address and with 


the changed address of Sayer. With good margin. Small — 


folio. (4) 


109 MAC ARDELL (J.). Miss Ann Day (afterwards Mrs. Fen- 
Ae houlet), after J. Reynolds. Sm. 53, H, With the inscrip- 
Ae tion in traced letters and the date added. With very large 


margin at the top and sides. At the bottom the plate-mark 


is missing. 


110 MAC ARDELL (J.). Catharine Compton Countess of 


Egmont, after T. Hudson. Sm. 60. Harly state unknown 


ad $3 to Smith. Proof before all letters. Very fine and brilliant 
3 / lnm impression. With margin showing the plate-mark. 


111 MAC ARDELL (J.). Philip Honywood, after B. Dandridge. 

Sm. 106, I, before the chain from drawbridge to loophole. 

§ ‘se Closely trimmed and lacking the publication line. Fine 
and rare. Royal folio. C. Lucas, M.D., after J. Rey- 

nolds. Sm. 123, II (of 3), before R. Sayer’s address. With 


A margin showing the plate-mark. 4to. Louis Due De 
Fo ) Nivernois, after A. Ramsay. Sm. 140, I, Proof before all 
\/ Ui 1/ letters. Good impression. With margin trimmed to the 


plate-mark. (3) 


112 MAC ARDELL (J.). Mr. Quin, in the Character of Sir John 
Falstaff. Sm. 149, I, before the engraver’s name and be- 


/b ae fore R. Sayer’s address. With margin showing the plate- 
mark, Laid down for no apparent reason. Small folio. 

Thomas Sherlock, after J. B. Vanloo, Sm. 165. With very 

of +f F small margin, but showing the plate-mark, creased and 


carefully pressed out. Small folio. John Reynolds, after 


32 


ae 


J. Reynolds. Sm. 151, I(?). With large margin. Small 
folio. William Wentworth, Earl of Strafford, after J. 
Reynolds. Sm. 172, IJ. With very small margin, but show- 
ing the plate-mark. A small tear in the lower margin re- 
paired. Large 4to. Mrs. Sandby, after F. Cotes. Sm. 
162. Very fine impression. With margin trimmed to the 
plate-mark. (5) 


113 MAC ARDELL (J.). Samuel Richardson, after J. High- 


more. Sm. 152, I. Very fine proof with the artists’ names 
only. The name of the personage was written in ink and is 
washed out. With margin showing the plate-mark. 
Pierre Mortier, after J. Brandon. Not mentioned by Smith. 
G. 128, IJ. The meridian lines added to the globe and the 
titles on books made more distinct. Nice impression. With 
large margin. (2) 


MARCHI (J. P. L.). James Harrington.) Sm, 8, [1.9 Trimmed 
closely to the plate-mark. Inlaid» Slightly rubbed. “Rare. 
Small folio. 


MAUCOURT (C.). Mirth and Friendship, after his own 
painting. Trimmed closely and lacking the plate-mark and 
publication line. Folio. 


MOORE (J.). John, Viscount Ligionier, after Tanjé. Not men- 
tioned by Smith. With large margin. Very fine and rare. 
8vo. (3) 


MORLAND (G.). The Gipsies Tent. Engraved by J. Grozer. 
Baily 155. Very fine and brilliant open letter proof with 
margin trimmed to the plate-mark. Small defects in the 
upper right corner. 


MORLAND ra Inside of a Country Alehouse. Engraved 
by W. Ward. Ba. 184, II, magnificent impression with the 
inscription but with the date changed to May 6, 1800. With 
very large margin. 


¢ 
MORLAND (&). The Last Litter. Engraved by W. Ward. 
Ba. 197, I, magnificent proof before the title. With margin 
trimmed to the plate-mark. 


33 


ma) 


118 NUSBIEGEL (G. P.). Johann Michael Haffner, after S. 
Klienert. With good margin. Folio. 


PREISLER (V. D.). Georg Martin Preisler, after P. W. 
/ z ‘aS Oeding. With small margin showing the plate-mark. 
Slightly repaired. Small folio. 


RENTINCK (A.). Cornelis Troost; after Troost’s own paint- 
ing. Proof with the artists’ initials only. With good 
margin. Small 4to. 


ORME, Jr. (B.). Beilby Porteus, after M. Brown. With » 2 | 
margin showing the plate-mark. Folio. | 


PARKES (R. B.). Captain Orme, after Reynolds. Proof ‘i Rae 


with the names in scratched letters, on India paper. Full 
margin. Frederick Earl of Carlisle and Selwyn, after 
T, Gainsborough(?) Proof before all letters, on India 


er. Smal ¢" ) 
(ee .). John Singleton Copley, Baron 


Lyndhurst. Proof before letters, with good margin. Folio... 
(7) 


l6- 119 OKEY (S.). Miss Nancy Reynolds, after J. Williams. Sm. 9. 
gy Fine impression with the inscription. With large margin. 


120 PELHAM (P.). Oliver Cromwell, after R. Walker. Sm. 13, 
I, before John Bowles’ address. Trimmed closely to the 


Pf) eff : plate-mark. Rare. Small folio. Robert Lord Moles- 
/ ‘ worth, after T. Gibson. Sm. 27, II. Cooper’s address is 


changed to Bowles’. With large margin. Small folio. (2)™ "t Sart 
121 PETHER (W.). William Pether, after*his own drawing. 
Sm. 26, I. Superb proof before all letters and before the 
eee plate was cleaned. With margin showing the plate-mark, © 
/$ The inscription is written in ink, Very scarce-——The 
Farrier’s Shop, after J. Wright. Sm. 49. Superb impres- 
sion with the inscription. With largé margin. A small 
stain in the lower right corner. Mrs.-Sarah Porter, after 
Van der Smissen. The only state. With margin showing 
the plate-mark. Small folio. (3) 


34 


a? 


altel 


122 


128 
sas 


125 


(o= 


126 


/b« 


PICHLER (J. P.). Stanislaus Augustus, King of Poland, 
after J. B. Lampi. Not mentioned by A. Magnificent im- 
pression with the inscription. With large margin. 


PLACE (F.). Richard Thompson, after G. Zoust. Sm. 13, 
III, with ‘‘I Smith excudit’’ instead of ‘‘P Tempest.”’ 
With large margin. Fine 4to. Nymphs Bathing, after 

Wheatley. Aquatint by Jukes. Very fine impression 
with the inscription. Printed in bistre. With margin 
showing the plate-mark. (3) 


PURCELL (R.). Mrs. Horneck, after J. Reynolds. Sm. 40, 
I. Very fine proof before the name of the personage. With 
large margin. Miss Harriet Powell, after C. Read. Sm. 
63, I. Very fine and brilliant impression with the inscrip- 
tion, but before the No. ‘‘157.’’ Laid down. (2) 


QUITER (H. H.). Charles II, King of Great Britain, after 
P. Lely. With the inscription and with ‘‘Andreas Lup- 
pius Excudit.’’ Very good impression with margin show- 
ing the plate-mark. Small folio. Anne Hyde, Duchess 
of York, after P. Lely. Early impression with the inscrip- 
tion, but before ‘‘ Andreas Luppius Excudit,’’ on a separate 
plate. Trimmed closely to the plate-mark. Small folio. (2) 


REYNOLDS (J.). Portrait of the Painter, engraved by W. 
Giller. From the works of Sir Josh. Reynolds. W. appen- 
dix. George Prince of Wales. Proof with untrimmed 
margin.—Richard and Harriot Eliot and all their children. 
Open letter proof with good margin. Small 4to. Venus 
Chiding Cupid. The Fortune Teller. Simplicity, Lady 
Cath. Manners, Miss Wilkes, Woodnymph and Faun, Mrs. 
Parker, Nelly O’Brien, Ariadne, Lady Beaumont and six- 
teen others. All proofs and mostly with full margins. 
8vos. (29) | 


REYNOLDS (J.). From the works of Sir Joshua Reynolds. 
Lawrence Sterne, Sir W. Hamilton, Master C. Bunbury 
and four others. Mostly proofs with full margins. 8vos. 
From The Miniature or Index Set: Lady Fenhoulet, ete. 
Mrs. Traphand, etce., Countess Leton, ete., Lord John 


35 


aye 


4.14. 


or 
Op pralell 


iS - 


Cavendish, etc., Lady Bamfylde, Lady Blake (Juno), Miss 
Bowles, Miss Rondven! Lesbia, Countess of Carlisle, Cath. 


Clinton, Lady Delme and Children, Mrs. Merrick and ¥ re 


twenty-two others. Mostly with full margins. 8vos. (42) 


127 REYNOLDS (J.). From the Miniature or Index Set. Mrs. 


Carnac, Marchioness Camden, The Ladies Waldegrave, Miss 


Cholmondeley, Mrs. Bradyll by R. B. Parkes, Duchess of » 


Marlborough by J. Scott, Lady Anne Luttrell by Cook 
and thirty-five others. Mostly proofs on India paper, with 
full margins. 8vos. Cymon and Iphigenia. W. app. 
p. 148. No. 34. Proof with full margin. Small oblong 4to. 
Another Plate of the Same. Not mentioned by Whit- 
man. Size 6 7/16x7%. Proof with the artists’ names 
only. Trimmed to the plate-mark and remargined. 


ENGRAVER UNKNOWN. Sir Joshua Reynolds, when young. 


Trial proof with small margin. Rare 12mo.—Hngraver 
unknown. Another portrait of the same (with spectacles). 


Mezzotinted aquatint. Trial proof with margin. Rare. Small *% 


4to. (46) 


128 REYNOLDS (S. W.). Sir George Beckwith, after I. Eck- 
stein. W. 19. I. First state not mentioned by Whitman. 


Proof before all letters. Very fine and brilliant impression 
with margin. Gerrard Thomas Andrewes, after the en- 
graver’s own painting. W.10. Private plate. Proof with 
the autograph facsimile. With good margin, but lacking 
the plate-mark. 4to. Jean Pierre De Beranger, after 
A. Scheffer. W. 23. Proof with the artists’ names in 
traced letters; with the publisher’s dry stamp, state un- 
known to Whitman. With good margin. Small 4to.— 
Oliver Cromwell. Proof before all letters, with margin, 
but lacking the plate-mark. 8vo. (4) 


129 REYNOLDS (S. W.). Charlotte, Queen of Great Britain, 


after H. Edridge. W. 52. II. Second state not mentioned 
by Whitman. With the artists’ names and the publication- 
line, but no other inscription. Very fine and brilliant im- 
pression with very large margin. Matthew Boulton, after 
C. F. von Breda. W. 34, I, with the inscription in traced 


36 


ee ol 


open letters. Magnificent impression. With large margin. 
Sir Francis Bourgeois, after J. Northcote. W. 35. I. 
Very fine and brilliant proof with large margin. Edward 
Bickersteth, after A. Moses. W. 28. Proof with large 
margin. 4to. Henry R. Bishop, after T. Foster. W. 29, 
I, before the additional inscription ‘‘To be had of C. Lons- 
dale, ete.’’ With margin showing the plate-mark. Royal 
folio. G. Courthope, after T. Phillips. W. 63. II. 
Private plate. With good margin. Large 4to. (6) 


130 REYNOLDS (S. W.). George III, King of Great Britain. 
W. 102 II. Trimmed just at the plate-mark. Large 4to. 
George IV, King of Great Britain, after F. Chantry. 


id if W. 104. With large margin. 8vo. The Same. Proof 
before all letters, not mentioned by Whitman, also with 
Shr margin, but lacking the plate-mark. Very fine-———Henry, 


Lascelles, 2d Earl of Harewood, after J. Jackson. W. 131. 
With large margin. Fine. Folio. Henry Gally Knight, 
after H. Edridge. W. 95. Superb impression with the in- 
scription. With very large margin. The margin is slightly 
foxed. James Hare, M.P., after J. Reynolds. W. 130. II. 
Very fine and brilliant proof with the artists’ names only. 
With margin showing the plate-mark at top and sides. At 
the bottom the plate-mark is lacking. (6) 


131 REYNOLDS (S. W.). The Dowager Landgravine of Hesse- 
Homburg, after H. Edridge. W. 142. III. Good impression 
9 a with the inscription. With margin trimmed to the plate- 
mark. Laid down. A German Lady, after T. Lawrence. 
W. 171. II. Very fine impression with the inscription, but 
before the word ‘‘deposé’’ was burnished out. With very 

large margin. (2) 


132 REYNOLDS (S. W.). TT. B. Macaulay, after the engraver’s 

own painting. W. 188. Open letter proof with full margin. 

Slightly foxed. 4to. Wm. Edward Parry, after W. 

i{- » Haines. W. 229, III, proof with the artists’ names and the 
: publication-line in scratched letters. With full margin. 
Fine. Ato. Hugh Percy, 3d Duke of Northumberland, 

after T. Phillips. W. 235, II, open letter proof. With 


37 


large margin. Small folio. Josiah Pratt, after H. 
Wyatt. W. 241, II, with full margin. Large 4to.—— 
William St. Clare, M.D., after J. Lonsdale. W. 256, proof — 
with full margin. Fine. Small folio. John Simpson, 
M.D., after J. Jackson. W. 264. With large margin. Large 
Ato. Charles Warren, after W. Bebnes. W. 290, ILI. 
With small margin, but showing the plate-mark. Small 
folio. James Watt, after Sir F. Chantrey. W. 292. 
With good margin. Large 4to. (8) 


133 REYNOLDS (S. W.). Charles Saxton, after J. Northcote. 

W. 258. III. Very fine and brilliant impression with the 

inscription. With margin lacking the plate-mark. Lord 

je ~” Hugh Seymour, after J. Hoppner. W. 262. II. Very fine, 
and brilliant impression with the inscription but the word ~© 
4,1. 


‘‘Proof’’ burnished out. With large margin. ‘Watkin 
Williams Wynne, after J. Hoppner. W. 305. II. Very fine* ~ 
open letter proof. With margin showing the plate-mark. 
——Jeanne D’Are, after P. Delaroche. W. 355. The only 
state. Impression with the inscription. With large mar- 
gin. Death of Capt. Alexander Hood, after J. Northcote. 
W. 415. The only state. Very fine impression with the in- 
scription. With large margin. Not an early impression. 
Le Reve, after Dubufe. Not mentioned by Whitman. 
Very fine impression with margin, showing the plate-mark. 


(6) 


134 REYNOLDS (S. W.). Henry Gally-Knight, after M. A. 
Shee. W. 491. Open letter proof on India paper, closely 
trimmed and lacking the plate-mark. Royal folio.— 


§ & Richard Watson, after J. Jackson. W. 534, II, with the 
name of the personage. Trimmed closely to the plate-mark. 
Folio. (2) 
2 


38 


135 


be 


186 SAY (W.). Thomas Balguy, after T. ae Proof before 


ae 


SECOND SESSION 
LOTS 135-270 


SARRABAT (J.). Alexandre Bourdon, after Claude Le 


Fevre. With large margin. Folio. Another Impression 
of the Same. With margin showing the plate-mark. Laid 
down for no apparent reason. Pierre De La Roche, 
aiter R. Tourniére. With very large margin. Folio. 


Etienne Gantrel, after N. de Largilliére. With margin 


showing the plate-mark.. Folio. Louis XIV, King of 
France. Proof before all letters, with small margin show- 
ing the plate-mark. Folio. Le Grand Dauphin. Closely 
trimmed to the plate-mark, except at the bottom where it 
shows the plate-mark. Folio. 


SAUNDERS (J.). James Hustler, after R. Brompton. Sm. 


6. If. With the inscription but after the change of the 
address. With margin trimmed to the plate-mark. The 
upper left corner of the print has been torn. (7) 


letters on India paper, with margin, lacking the plate-mark. 
Royal folio. John Blackwood, after J. Reynolds. Script 


letter proof with the engraver’s dry-stamp. With large , 


margin. Small folio. William Cockburn, after W. 
Beechey. Proof before all letters, trimmed closely to the 
plate-mark. Imperial folio. Samuel Taylor Coleridge. 
Proof before all letters with good margin. Very fine. 
Folio. (4) 


SAY (W.). Mr. Faweett, after C. H. Harlow. Script letter 


proof with margin, lacking the plate-mark including the 
two last lines of the inscription. Slightly creased and 
browned. Royal folio. 


Thomas Lowndes, after Wm. Beechey. Script letter 
proof, with large margin. Small 4to. J. Purkis Junr., 
after J. Vaughan. Open letter proof, with good margin. 
Small folio. Robert Morris, after A. J. Oliver. Script 


39 


Thomas Witter Jackson, after, 
W. Field. Script letter proof. With large margin. Folio. ~ 


G My 


li= 


141 


letter proof, with large margin. Royal folio. Robert © 
Stevens, after J. Pocock. Script letter proof. With full 
margin. Folio. (6) 


SAY (W.). Philip Howard and Catherine Howard his sister, 


after J. Northcote. Superb proof with the inscription. 
With large margin. t 


SAY (W.). Another impression of the Same. In the same 


state and condition as the foregoing. The margin a little ve 4 
smaller. | 


SAY (W.). The Prince Regent, after J. Hoppner. Very fine 


and brilliant impression with the white letter; one of the 
first fifty. The margin trimmed to the engraved surface. 
Apparently printed on India paper. Laid down.—— 
Richard Ramsden, D.D., after S. Lane. Superb open letter 
proof. With large margin. William Staines, after W. 
Beechey. Magnificent open letter proof with the inscrip- 
tion in traced letters. With large margin. (3) 


SCHENCK (P.). Anne, Queen of Great Britain, after G. 


Kneller. With good margin. Large 4to. Beverland and 

his Mistress, after his own painting. Proof with the en- 
gravers name only. Trimmed closely to the plate-mark. 
Small folio. Abraham Bogaert, after G. Kneller. With “ 
small margin showing the plate-mark. Small 4to. René . 
Descartes. Trimmed closely to the plate-mark. Small Ato - 
——Job Ludolf. With good margin. Small 4to.— 

Catherine of Braganza, Queen of Charles II, after P. Lely. 

With good margin. Large 4to. (6) 


142 SCHENCK (P.). La Princesse De Conti. With margin 


showing the plate-mark. Fine. Oval. Small 4to-——Lady 
Howard, after G. Kneller. Trimmed closely to the plate- 
mark. Small oblong 4to.——Johanna Koertenblok, after.D.~ 
van der Plas. With good margin. Oval. Large 4to. + Oe 
Johanna Princess of Saxe-Gotha. With good margin. Small 5 
4to. Mary, Queen of Great Britain, 1690. With margin ~ 
showing the plate-mark, trimmed closely to it at the bottom. 
Large 4to. Another Portrait of the Same. With un- 
trimmed margin. Small folio. (6) 


40 


143 SCHENCK (P.). Mary, Queen of Great Britain, 1691. With 

good margin. Folio. James Duke of Monmouth. Good 

¥# impression with the inscription, including the ‘‘5.’? With 

good margin. Was folded. Small folio. Jacob Roman. 

With the inscription and with small margin showing the 
plate-mark. Small 4to. (3) 


144 SCHENCK (P.). Pieter Schenck, after David Hoyer. With 
full inscription. Trimmed closely to the plate-mark. Small 
s ue folio. Henry Sacheverell, after T. Gibson. With good 
margin. 4to. Charlemagne Stuart, from life. Trimmed 
closely to the plate-mark. Small 4to. Menno, Baron van 
Coehoorn. With good margin. Small 4to. William 
Henry, Prince of Orange. Fine early impression with good 
margin. Small folio—aA Great Painter in Need. Fine 
early impression, with four Dutch verses. With small 
margin, but showing the plate-mark. Small 4to. The 
same (in reversed position). With one line in Latin from 
Juvenal. With small margin, showing the plate-mark. 

Small 4to. (7) 


145 SHILLER (J. G.). Johann Melchior Ross, after his own 


s a painting. Fine impression with good margin. 1689. Small 
| folio. Madame Jane Skeffington. Not mentioned by any 
We ' authority. With good margin. Oval. 12mo. (2) 


146 SIMON (J.). Joseph Addison, after M. Dahl. Sm. 1. With 
margin showing the plate-mark. Slightly creased. Small 

40 oe folio. Another Portrait of the Same, after G. Kneller. 
Sm. 2. II (of 3). Trimmed closely to the plate-mark. 

| . Small folio. Philip Dormer Stanhope, 4th Earl of 
fosr— Chesterfield, after W. Hoare. Sm. 38 II. <A very fine 
impression with large margin. <A printers crease on the 

left extending into the dark background. Small folio. 

Elizabeth, Queen of England, after F. Hilliard. Sm. 54, I, 

before Cooper’s address was changed to Tho. Glass’. With 

margin showing the plate-mark. Fine oval. Small folio. (4) 


147 SIMON (J.). Poets and Philosophers of England. John 
Dryden, Samuel Garth, John Vanbrugh and Richard Steele. 

[ 6 = Sm. 55-I. With good margin. Small folio Henry Earl 
4 yr? of Galway, after P. De Graves. Sm. 67-I. Before the plate 


41 


As ~ 


al = 


4, v4. 


was reworked, With small margin, showing the plate-mark. 
Slightly creased. Small folio. Elizabeth, Lady Harvey, 
after M. Dahl. Sm.-80. I, before the oval was changed te 
a rectangle and before Cooper’s address was replaced by ’ 
Thos. Bowles’. With very small margin, but showing the 
plate-mark. Small folio. Sarah, Duchess of Marl- 
borough, after G. Kneller. Sm. 96. Only one state. Closely 
trimmed, lacking the plate-mark. Laid down on account 
of imperfections of the corners. Small folio. (4) 


148 SIMON (J.). Mary Queen of Scots. Sm. 98 I, before part ae 
of left ear shows under corner of black hood. With small 
margin, but showing the plate-mark. Rare. Small folio. 

Princess Mary, fourth daughter of King George II of 

Great Britain, after E. Seeman. Sm. 100, Il, ‘‘ Princess 

Mary’’ altered to ‘‘ye Princess of Hesse Cassel,’’ ete. 

Closely trimmed and lacking the plate-mark at the bottom. 

Small folio. Mary Duchess of Montagu, after C. D’Agar. 

Sm. 105-I, before Cooper’s address was changed to that of 

Bowles. Closely trimmed at the plate-mark. Small folio. (3) 


149 SIMON (J.). John Milton, after R. White. Sm. 104, I; be- 
fore ‘“‘& son’? was added after ‘‘I. Bowles.’’? Trimmed. e 
closely to the plate-mark. Very rare. Small folic—— — 
Matthew Prior, after I. Richardson. Sm. 127, I, before. 
Simon’s address was changed to J. Smith’s. Trimmed at 
the plate-mark. Small folio. William Pulteney, after 
G. Kneller. Sm. 128, II. Trimmed closely to the plate- 7 
mark. Small folio—Richard Steele, after G. Kneller. . «- 
Sm, 141 I, before Simon’s address was changed to J. om 
Qmith’s. Trimmed at the plate-mark. Small folios. (4) 


wet 
a 


150 SIMON (J.). Mathew Prior. Sm. 127, I. Framed. 
William Shakespeare, after G. Zoust. Sm. 133. I, before 
Simon’s name was replaced by ‘‘T. Burford Exeudit.”’ 
With margin showing the plate-mark. Oval. Small folio. 


(2) 


151 SIMON (J.). John Vanbrugh, after G. Kneller. Sm, 154. I, 
before Simon’s address was changed to that of J. Smith. 
With very good margin. Fine. Small foli.— Wilhelmina — . 
Charlotte, Princess of Wales, after B. Arlaud. Sm. 164. 


42 


152 


: Filed 


Earlier state than Smith’s Ist, before ‘‘Hen Overton at the 
White Horse without Newgate.’’ Closely trimmed and 
lacking the plate-mark, on the sides slightly trimmed into 
the oval. Small folio. Another Portrait of the Same, 
after G. Kneller. 1717. Not mentioned by Smith. With 
untrimmed margin (deckle edges). Oval. Small folio. (3) 


SMITH (J.). Ann, Princess of Denmark, after G. Kneller. 


Sm. 4. II, before the retouch. With large margin. Small 
folio. Ann, Queen of Great Britain, after G. Kneller. 
Sm. 5. I, before the hair was reduced and the ear rings and 
star were added. Trimmed closely to the plate-mark. Only 
four impressions known. Fine. Small folio. Ann, 
Princess of Denmark, after W. Wissing and J. Vander- 
vaart. Sm.10. The only state. With margin. Folio. (3) 


153 SMITH (J.). Lady Anne Brandon, after W. Wissing. Sm. 


4s - 


22-II. Trimmed closely to the plate-mark. Small folio. 
Lionel Lord Buckhurst and his sister Lady Mary Sackville, 
after G. Kneller. Sm. 27. The only state. With margin 
showing the plate-mark. Folio. William Anne Lord 
Bury, after G. Kneller. Sm. 32-I, before ‘‘Cum Privilegio 
Regis.’’ With margin showing the plate-mark. Small folio. 
John Lord Burleigh, after W.Wissing. Sm. 28-II, before 
**Cum Privilegio Regis.’’ With small margin showing the 
plate-mark. Folio. Gilbert Burnet, Lord Bishop of 
Sarum, after I. Riley. Sm. 28-I, before the retouch. With 
good margin. Small folio. Godart De Ginkell, Harl of 
Athlone, after G. Kneller. Sm. 15, II (of 3). With margin 
showing the plate-mark. Small folio. Isaac Beckett. 
Sm.17. Trimmed closely to the plate-mark. Fine 4to. (7) 


154 SMITH (J.). Thomas Bury, after J. Richardson. Sm. 31, I. 


/o- 


Fine old impression, with large margin. Small folio. 
Charles I, King of Great Britain, after A. Van Dyck. Sm. 
42. II (of 3). Fine old impression, trimmed closely to 
the plate-mark and inlaid. Small folio. Catherine of 
Braganza, Queen of Great Britain, after W. Wissing. Sm. 
36. I, before ‘‘Cum Privilegio Regis.’’ Trimmed closely to 
the plate-mark. Folio. Robert Cecil, after G. Kneller. 
Sm. 37. II. Fine old impression, trimmed closely to the 
plate-mark. Oval. Small folio. (4) 


43 


155 SMITH (J.). Charles I of great Britain, kneeling. Sm. 44. I, 


156 


/d ~ 


157 


160 


el 


before the retouch. With good margin. Small folio. 
Charles II, King of Great Britain, after G. Kneller. Sm. 
48, I, before the retouch. Trimmed closely at the plate- 
mark. Small folio. Henrietta and Anne Churchill, after 
G. Kneller. Sm. 51, II. Good old impression with small 
margin, showing the plate-mark. Small folio. 


margin showing the plate-mark. Small folio. (4) 


SMITH (J.). Robert Clayton, Lord Mayor of London, after 
I. Riley. Sm. 52. II (of 3), before the oxide spots. With 
good margin. Folio. William Congreve, after G. Kneller. 


Sm. 54. II (of 3). Fine old impression, with margin show- | 


ing the plate-mark, except at the bottom. Small folio. 
Thomas Coulson, after G. Kneller. Sm. 63-II. With large 
margin. Fine small folio. (3) 


SMITH (J.). William Lord Cowper, after G. Kneller. Sm. 
65. II, before the retouch. With margin showing the plate- 
mark. Fine. Folio. Lady Elizabeth Cromwell, after 
G. Kneller. Sm. 68. II. Fine old impression, with margin, 
showing the plate-mark. Oval. Small folio. (2) 


SMITH (J.). Lady Elizabeth Cromwell, after G. Kneller. 
Sm. 69. I. Fine old impression, with large margin. - Folio. 


SMITH (J.). Madame D’Avenant, after G. Kneller. Sm. 76, 
I, before the retouch. With margin showing the plate- 
mark, except at the bottom. Large 4to.——William Dolben, 
after G. Kneller. Sm. 80. IJ. With good margin. Fine. 
Small folio. Charles, Earl of Dorset, after G. Kneller. 
Sm. 81. Il. Trimmed closely at the plate-mark. Fine. 
Small folio. 
Sm. 84. The only state. With large margin. Small folio. (4) 


SMITH (J.). Prince Eugene of Savoy, after D. Richter. 
Sm. 85. II. Fine impression with very small margin, just 
showing the plate-mark. Small folio—John Earl of 
Exeter, after G. Kneller. Sm. 87. I, before the oxide spots. 
With margin showing the plate-mark. Fine. Small folio. 

William Fellowes, after J. Vanderbank. Sm. 88. II. 


44 


Mrs. 
Cross, after T. Hill. Sm. 70. Il. Old impression, with 


Mary, Countess of Essex, after G. Kneller. 


With full margin. Fine. Small folio. John Count 
Gallas, after G. Kneller. Sm. 94. Fine impression with 
good margin. Small folio. Prince George of Denmark, 
after G. Kneller. Sm. 97. I, before the retouch. With 
good margin. Fine. Small folio. George I, when Elec- 
tor of Brunswick, after I. Hirseman. Sm. 99. Fine early 
impression, trimmed closely to the plate-mark. Small folio. 


(6) 


161 SMITH (J.). George I, King of Great Britain, after G. 


f= 


Kneller (ascribed to I. Hirseman). Sm. LO0sF ET (ot os). 
With good margin. Fine. Small folio. George II, when 
Prince of Brunswick, after I. Hirseman. Sm. 102. Trimmed 
closely to the plate-mark. Fine. Small folio. George II 
when Prince of Wales, after G. Kneller. Sm. 104. I, before 
the Crown. With good margin. Fine. Small 4to. An- 
other impression of the same. Second state, with the crown. 
Trimmed closely to the plate-mark. Fine. Small 4to. 
Grinling Gibbons and His Wife, after T. Closterman. Sm. 
106. II. Fine old impression, with margin showing the 
plate-mark. Small oblong folio. (5) 


162 SMITH (J.). Henry Goodricke, after T. Hill. Sm. 117. II. 


[a - 


fos 


Fine impression with margin trimmed near the plate-mark. 
Small tear in the margin repaired. Small 4to. Another 
impression of the same, also a second state. Closely 
trimmed and lacking the plate-mark. Mrs. Conway 
Hackett, after J. Riley. Sm. 121. I, the battlement of the 
castle appears supported on projecting corbels, alternating 
with stones flush with face of lower wall. In later states 
all this course is a dark shade, without projections. With 
margin showing the plate-mark. Small folio. Anthony 
Henley, after G. Kneller. Sm. 126. II. Very good impres- 
sion with small margin, but showing the plate-mark. Small 
folio. Abraham Hondius, after his own painting. Sm. 
132. I. Fine old impression with margin showing the plate- 
mark. Small 4to. Mrs. Rachel How, after G. Kneller. 
Sm. 134 II. Fine old impression, with margin showing the 
plate-mark. Small folio. George, Landgrave of Hesse, 
after T. Murray. Sm. 128. The only state. With good 
margin. A slight scratch near the right side of the wig and 
a small tear in the margin repaired. Small folio. (7) 


» 45 


163 SMITH (J.). Lady Howard, after G. Kneller. Sm. 135. 


/ yi ae The only state. With small margin, showing the plate- 

| mark, except at the bottom. Large oblong 4to.———An-- 

4 yf e other Portrait of the Same. After G. Kneller. Sm. 136. I, 
: before the retouch. With large margin. Folio. (2) 


164 SMITH (J.). James I, King of Great Britain, after A. van. 


Dyck. Sm. 140. II (of 3). With good margin. Small 4to. 
/ b yu ——James II, King of Great Britain, after N. de Largil- 
liare. Sm. 145. IL (of 4). Trimmed closely to the plate- 
mark. Slightly browned. Small folio——James Duke of 


With very large margin. Fine. Small folio. “‘Granger 
states that the plate was lost and the prints became ex- 
tremely scarce in Smith’s lifetime, who offered a guinea a 
piece for as many as could be procured for him’’(J. Smith). 


(3) 


165 SMITH (J.). Godfrey Kneller, after his own painting. Sm. 
150. II (of 3). Closely trimmed and lacking the plate- 
mark at the left. Slightly browned. Small folio. Anne 
Bay — Kynnesman, after G. Schalken. Sm. 153-IT (of 4), before 
the plate was damaged by oxide-spots and scratches. With 
Syn alir good margin. Small folio. 
Spanish Friar, after G. Kneller. Sm. 155. I, before the 
inscription and before the white lines on floor. Closely 
trimmed, lacking the plate-mark. Very fine. Folio. 
André Le Nostre, after C. Maratti. Sm. 191. The only 
state. With good margin. Fine. Small folio. (4) © 


Wr: York, after G. Kneller. Sm. 142. I, proof before all letters. 


Anthony Leigh, as the 


166 SMITH (J.). John Locke, after G. Kneller. Sm. 107. II 


(of 3). Fine old impression, with good margin. Slightly 
j s= browned and foxed. Small folio. John Erskine, Earl of 
Mar, after G. Kneller. Original pen and ink drawing for 
Sarah, Duchess of Marl- 


Sm. 159. Oval. Small folio. 


borough, after G. Kneller. Sm. 165-I. Good old impres-— 


sion, with small margin just showing the plate-mark. Small 
folio. (3) | 


167 SMITH (J.). Joseph Martyn, after M. Dahl. Sm. 167. 113 
Fine old impression, with full margin’ (deckle edges). 
[{ ~ Small folio. Thomas Murray, after his own painting. 


46 


Sm. 188. I. Trimmed closely to the plate-mark. Large 
4to. Mary Beatrix, Queen of Great Britain (wife of 
James IT), after G. Kneller. Sm. 169-I. Fine old impres- 
sion, with margin showing the plate-mark. Oval. Small — 
folio. The same portrait, smaller. Sm.170. I. Old im- 
pression closely trimmed and lacking the plate-mark, except 
at the top. Oval 8vo. (4) 


168 SMITH (J.). Mary II, Queen of Great Britain (wife of 


19 - 


ae: 
b3- 
Purdie 


William IIT), after G. Kneller. Sm. 172. II, before the 
retouch. Fine old impression with good margin. Oval. 
Small folio. Another Portrait of the Same, after J. 
Vandervaart. Sm. 176. I, before all letters. Closely 
trimmed and lacking the plate-mark at the bottom. Small 
folio. Thomas Maxwell, after J. Closterman. Sm. 180. 
II. Closely trimmed to the plate-mark. Small folio. (3) 


SMITH (J.). Lady Essex Mostyn, after G. Kneller. Sm. 


184. I. Fine old impression, closely trimmed, but showing 
the plate-mark. Small folio—Charles Montague, Baron 
of Halifax, after G. Kneller. Sm. 185. II. Fine old im- 
pression with margin showing the plate-mark. Small folio. 
Charles Napier, after J. van Somer. Sm. 189 II. Fine 
old impression with small margin showing the plate-mark. 
Small folio. (3) 


170 SMITH (J.). Charles Napier, after I. Sommer. Sm. 189. I, 


proof before all letters, closely trimmed. A hole in the 
lower margin patched up and a small piece of the lower 
corner (white paper only) missing. Fine. Small folio. 
Isaac Newton, after G. Kneller. Sm. 190. II (of 3). Fine 
old impression, with good margin, slightly creased along the 
left edge. Small folio James Butler, Duke of Ormond, 
after G. Kneller. Sm. 194. The only state. Fine old 
impression with good margin, slightly browned. Small 
folio. Thomas, 8th Earl Pembroke, after W. Wissing. 
Sm. 198. II. Fine old impression with full margin (deckle 
edges). Small folio. (4) 
47 


171 SMITH (J.). Mary, Duchess of Ormond, and her son, after 


[pe 


dab 


G. Kneller. Sm. 196. I. Fine old impression with large 
margin. Small folio. The Same. Apparently the French 
copy mentioned by Smith. Trimmed closely to the plate- 
mark. Small folio. John Perceval, after G. Kneller. 


Sm. 200. II. Good old impression with large margin. Folio. — 


(3) 


172 SMITH (J.). William Petty, after J. Closterman. Sm. 201. 


gt ” 


4. tf. 


~plate-mark. Slightly foxed. Small folio. 


II. Old impression, closely trimmed and lacking the plate- 
mark. Repairs in the inscription margin. Small folio. 


William Richards, after G. Kneller. Sm. 211. I, “G. 


Beckett ex,’’ burnished out and ‘‘et ex’? added after 
‘‘Hec.’’? With margin showing the plate-mark. Fine. 
Small 4to. Henry Sacheverell, after A. Russell. Sm. 
219. II. Fine old impression, with margin showing the 
Alexander 
Pope, after G. Kneller. Sm. 203. II. Fine old impression, 
with large margin. Small folio. Godfrey Schalcken, 
after his own painting. Sm. 226. The only state. Fine 
old impression with good margin. Slightly rubbed along 
the left edge. Large 4to. Sophia Dorothea, Daughter 
of George I. after F. W. Weideman. Sm. 207. I. Fine old 
impression with large margin. Oval. Small folio. The 
same Portrait in reversed position. Sm. 208, I. Old im- 
pression with small margin showing the plate-mark. Oval. 
8vo. (7) 


173 SMITH (J.). Bessey, Countess of Rochford, after Ch. D’Agar. 


he 


Sm. 213-II. Good old impression, trimmed closely to the 
plate-mark. Small folio. Margaret Countess of Rane- 
lagh, after G. Kneller. Sm. 209-I. Fine old impression 


with very small margin, but showing the plate-mark. Small 


folio. Edward Rigby, after T. Murray. Sm. 212-I, be- 
fore all letters. With very small margin lacking the plate- 
mark. A small piece of the lower margin replaced. Small 
folio. Mrs. Ann Roydhouse, after J. B. de Medina. Sm. 


216. II. Fine old impression with large margin. Small 
folio. (4) 


48 


. 174 SMITH (J.). Diana Duchess of St. Albans, after G. Kneller. 


jee 
Snir 


Sm. 220. II. Good old impression, with good margin. Large 
folio. Frances, Countess of Salisbury, after G. Kneller. 
Sm. 221. II. Old impression with good margin. Small 
folio. Mrs. Sherard, after G. Kneller. Sm. 229. IT. 
Good old impression, with margin showing the plate-mark. 
Small folio. Charles, Viscount Townshend, after G. 
Kneller. Sm. 255. II. Old impression with good margin. 
Oval. Small folio. (4) 


175 SMITH (J.). John Smith, after G. Kneller. Sm. 232. II. 


\Y- 


Framed. 


Richard Steele, after J. Richardson. Sm. 244. 


ty bunt IJ. Framed. (2) 


176 SMITH (J.). John Lord Somers, after J. Richardson. Sm. 


(4 
4H. 


234. II. With good margin. Small folio. Edward 
Southwell, after G. Kneller. Sm. 239. II. Also with good 
margin. Small folio. Christopher Walters Stockdale, 
after G. Kneller. Sm. 245. II (of 3). Good old impression, 
trimmed closely to the plate-mark. The left lower and right 
upper corner slightly torn. Small folio. William Stuke- 
ley, after G. Kneller. Sm. 248. II. Fine old impression 
with good margin. Small folio. Thos. Tompion, after 
G. Kneller. Sm. 252. IJ. Fine old impression, closely 
trimmed but just showing the plate-mark. Small folio. 
Thomas Newport, Lord Torrington, after G. Kneller. Sm. 
204, II (of 3). Fine old impression, trimmed closely to the 
plate-mark. Small folio. William Van De Velde, Jr., 
after G. Kneller. Sm. 268. II. Old impression, slightly 
rubbed with small margin showing the plate-mark. Small 
folio. William III, King of Great Britain, after W. 
Wissing and I. Vandervaart. Sm. 274. The only state. 
Fine old impression (possibly a proof). Closely trimmed 
and lacking the plate-mark and the inscription space. <A 
piece of old paper added at the bottom with two lines of 
French inscription in pen and ink. Folio. (8) 


177 SMITH (J.). Mrs. Voss and Child, after G. Kneller. Sm. 


Ao- 


260. I, before the retouch. Old impression with small 
margin showing the plate-mark. Small folio. Mrs. Ann 
Warner, after N. de Largilliére. Sm. 264. I, before the re- 


49 


DA tty ae Pee ee 
' cere a) @ ey 

. ie Sia af 
nn 

ant. 

4. 


- 


touch. Good old impression. With margin showing the 
plate-mark. Oval. Small folio. ‘Wilhelmina Charlotte, — 
afterwards Queen Caroline, after G. Kneller. Sm. 268 IL “wh 
Old impression, with very small margin, but showing the 
plate-mark. Small folio. William Wissing, after his 
own painting. Sm. 278. II. Fine old impression, trimmed ~~ 
closely to the plate-mark. Large 4to. Dudley Wood- 
bridge, after G. Kneller. Sm. 280. The only state. Old 
impression closely trimmed. Small folio. (5) 


178 SMITH (J.). William Wycherly, after P. Lely. Sm. 284.11. . | 
Rich old impression, trimmed closely to the plate-mark. A 
double crease across the body carefully pressed out. Rare. 
Bf j= Small 4to. Diana and Actaeon, after P. Berchet. Le BI. 

369. Fine old impression, with very small margin, but 
showing the plate-mark. Oblong small folio. Love, Hope, 

SUA and Beauty trying to stop Father Time, after S. Vouet. 
Le. Bl. 378. Fine old impression, with good margin. Small — 
folio——Venus Riding on a Shell, after A. Allegri. Le Bl 
384, Fine old impression with small margin, but showing 
the plate-mark. Folio. Cupid and Psyche. Proof be- 
fore all letters, with good margin. Folio. Another En- 
eraving of the Same. With small margin showing the plate- 
mark. 4to. Venus and Cupid, after J. M. Nattier, I. 
King exe. With small margin showing the plate-mark. 
Small 4to. Biblical, Mythological, Historical and other © 
Subjects. J. Smith Exe. With small margins. Six small 
4tos. (138) . 


179 SMITH (J. R.). Mr. Bannister in the character of Miss 
Polly Peachum. After the artist’s own drawing. Fr. 24. 
j- Very fine and brilliant impression with the inscription. 
( With margin showing the plate-mark. The Duke of Bed- 
ford, after J. Hoppner. Fr. 29-I, with the inscription, but 
before the plate was reduced in size. Very fine and brilliant 

impression. With margin showing the plate-mark, (2) 


180 SMITH (J. R.). Lady Beaumont, after J. Reynolds. Fr. 28. 
IV. Most superb impression with the inscription, showing 
j foe the alteration in the publication-line, but before the change —__ 
in the date. With margin showing the plate-mark at top 


4 al . | 50 


Stenry cor ny 


ail G he fin: Agu he 


MRS. CARNAC : 
ENGRAVED BY J. R. SMITH, AFTER SIR JOSHUA REYNOLDS 


[NUMBER 181] 


and sides. At the bottom it is lacking. A tear in the oval 
frame has been carefully and skilfully repaired and is 
unnoticeable. 


181 SMITH (J. R.). Mrs. Carnac, after J. Reynolds. Sm. 31. 
| III or IV. The state cannot be definitely ascertained, as, 
ea ¢. the publication-line has been put in with pen and ink. Very ° 
4 jd : fe impression, trimmed very closely to the plate-mark. 
r Very rare. Royal folio. Framed. 


[SEE ILLUSTRATION | 


182 SMITH (J. R.). Juliana, Countess of Carrick and her 


st. daughters, after R. Cosway. Fr. 62. II. Very fine and 
/ 2 brilliant impression with the inscription. With large mar- 
4A. A ¢ gin. Slightly water-stained on the right side. 


183 SMITH (J. R.). Mother and Child (Mrs. Carwardine and 
Child), after G. Romney. Fr. 66. III. Fine impression 


rae 

2! b with the inscription. The title is changed to ‘‘Mother and 

db yf ' child.’’ With margin showing the plate-mark at top and 
: sides, At the bottom it is trimmed to the plate-mark. 


184 SMITH (J. R.). Miss Chambers, after the artist’s own de- 
sign. Fr. 70. II. Very fine and brilliant impression with , 


the inscription, but before the plate was cut down, removing . 


mm 
Jd the address. With the margin trimmed to the plate-mark. 
Mademoiselle Clermont, after the artist’s own design. 
ee Fr. 85. II. Very fine impression with the inscription before 


the plate was reduced in size removing the address. With 
large margin. A small tear in the lower margin carefully 
repaired. (2) 


185 SMITH (J. R.). Katherine Mary & Thomas John Clavering, 
_ after G. Romney. Fr. 84. II. Very fine and brilliant , 
2s impression with the inscription before the address was 
A yd. changed to that of Humphreys. With large margin. 
e 


186 SMITH (J. R.). Miss Cumberland, after G. Romney, Fr. 102. 
oo Fine impression. The margin trimmed to the engraved sur- 
/ 6 p _ face, laid down on account of imperfections. 


quae 51 


od 


187 SMITH (J.R.). Erasmus Darwin, after J. Wright. Fr. 108. 


I, open letter proof, and before ‘‘May 1st.’’ was changed to 
‘‘May 7th.’? A most superb impression with untrimmed 
margin (deckle edges). William Duke of Devonshire, 
after J. Reynolds. Fr. 112. Very fine and brilliant impres- 
sion. The margin trimmed to the engraved surface. 7 


John Fielding, after N. Hone. Fr. 138. II. Very fine d Ny he 


brilliant impression with the inscription, but before th 
address was changed to that of Carey and Watson. Wit 
margin trimmed to the plate-mark. (3) 


188 SMITH (J. R.). John Lord Eldon, after T. Lawrence. Fr. 


(o~ 


4,¥4, 


1804.’’ With untrimmed margin (deckle edges). At the 
bottom ‘‘Jne. Holland Esqr. With the engravers compts,”’ 
written in ink by the engraver. 


. 


fags ae 
125. II. A most superb impression with the inseription, ~~ »— 
but before ‘‘Decr. 1. 1800.’’ was changed to “‘Sepr 1 


e 


ee. 


189, SMITH (J. R.). Mrs. Fitz-William, after the artist’s own, . 


painting. Fr. 143. Il. Very fine and brilliant impression 
with the inscription before the plate was reduced in size, 
removing the address. With margin trimmed to the en- 
eraved surface at the top and sides, at the bottom, to the 
plate-mark only. A small square piece in the lower right 


corner replaced. | a3 % 


ie. Oe 


190 SMITH (J.R.). Nigel Bowyer Gresley, after the artist’s own 


painting. Fr. 159. The only state. Proof before all letters 


and before the inscription space was cleaned. With margin 
showing the plate-mark. Charles Holland, after H. B. 
[H. Bunbury]. Fr. 179. I. Very fine and brilliant proof 
with the inscription in traced letters. With margin trimmed 
to the plate-mark. Laid down. 


the plate-mark. Small folio. 
the engraver’s own drawing. Sm. 119. I, before the face 
was made much older, and before other changes. Closely 


trimmed, lacking the plate-mark and part of the inscription. 


Small folio. (4) 
52 


Andrew Marvell. Sm. — 
104. The only state. Old impression with margin showing 
William Musgrave, after 


- 


Ca Tr i > ta 
* 


SMITH (J. R.). Miss Montague, after the artist’s own paint- 
ing. Fr, 247, II. Very brilliant impression with the in- 
scription, but before the reduction of the plate, removing 
of the address and before the retouches on the face. With 
margin trimmed to the plate-mark. The edges have been 
reenforced and there is a small stain in the lower left 
corner. 


SMITH (J. R.).- Miss Harriet Powell, after W. Peters. Fr. 
281. State unknown to Frankau and probably earlier than 
the second. Very fine and brilliant impression with the 
inscription which reads: ‘‘Printed by Wm. Peters—En- 

- graved by J. R. Smith.—Miss Harriet Powel—After the 
Original Picture of Mr. Peters,’’ the publication-line is the 
same. With margin showing the plate-mark. 


SMITH (J. R.). The Schindlerin, after J. Reynolds. Fr. 
306. III. Very fine and brilliant impression with the in- 
seription. With the margin trimmed to the plate-mark. 


SMITH (J. :R.). George, Prince of Wales, after T. Gains- 
borough. Fr. 358. II. Magnificent impression with in- 
scription, but before the retouch and before the inscription 
was reengraved in dotted letters and the address changed 
to ‘‘No 31 King Street, Covent Garden.’’ With large mar- 
gin at top and sides, at the bottom it is trimmed to the 
plate-mark. 


SMITH (W.). Johannes Gay, after Zincke. Sm. 1. II. Very 
fine and brilliant impression with the inscription. With 
large margin. Another Impression of the Same. . First 
state. Superb proof with the inscription in traced letters. 
With large margin. (2) 


SPILSBURY (J.). The Enchantress (Miss Sarah Craw- 


ford), after R. Murray. Sm. 14. The only state. Very 
fine and brilliant impression with the inscription. With 
large margin. William Legge, after J. Reynolds. Sm. 


26. The only state. Very fine and brilliant impression 
with the inscription. With margin showing the plate-mark 


53 


197 


soF 


4 ve 


198 


at top and sides, at the bottom it is trimmed closely to it. 
Catharine Macaulay, after K. Read. Sm. 29. The only 
state. Very fine and brilliant impression with the inserip= \ ¥ 
tion. With large margin. 


SPOONER (C.). Mrs. Brooks, after T. Worlidge. Sm. 3. 
The only state. Fine impression with the inscription. With 
margin trimmed to the plate-mark——The Studious Fair 
(said to be a portrait of Queen Charlotte), after Miss M. 
Benwell. Sm. 38. The only state. With good margin, 
Small folio. Evening (from the Times of the Day), J. 
after W. Hogarth. Not mentioned by: Smith. Harly im- 
pression with small margin, showing the plate-mark.’ Small e 
folio. 


STEWART (R.)—David Garrick. Sm. 6. I, with the in- 
scription in scratched letters. With margin lacking the 
plate-mark. Inlaid. Small 8vo. Edward Lord Thurlow. 
Sm. 13. I, with the inscription in scratched letters. With 
good margin. Small 8vo. ; 


SURUGUE (L.). Charles Edward, son of the Pretender. Fine - 
old impression with good margin. Twice vertically folded 
near the right edge. Small folio. (6) 


Ar 


eg 


TASSAERT (P. J.). John Harrison, after T. King. Sm. 1. 
II. Fine old impression with full margin (deckle edges). 
Folio. 


TIELKER (F.). Arthur, Herzog von Wellington, after W. 
Beechey. Fine impression with large margin. Small folio. 


TIMS (R.). Chaloner Ogle, after G. Hicks. Sm. p. 1364. 
The altered plate of ‘‘Sir John Leake”’ by J. Faber jun. 
With small margin just showing the plate-mark. Small 
folio. 


TINNEY (J.). Catherine Clive, after J. Ellys. Sm. 2. The 
only state. Closely trimmed and lacking the plate-mark. 
Small folio. George II, King of Great Britain, after J. 2 
Highmore. Sm. 3. The only state. Old impression with 
margin showing the plate-emark. Inlaid. Small folio. (5) 


54 


=e are ues 
yo% baa 
Ss , a [o 4, 
rey” - ah 


199 THOMPSON (J.). Miss Thompson, after J. R. Smith. Sm. 2. 
The only state. Superb impression with the inscription. 
/ b sais With margin trimmed to the plate-mark. 


TOMKINS (C.). Charles Herbert Pierrepont, 2d Earl Man- 
ners, after H. W. Pickersgill. Open letter proof with large 
margin. A few brown stains in the margin. Royal folio. (2) 


200 TOMPSON (R.) Excudit. Princess Anne (afterwards Queen 
of Great Britain), after P. Lely. Sm. 1. The only state. 


Pd Fine old impression trimmed closely to the plate-mark. 
| ye Large 4to. ‘William Berkeley, after P. Lely. Sm. 5. 
The only state. Rich old impression, closely trimmed to 


the plate-mark. Slight repairs in the inscription-margin 
and a trifle foxed. Rare. Small folio Madame Graham, 
after P. Lely. Sm. 18. The only state. Fine old impres- 
sion with small margin, showing the plate-mark. Rare. 
Large 4to. (38) 


201 TOMPSON (R.). Nell Gwynn, after P. Cross. Sm. 19. II. 

Ms Very good impression of this rare plate. Trimmed closely 

A Ya ee to the plate-mark and lacking the inscription space. A 

: very small space of the back is skinned. Exceedingly rare. 
Small 4to. 


202 TOMPSON (R.). Madame Ellen Gwynn and her two Sons, 

a (Charles, Earl of Beaufort and James, Lord Beauclaire), 
i | $" = after P. Lely. Sm. 20. II. Good old impression, trimmed 
= 4 ‘ closely to the plate-mark. Very rare. Small folio. ' | 
Df, ©. 


203 TOMPSON (R.). Joseph Jordan, after P. Lely. Sm. 25. 

The only state. Good impression, trimmed closely at the 

5 _ plate-mark. Small folio. Madame Jane Long, after P. 

ae [ 6= Lely. Sm. 26. II. Face and hair have been altered and the 

publisher’s name has been partly burnished out. With 

7 good margin. Small folio. Rare. Hortense Mancini, 

Duchess of Mazarin, after P. Lely. Sm. 27 I, state not 

mentioned by Smith, proof before all letters. With small 

margin showing the plate-mark. Unnecessarily laid down. 
Small folio. (3) 


55 


ae 


/) 


£ 


204 TOMPSON (R.). Lady Anne Montagu, after P. Lely. Sm. 
29. I, proof before all letters. With margin showing the 


plate-mark. Inlaid. Very fine and rare. Small folio. 
Anne Lady Moreland, after P. Lely. Sm. 30. II. Fine old 
impression, trimmed closely to the plate-mark. Small folio. 
Mary Princess of Orange, after P. Lely. Sm. 33. IL 
(of 3). Old impression trimmed closely and lacking the 
plate-mark. Small folio. (3) 


Pre. 


205 TOMPSON (R.). Mary, Princess of Orange, after P. Lely. es 


Sm. 35. The only state. Old impression with good margin. 
Ath. Louise, Duchess of Portsmouth, after P. Lely. Smit. 


39. I, not mentioned by Smith, proof before all letters. « 


With margin showing plate-mark. Charles Lenox, Ist 
Duke of Richmond, after C. De Bruyn. Sm. 41. I(?). 
Rich impression, trimmed closely to the plate-mark. Small 
folio James, Duke of York, after P. Lely. Sm. 50. IL 
(of 3). Fine old impression before the inscription was 


burnished out and before other changes. Trimmed closely 


to the plate-mark. Small folio. Lodovico Carracci, after 
his own painting. Sm. 4. I, before the Berlin address, not 
mentioned by Smith. With very large margin. Fine. 
Folio. (5) 


206 TURNER (C.). John Charles Spencer, Viscount Althorp, 


after T. Phillips. W. 11. III. On steel. With margin 
trimmed at the plate-mark. Large 4to. Matthew Baillie, 
after J. Hoppner. W. 23. I, with the lettering in fine script. 
With large margin. Small folio. John Bidlake, after 
C. L. Eastlake. W. 41. The only state. With margin 
showing the plate-mark. Small folio. Henry Charles 
Somerset, Duke of Beaufort, after T. Phillips. W. 29, 
Second trial proof, with the artists’ names and the publi- 
eation-line, but before the title. Superb proof with un- 
trimmed margin (deckle edges). Thomas Charles Bun- 
bury, after S. Lane. W. 81. II, the letters of the title are 
strengthened. With very large margin John Coleraft, 
after J. Lonsdale. W. 88. I, open letter proof with large 
margin. Royal folio. Anthony Champion, after B. 
Wilson. W. 102. The only state, open letter proof with 


56 


‘a - 


Maing 7 


ae 


large margin. Fine. Royal folio. Harvey Christian 
Combe, after J. Opie. W.135. The only state. Very fine 
and brilliant open letter proof. With large margin at top 
and sides, at the bottom it is trimmed to the plate-mark. 
Pierce Egan, after G. Sharples. W. 175, II. Fine 
impression with P. Egan’s autograph. 4to. Framed. (9) 


207 TURNER (C.). Henry Charles Englefield, after T. Phillips. 


jo— 


.f 
ah 


‘ 4 


W. 184. II, seript letter proof. Trimmed closely to the — 
plate-mark. Small folio. Richard Fitzwilliam, 7th Vis- 
count Fitzwilliam, after H. Howard. W. 198. II. With 
margin trimmed closely to the plate-mark. Slightly foxed. 
Folio. Thomas Forsyth, after W. Beechey. W. 203. II, 
open letter proof with full margin. Small folio. James 
Gillray, after a painting by himself. W. 224. I, open letter 
proof. With large margin. Slightly foxed. Fine. Small 
folio. Joseph Goodall, after J. Jackson. W. 225. II, 
open letter proof. With margin but lacking the plate-mark 
and publication line. Folio. Francis Goode, after W. E. 
Frost. W. 226. II, open letter proof. With large margin. 
On steel. Large 4to. Thomas Greville, after J. Hopp- 
ner. W. 235. I]. With small margin, but showing the. 
plate-mark. Laid down for no apparent cause. Small 
folio. Francis, Earl of Guilford, after T. Lawrence. 
W. 240. The only state. Superb impression with the in- 
scription in traced letters. With very large margin. (8) 


208 TURNER (C.). Henry Halford, after T. Lawrence. On 


We 


steel. W. 243. I, proof before all letters, not mentioned by 
Whitman. With full margin. Very fine. Royal folio. 
John Hargraves, after T. H. Illidge. W. 249 II, script let- 
ter proof. With good margin but lacking the plate-mark. 
Royal folio. Sir George Harrison, after T. Barber. W. 
252. II, with the inscription in traced letters. With large 
margin. Very fine. (3) 


209 TURNER (C.). John C. Hobhouse, after J. Lonsdale. | W. 


sel 


¥ 
‘ 
2 


262. III, open letter proof. With good margin. Slightly 
foxed Large 4to.— John Jackson, after the engraver’s own 
painting. W. 278. I, before ‘‘Marquese’’ was changed to 


57 


‘‘Marquis’’. With full margin. Private plate. Large 4to. 
Meerza Jiafer Tabeeb, after J. J. Halls. W. 281. I, 
proof before all letters, state not mentioned by Whitman. 
With full margin. Slightly foxed. Very fine. Small folio. 
Another impression of the same. First state according 
to Whitman. Script letter proof. With very large margin. 
Very fine-——Michael Kelly, after J. Lonsdale. W. 286. I, 
open letter proof. With margin lacking the plate-mark. 
With an autograph dedication to J. P. Halsey. 1825. (5) 


210 TURNER (C.). Richard King, after Saunders. W. 291. I, 


proof with the artists’ names and publication line in traced’ ' 
a William Knighton, after — 
23 T. Lawrence. W. 295. Proof before all letters. The only ~ 


letters. With large margin. 


state mentioned. With full margin. A small rust hole out- 
side of the plate-mark. Folio: Thomas Le Breton, after 
T. Lawrence. W. 307. I, open letter proof. With good mar- 
gin. Fine. Folio. Robert Liston, after a drawing by 
the engraver. W. 313. I, proof with the autograph fac- 
simile. With small margin showing the plate-mark. Folio. 


(4) 


211 TURNER (C.). Hugh Leyeester, after W. Beechey. W. 311. 
I, proof before all letters. With full margin. Small folio. 

John Loudon Macadam. W. 331. III. With full mar- 
eas gin. Small folio. Thomas Potter MacQueen, after J. 
- Ramsay. W. 340. IT, open letter proof. With good margin. 
y| f Slightly foxed. Large 4to. Sir John McMahon, after 
T. Lawrence. W. 338. II, script letter proof. With large 

margin. Royal folio. William Marshall, after J. Moir. 


W. 355. II, script letter proof. With large margin, Slight- | 


ly creased and carefully pressed out. Royal folio. (5) 


212 TURNER (C.). George, Viscount Malden & Lady Eliz Capel, 
after J. Reynolds. W. 344, I, superb proof with the in- 
scription in traced letters. With eT showing the plate- 

ale mark. 


213 TURNER (C.). Miss Melville, after T. Phillips. W. 370. II. 
The inscriptno in shaded letters. With large margin. 
Js ” Very fine——James Martin, after J. R. Smith. W. 356. 


4, fs. : 58 


The only state, script letter proof. With full margin. 
Large 4to.—Philip Meadows Martineau, after H. W. Pic- 
kersgill. W. 359. I, proof before all letters. With large 
margin. Small folio. James Phillips, after G. Sharples. 
W. 425, IT, open letter proof with the full inscription. With 
untrimmed margin. Large 4to. Charles Mathews, after 
J. Lonsdale. W. 361. II, with full inscription. With good 
margin, but lacking the plate-mark at the bottom. Large 
4to.—James Montgomery, after J. R. Smith. W. 379 I, 
script letter proof. With full margin. Large 4to. (6) 


214 TURNER (C.). Sir Robert Peel, after T. Lawrence. W. 419, 


as 


IV (of 5). With good margin, but lacking the plate-mark. 
A small tear in the margin repaired. Royal folio. James 
Pillans, after H. Raeburn. W. 432. The only state, script 
letter proof with full margin. Royal folio. Another 
impression of the preceding. Second state, the word 
‘‘proof’’ burnished out and the lettering strengthened. 
Lightly printed in colors and touched up with the brush. 
With margin showing the plate-mark except at the bottom. 
Large 4to. Joseph Nollekens, after W. Beechey. W. 
495 I, open letter proof. Trimmed closely to the plate- 
mark. Small folio. Denis Pack, after Saunders. W. 
413. II, open letter proof. With full margin. Large 4to. 
John Moore, Lieut. General, after J. Hals. W. 382. III. 
Very fine and brilliant impression. With untrimmed mar- 
gin (deckle edges). (6) ; 


215 TURNER (C.). Queen Elizabeth, in court dress, after I. 


b- 
Nant 


Oliver. W. 467. Proof before all letters. With un- 
trimmed margin. Small folio. Lady Fairfax, after G. 
Zoust. Small 8vo. Henerietta Maria, after Van Dyck. 
12mo. The Cottage Door, after J. Reynolds. Small 4to. 
All with large margins and the last delicately tinted. 
Oliver Cromwell, after W. Faithorne. W. 472. I. Proof 
before all letters except the Greek words above Cromwell’s 
head. With full margin. Folio. Also the preliminary 
etching. With full margin.—Maximilian I, German Em- 
peror, after H. Burgkmair. W. 474. I, proof before all let- 
ters. With full margin (deckle edges). Small folio. 


59 


22° 


oo 


William I, the Silent, Prince of Orange, after J. Wierix. 
W. 475. II, open letter proof. With large margin. Small 
folio. William Praed, after W. Owen. W. 480. II, seript 
letter proof. Trimmed closely to the plate-mark. Royal 
folio. David Solomons, after Mrs. C. Pearsons. W. 509. 
Il. With margin, but lacking the plate-mark. Royal folio. 
William Sims, after J. Lonsdale. W. 527. The only 
state, script letter proof. With very large margin. Royal 
folio. Granville Sharp, after L. Abbott. W. 520. I, 
before the writing on the paper to the left was changed to 
‘Tracts against slavery.’? With large margin. Superb. 
Engraver unknown. Francis I, King of France. 
Aquatint. On plate paper with good margin. Large 4to. 
(13) 


216 TURNER (C.). Lavinia, Countess Spencer, after M. A. Shee. - 


W. 538. I, before the lettering was strengthened. With 
margin trimmed to plate-mark and mounted to imitate an 
India paper proof. Very brilliant. 


217 TURNER (C.). George Granville Leveson-Gower, Marquess 


of Strafford and 1st Duke of Sutherland, after W. Owen. 
W. 540. I, proof before all letters, state not mentioned by W. 
With large margin. Fine. Folio. Mr. Rous, after T. 
Lawrence. W. 502. II, before the name of the personage. 
With margin but lacking the plate-mark including the pub- 
lication line. Large 4to—Edgar Taylor, after E. U. Eddis. 
W. 552. I, open letter proof before the corrected initials. 
With margin showing the plate-mark. Small folio. 
Thomas Twining, after J. J. Halls. W. 578, the only state. 
With full margin. Large 4to. Samuel Thornton, after 
T. Phillips. W. 557. I, proof before all letters. With large 
margin. Royal folio. William Henry Cavendish-Ben- 
tinck, Marquess of Titchfield, after J. Harrison. W. 560. 
II, (really the 5th), open letter proof. With very large 
margin. Large 4to. (6) 


TURNER (C.). Edward Lord Thurlow, after T. Phillips. 


W. 559 I, open letter proof. With small margin, but show- 
ing the plate-mark. Fine. Royal folio. 


60 


oe 


sf 


219 TURNER (C.). Mr. Tomkins, after J. Reynolds. W. 561. 


Ie é 


Ill. With large margin. Superb. Edward Thomas 
Vaughan, after W. Nedham. W. 581. I, open letter proof 
with good margin. Water-stained in the inscription space. 
Royal folio. John Wilcox, after H. W. Pickersgill. W. 
613. I, proof before all letters. With good margin, but 
lacking the plate-mark. Small folio. William IV, King 
of Great Britain, after M. A. Shee. W. 616. I, proof with 
the artists’ names and publication line only. With large 
margin. Small folio. Rolph James Woodford, after T. 
Lawrence. W. 623. II, open letter proof, with full margin 
(deckle edges). Small folio. John Wooll, after T. Law- 
rence. W. 625. I, scratched letter proof, with very small 
margin lacking the plate-mark, and showing only the art- 
ists’ names. Large 4to. Edmund Yates, after J. Lons- 
dale. W. 630. II, open letter proof, with full margin. 
Fine. Imperial folio. (7) 


220 TURNER (C.). The Fruit Girl, after A. E. Chalon. W. 


Ho 


221 


ye 
ag 


222 


sd 


691, the only state. Printed in colors. With margin 
trimmed to the plate-mark. Very fine. 


VALCK (G.). Mary Davis, after P. Lely. 1678. Sm. 2. I, 


before the plate and the oval were reduced in. size and the 
inscription changed to ‘‘Madam David’s, ete’’. With good 
margin. Oval. 8vo. Mary Princess of Orange (Wife of 
William IT), after P. Lely. Reversed copy of Sm. 5. With 
large margin. Oval. 8vo. Another Portrait of the Same, 
when the Queen of Great Britain. Not mentioned by Sm. 
With margin showing the plate-mark. Oval. 8vo. 
Mary Beatrice, Queen of Great Britain (wife of James II). 
Apparently a reversed copy of Sm. 10. Not mentioned by 
Sm. With margin showing the plate-mark. Oval. Small 
folio. Louise, Duchess of Portsmouth, after P. Lely. 
Sm. 8. Possibly a first state, but unfortunately it is closely 
trimmed and lacks the lower plate-mark with part of the 
inscription margin. Small folio. (5) 


VAN BLEECK (P.). Richard Van Bleeck, after his own 


painting. Very good impression, trimmed closely to the 
plate-mark. Small folio. Benjamin Griffin and Ben- 


61 


47 293 
an 
ge, 224 
7 
46° 225 
226 


Bike. 


jamin Johnson, in the characters of Tribulation and 
Ananias, after the engraver’s own painting. Sm. 5. I, 


proof before all letters. With margin showing the plate. _ 


mark. Two small tears in the lower margin repaired. 
Folio. Owen MacSwiny, after the engraver’s own paint- 
ing. Sm. 7. I, before the plate was re-worked. With margin 
showing the plate-mark. Small folio. Rembrandt Van 
Rijn, after his own painting. Sm. 9. With good margin. 
Small folio. Master (son of the engraver), after the en- 
graver’s own painting. Sm.12. II. Trimmed closely to the 
plate-mark and lacking most of the inscription. 4to.— 
Miss, after the engraver’s own painting. Sm. 13. I, proof 
before all letters. With good margin. 4to. Rare. Chil- 
dren with Rabbits, after E. B. Murillo, not mentioned by 
Smith. Very small margin showing the plate-mark, ex- 
cept at the bottom, where only the artists’ names remain. 
Fine, Oblong. Small folio. (7) 


VAN BLEECK (P.). Eleanor Gwynne, after P. Lely. 
1751. Sm. 6, the only state. With big margin. Very fine 
and rare. Small folio. 


VAN BLEECK (P.). Another impression of the same. 
Framed. 


VAN BLEECK (P.). Margaret Woffington as Phebe, after 
the engraver’s own painting. Sm.IJ. Small folio. Framed. 


VANDER BRUGGEN (J.). Jakob Van Schuppen, after his 
own painting. With small margin showing the plate-mark. 
Folio. 


VAN HUCHTENBURGH (J.). The ‘‘Pistol Shot,’’ or 
‘‘The Death of the Ture’. B. 6. Fine impression with 
margin, trimmed just at the plate-mark. Oblong folio. 


VAN DER MYN (G.). Lady Sitting. Reversed copy of 
the plate described by Smith pp. 1402/3. Proof before all — 
letters. With untrimmed margin, (deckle edges). Very 
fine. Small folio. 


62 


VAN HAECKEN (A.). Caroline, Queen of Great Britain 


(wife of George II.), after J. Amiconi. Sm. 3. II, re- 
touched and with T. Jeffrey’s address. Small folio. 
Jonathan Swift, after Markham. Sm. 16. I, before the art- 
ist’s name and before the date was changed to ‘‘Markham 
ad vivum delin. Burford fecit 1744.’’ and at the bottom 
John Bowles’ address added. With small margin showing 
the plate-mark. Fine and rare. Small folio. (5) 


227 VAN SOMER (P.). Master Cope. Not mentioned by 


[3 - 


4, ¥4: 


Smith. Proof before all letters. With good margin at the 
right side and bottom, closely trimmed to the plate-mark 
at top and left side. Rare. Small folio. Robert Field- 
ing, after W. Wissing. Sm. 4. With margin showing the 
plate-mark on three sides, but lacking it at the bottom, in- 
cluding the largest part of the inscription space. Fine. 
Small folio. 


VAN WERDLEN. Edward Hawke, after G. Hansson. Sm. 


3. II, the plate, which originally represented Chaloner 
Ogle, has been re-worked and the inscription changed. 
With large margin. Slightly creased at the top. Small 
folio. Mary, Queen of Great Britain, (Wife of William 
Ill). Not mentioned by Smith. W. 14. II. Trimmed 
closely to the plate-mark. Rare. Folio. Madame Par- 
son, after P. Lely. Sm. 3. Only state. With good margin. 
Rare. Small folio. (5) 


228 VOGEL (B.). George Andreas Agricola, after C. L. Agri- 


ye 


cola. With margin showing the plate-mark. Folio. 
Franciscus Buirettus, after G. de Marees. Fine impression 
with large margin. Royal folio. Michael Goffard, ap- 
parently after J. Kupezky. Proof before all letters, and 
before the inscription margin was cleared. With large 
margin. Fine. Small folio. Baron Gotter, after J. 
Kupezky. With good margin. Fine. Small folio. 
Johann Kupezky and his Son, after his own painting. 
Proof before all letters, with large margin. Fine Small 
folio. Gottfried Schadeloock, after J. Kupezky. 
Trimmed closely to the plate-mark, slightly water-stained. 
Small folio. Johann Georg Volkamer, after J. Kupezky. 


63 


229 WALKER (W.). George William, 7th Viscount Barring-— 


/$ ° 


Fine impression with very large margin. Small folio. 
Portrait of a Man, after J. Kupezky. Fine impression 


with ‘‘Et servat studii foedera quisque sui. Ovid.’? With — 


good margin. Small folio. Christoph Weigel, after J. 
Kupezky. Trimmed closely at the plate-mark. Laid down 
for no apparent reason. Fine. Folio. Another im- 
pression of the preceding. Framed. 


WAKKENDAK (P. A.). Kenou Simons Hasselaer. Early 


impression with large margin. One of two plates mentioned 
by Bryan. Rare. Large 8vo. (11) 


ton. Proof before all letters. With margin but lacking the 
plate-mark. Fine. Small folio. James Knight Bruce. 
Proof before all letters. With full margin. Fine. Small 
folio. ‘William Parvis Hume Campbell, after J. W. Gor- 
don. Proof before all letters. With large margin. Fine. 
Small folio. George Chandler, after Mrs. W. Walker. 
Open letter proof on India paper, with full margin. Folio. 
George W. Frederick Villiers, 4th Earl of Clarendon. 
Proof before all letters. With large margin. Folio. 
Spencer Joshua Alwyne Compton, 2nd Marquis of North- 
ampton, after T. and H. W. Phillips. Open letter proof. 
With large margin. Slightly rubbed in the background. 
Private plate. Royal folio. J. Deacon. Proof before 
all letters, with large margin. Private plate. Folio. 
Sir Henry Thomas De La Beche, after H. P. Bone. Open 
letter proof on India paper. With full margin, slightly 
foxed. Small folio. Lord Denman. Trial proof, marked 
for fresh ground laying. With good margin. Royal folio. 
William Courtney, 11th Earl of Devon, after Mrs. H. 
Walker. Proof before all letters on India paper, loose in 
several places. With good margin. Private plate. Royal 
folio. (10) 


230 WALKER (W.). The Earl of Devon. Open letter proof. 


(ta 


4.4. 


With good margin. John Dodson, after T. A. Woolnoth. 
Proof with the autograph-facsimile. With good margin. 
Private plate. Small folio. William Empson, after J. 
Linnell. Proof before all letters. With very large margin. 
Slightly foxed in the margin. Royal folio. Thomas, 


64 


4 
} 
q 

‘ q 
4 
a 


full margins. Large 4to. 


9th Earl of Haddington, after R. McInness. Proof before 
all letters. With good margin. Private plate. Royal folio. 
William Jackson Hooker, after Gamberdella. Open 
letter proof. With full margin. Private plate. Large 
4to. Alexander James Beresford Hope, after R. Sayers. 
Proof before all letters. With large margin. Small folio. 
Francis Lord Jeffery, after H. Raeburn. Proof before 
all letters, with small margin but showing the plate-mark. 
Small folio. H. Kyneston, after Miss Walker. Proof 
before letters. With very large margin. Folio. Samuel 
A. Lane, after Mrs. E. Walker. Proof before letters. With 
Stephen Lushington, after 
W. J. Newton. Proof with the autograph-facsimile. With 
good margin but lacking the plate-mark. Large 4to. 
Thomas Lawrence, after his own painting. Proof before 
all letters. With untrimmed margin. Small 4to. Robert 
Bloomfield. Apparently a proof. Closely trimmed to the 
border. 4to.— Also a Water-color of the Same Personage. 
(13) 


231 WALKER (W.). William H. Leonards, after Eddie. Proof 


Ge 
fob 


232 


us 


4, od. 


Pig 8d 


before all letters. With untrimmed margin. Royal folio. 
Roderick I. Murchison, after W. H. Pickersgill. Proof 
before all letters. With full margin. Private plate. Folio. 
John Archibald Murray, after H. Raeburn. Impres- 
sion with the full inscription. With very large margin. 
Private plate. Small folio. Francis Warriner. Proof 
before all letters. With full margin. Folio. Portrait 
of a Clergyman. Proof before all letters. With good 
margin. Small 4to. Unknown Male Portrait. Trial 
proof with corrections. With large margin. 4to. Un- 
known Male Portrait. Proof before all letters. With very 
large margin. Small folio. Old Man with Fur Cap and 
Stick, after Rembrandt. Proof before all letters. With 
full margin. Royal folio. (8) 


WARD (J.). Wm. Henry West Betty, after J. Northcote. 


Sm. 4. II, superb open letter proof. With very large 
margin. Small folio. Edmund Burke, after a marble 
bust by J. Hickey. Sm. 6 II, open letter proof. With large 
margin. Folio. George Hibbert, after J. Hoppner. Sm. 
25. I, proof with the artists’ names only, With very large 


65 


it 


aad 


Ji 


margin. The lower left corner torn off and replaced. Small 
folio. Very fine and brilliant———The Farmer ’s Boy at- 
tending his duty as Bird Watcher, after his own painting. 
Unknown to Smith. Very fine and brilliant impression 
with the inscription. With margin showing the plate-mark 
at the top and sides, at the bottom the plate-mark is lack- 


ing. (4) 


2933 WARD (W.). William Addington, after M. Shee. Sm. 1. I, 
open letter proof. With margin trimmed to the plate- 
mark. Laid down. Folio. Very fine. Thomas Bernard, 
after J. Opie. Sm. 8. III, with the inscription. With large 
margin. Folio. Edward Copley (formerly Wolley), 
after J. R. Smith. Not mentioned by Smith, “Westaeids 
proof with the artists’s names, the publication-line and in 
the lower left corner ‘‘proof 1st 50.’’ State unknown to 
Frankau. A trial proof with the artist’s retouches. With 
very large margin. George Agar Ellis, after J. Jackson. 
Sm. 36 1, open letter proof. With large margin. Fine. 
Folio. Thomas Gaitskell, after T. Stewardson. Sm. 39 
I, proof before all letters, not mentioned by Smith. With 
large margin. Slightly foxed. Folio. William Hale, 
after J. Jackson. Sm. 43. II. With large margin. Slightly 
foxed. Folio. (6) 


934 WARD (W.). William Lovegrave, after E. Bird. Sm. 53. I, 
proof before all letters, not mentioned by Smith. With 
margin showing the plate-mark, except at the bottom. Very 
fine. Folio. Theophilus Metcalfe, after J. Hoppner. 
Sm. 57 I, open letter proof. With margin showing the 
plate-mark. Small folio. Very fine. Arthur Murphy, 
after N. Dance. Sm. 63. II, with the inscription. With 
large margin. Folio. (3) 


935 WARD (W.). William Smith, after J. Jackson. Sm. 76. 
Open letter proof. With large margin. Small folio. Very 
fine. Shakespeare’s Song, after R. Westall. Fr. 258. 
The only state. With margin showing the plate-mark at 
top and sides, at the bottom the plate-mark is missing in- 
elusive the verses and the publication-line. Creases and 
tears in the lower part of the engraved surface. (2) 


66 


6 236 WARD (W.). The Gleaners Return, after J. Ward. Fr. 137. 
; p>» a State cannot be ascertained as the print is trimmed to the 
engraved surface. 


50 237 WARD (W.). Sleeping Nymph, after J. Hoppner. Fr. 264 I, 
— open letter proof, state unknown to Frankau. The margin 
trimmed to the plate-mark. Laid down. Oblong folio. 


238 WARD (W.). Sportsman’s Return, after G. Morland. Not 
mentioned by Smith. W. 273, the only state. Proof with 


Lb ean the arms and publication-line in etching only. With small 
i] i : margin. A very fine impression, but has two tears, which 
are carefully repaired. Rare. Oblong. Royal folio. Framed. 


239 WARD (W. J.). The Duke of Cambridge, after J. Lucas. 
Superb proof with the artists’ names and the publication- 


b= 
t, wf line only. With very large margin. 


240 WARD (W. J.). Dr. Thomas Chalmers, after A. Geddes. 

| Proof before all letters. With good margin. Royal folio. 

Edward Chorley, after G. Marshall. Open letter proof. 

a With good margin. Royal folio. Charles Shaw Lefevre, 

Viscount Eversley, after J. Jackson. Trial proof with cor- 

rections by the engraver. With good margin. Small folio. 

Mr. Liston, after J. Jackson. Open letter proof. With. 

good margin. Small folio. Joseph Thackeray, after J. 
Jackson and B. E. Duppa. Open letter proof. With full 

margin. Royal folio. (5) 3 


241 WARD (W. J.). Charles Philip Yorke, Earl of Hardwicke, 
after the artist’s own design. Superb proof before all 
I? “— letters. With large margin. The Gold Fish, after J. 
Jackson. Proof before all letters. A magnificent impres- P, 
sion, only thirteen of which were printed. With untrimmed\.__ 
margin (deckle edges). (2) | 


& 


a, & ‘ 
iP . 


242 WATSON (J.). Mrs. Abington, after J. Reynolds. Sm. 1 
III, very fine impression with the inscription. With margin 
15 ~ trimmed to the plate-mark. Royal folio. Framed. 


67 


245 


246 


WATSON (J.). Frederick Bull, after F. Webster. Sm. 17. 

The only state. With large margin. Slightly foxed. Folio. 
Dr. Richard Busby, after J. Riley. Sm. 22 II. With 
large margin, water stained. Folio. (2) 


WATSON (J.). The Misses Carpenter, after P. Lion. Sm. 
27 I, superb proof with the artists’ names and the publica- 
tion-line in traced letters, and with the coat-of-arms. With 
margin showing the plate-mark at top and sides; at the 
bottom it is trimmed closely to it. Folio. 


WATSON (J.). Miss Elliott, after T. Kettle. Sm. 51 I,” 


WATSON (J.). George III, King of Great Britain, after — 
J. Meyer. Sm. 58. The only state. With good margin. ~ 


A fold along the right side carefully pressed out. Royal 


folio. George Grenville, after W. Hoare. Sm. 66. I. 
Before ‘‘and Son’’ in the publication line, was burnished 
out. Trimmed closely to the plate-mark. Foxed and the 
lower margin stained. Very rare. Small folio. (2) | 


WATSON (J.). Claude Louis Francois de Regnier, after 
M. Vanloo. Sm. 67. IL (of 3), with the inscription. 
Trimmed closely to the plate-mark. Small folio.—@# Jo- 
seph Gulston, after H. D. Hamilton. Sm. 68. I, before the 


publication-line. Trimmed closely at the plate-mark. Folio. — 


George Howard, after J. Reynolds. Sm. 76. I, proof 
before all letters. With margin showing the plate-mark. 
Fine and rare. Small folio. (3) 


WATSON (J.). Elizabeth, Duchess of Manchester and her 
Son, after J. Reynolds. Sm. 97 II. Very fine and brilliant 
impression with the names of the artists in the engraved 
surface. With margin trimmed to the plate-mark. Royal 
folio. 


WaARSON (J.). Miss Nelly O’Brien, after J. Reynolds. Sm. 
107. III. Superb impression with the inscription, after 
the publication-line was burnished out. With margin 
showing plate-mark. Folio. 


68 


*% 

be 
magnificent proof with the names of the artists in engraved 
letters, but before the plate-margin was cleaned. With 


large margin. Royal folio. -: 


Bias, aah +) 


: LADY BAMPFYLDE 


LADY CATHERINE BAMPFYLDE 
ENGRAVED BY THOMAS WATSON, AFTER SIR JOSHUA 


[NUMBER 254] 


REYNOLDS 


WATSON (J.). James Paine and Son, after J. Reynolds. 
Sm. 111. II, magnificent proof with the artists’ names in 
traced letters, but before the lettering on the scroll. With 
large margin at top and sides, at the bottom the plate-mark 
and the publication-line are lacking. Folio. 


WATSON (J.). Nancy Parsons, after G. Willison. Sm. 


114, the only state. Superb proof with the artists’ names 
and the publication-line in traced letters. With margin 
showing the plate-mark. Royal folio. 


WATSON (J.). Mrs. Sturt and Son, after C. Read. Sm. 
137. I, magnificent proof before the name of the personage. 
With large margin. Folio. 


WATSON (J.). Miss Anna Swan, after W. Thompson. Sm. 
139. I, before the changes on the dress, and in the back- 
ground. With large margin. Very fine. Large 4to. 
Henry Woodward, after J. Reynolds. Sm. 156. II, with 
the inscription. With margin showing the plate-mark. 
Small folio. Young Man Playing the Violin, after F. 
Hals. Sm. 159. Earlier state than Smith’s 1st; proof be- 
fore all letters. With big margin. Fine. Folio.—The 
Burgomaster, after A. van Ostade. Not mentioned by 
Smith. With untrimmed margin (deckle edges). Small 
folio. The Parting of Hector and Andromache, after A. 
Kauffmann. Proof with the artists’s names and the pub- 
lication-line in traced letters and before the date ‘‘Sepr 
20 1771’’ was changed to ‘‘1st Jany 1772’’. With margin 
trimmed to the plate-mark at top and sides, at the bottom 
lacking the plate-mark with part of the inscription space. 


(9) 


254 WATSON (T.). Catherine Lady Bampfylde, after J. Reyn- 


yr 
ni 


Peal 


olds. Sm. 2. III. G. 36. III. With the name of the per- 
sonage. Extremely fine impression with good margin. 
Very rare. Royal folio. Framed. 


[SEE ILLUSTRATION. ] 


255 WATSON (T.). Amelia, Countess of Ossory, after P. Lely. 


S a” 


| 
A, ‘ 


. 


Sm. 5¢e II, with artists’ names, number and publication- 
line only. With margin showing the plate-mark. Folio. 


69 


aga 


256 


257 


258 


259 


WATSON (T.). Mrs. Beresford, Mrs. Gardiner, and Anne 
Viscountess Townshend, (The Irish Graces), after J. 


Reynolds. Sm. 6. II, before the inscription was changed to 


‘Sacrifice to Hymen.’’ Extremely fine impression, with 


margin trimmed almost to the plate-mark. Of e sre 
rarity. Oblong imperial folio. Framed. 
bap eyes 


rae 
WATSON (T.). John Biddulph, after A. Poggi. Sm. 8, uy 
with the inscription. With large margin. Very fine-—— 
Miss Dempster, after G. Willison. Sm. 12. II, the imscrip- 
tion is engraved. With margin trimmed to the plate-mark. 
Fine. Folio. Charles Stanhope, Viscount Mahon, after 
Prudhomme. Sm. 24. I, before the names of the artists and 
with the word ‘‘Proof”’ in the right corner. A printer’s- 
crease carefully pressed out and retouched. With good 
margin. Folio. Andrew Stuart, after J. Reynolds. Sm. 
35. I. Proof before all letters and before the plate margin 
was cleaned. With large margin. Small folio. (4) 


WATSON (T.). David Garrick, after J. Reynolds. Sm. 16. 
Il, with word ‘‘Prologue’’ on the roll in front of him. 
With margin showing the plate-mark, except at the bottom. 
Small folio. 


WATTS (J.).. Nathaniel Lee, after W. Dobson. Sm. 5. The 
only state. With good margin. Rare. Folio. 


WEIGEL (C.) Excudit. Nicholas de Catinat. Fine im- 


pression with margin showing the plate-mark. Small folio. 
George I, King of Great Britain. Trimmed closely at 
the plate-mark. Small folio. John Duke of Marl- 
borough. Fine impression, with margin showing the plate- 
mark. Small folio. Peter II, King of Portugal. Proof 
with the name of the personage only. With very large mar- 
gin. Very fine. Small folio. (5) 


WHITE (G.). Sir Richard Blackmore, after J. Vander- 


bank. Sm. 4, III, with the retouch and the ‘‘Strand”’ ad- — 


dress, changed to ‘‘Maiden Lane’’. Large margin. Small 
folio. John Dryden, after G. Kneller. Sm. 15. II, be- 
fore the retouch. With very large margin. Small folio. 
——Jean Baptiste Monoyer, after G. Kneller. Sm. 29. II, 


10 


" 


rte 
3 ¢ 
~ err 


- 
o | 


ww 


i, & 
a 


“ 


— 


the inscription has been changed and Overton’s address 
added. Trimmed closely to the plate-mark. Small folio. 
Thomas Parr. Sm. 32, II, the ‘‘Strand’’ address 
changed to ‘‘Maiden Lane’’. With large margin. Small 
Ato. Alexander Pope, poet, after G. Kneller. Sm. 35. 
II, with the inscription. With good margin. Small folio. 
Allan Ramsay, after W. Aikman. Sm. 36. II, with the 
inscription. Closely trimmed to the plate-mark. Small 
folio. (6) 


261 WILLIAMS (R.). Princess Ann, (later Queen of Great 
Britain), after W. Wissing. Sm. 1. I, before the engraver’s 

Ly, - name was changed to that of I. Smith and before ‘‘Cum 
Privilegio Regis’. With small margin, but lacking the 
plate-mark. Rare. Oval. Small folio. John Bannister, 

after J. Murray. Sm. 4. The state cannot be ascertained 

as the portrait is cut down to the oval and laid down. Small 

folio. Charles II, King of Great Britain, after P. Lely. 

Sm. 12. II, with the inscription. With good margin. 
George, Prince of Denmark, after W. Wissing. Sm. 21. 

The only state. With good margin. Oval. Small folio. (4) 


262 WILLIAMS (R.). Barbara, Duchess of Cleveland, after P. 
Lely. Sm. 18, II (of 3), ‘‘cum Privilegio Regis’’ added. 
3 Fine impression, trimmed closely to the plate-mark, laid 
28" aad down for no apparent reason. Folio. James IJ, King 
| of Great Britain, after W. Wissing. Sm. 27, the only state. 
With margin trimmed at the plate-mark. Oval. Small 
folio. John, Duke of Lauderdale and Duchess, after P. 
Lely. Sm. 32. II (of 3), with the slight retouch. Trimmed 
closely at the plate-mark. Rare. Oblong folio. George 
Petty, after T. Murray. Sm. 44. I. Proof before all let- 
ters. With small margin, showing the plate-mark. A 
printer’s crease across the lower part of the left sleeve gave 
way and is carefully repaired. Small folio. William . 
Bentinck, Earl of Portland, after S. de Bois. Sm. 45, the 
only state. With good margin. Oval. Small folio. (5) 


2638 WILLIAMS (R.). Sir George Rooke, after M. Dahl. Sm. 
40 51. I, before ‘‘R. Williams fec’’. was burnished out. 
27 <i Trimmed closely at the plate-mark and inlaid. Oval. Small 


71 


as - 
4.04. 


Ay 


folio. Greville Verney, after M. Dahl. Sm. 53, the only 
state. Fine impression with margin showing the plate- 
mark. Small folio—James, Duke of York, after 9. 
Cooper. Sm. 57. II (of 3), before the inscription was 
changed to ‘‘James ye II ete’’. With small margin show- 
ing the plate-mark. Laid down for no apparent reason 
and inlaid. Oval. Small folio. Mary Beatrice of 
Modena, when Duchess of York, after W. Wissing. Sm. 
09. I, before the inscription was changed to ‘‘Serenissima 
Maria etc’. With margin, but lacking the geht 
Oval. Small folio. (4) 


264 WILSON (J.). Lord Newbattel and Sister, after K. Read. 


Sm. 10. I, proof before all letters. Not mentioned by Smith. 
With margin showing the plate-mark at top and sides, at 
the bottom the plate-mark and a part of the inscription 
space have been cut off. Very fine. Folio. Leonora and 
Leander, Mr. G. Mattocks and Miss Brent, after the en- 
graver’s own design. Sm. 23, the only state. With margin 
showing the plate-mark except at the bottom. Slightly 
creased. Royal folio. 


WRIGHT (J.). Miss Russell, after J. Russell. Sm. 4. The — 


only state. With margin showing the plate-mark, at top 
and sides, at the bottom it is missing. Very fine. Small 
folio. (3) 


265 YOUNG (J.). Philip Affleck, after F. Penny. Sm. 1, the 


only state. With good margins. Slightly rubbed. Royal 
folio. Jacques Delille, after J. L. Monnier. Sm. 16. III. 
The inscription is in finished letters. With good margin. 
Small folio. 


CHARLES JAMES FOX, after a marble bust by J. Nol- 


lekens. Sm. 26. I, proof before all letters, not mentioned 
by Smith. With good margin, but lacking the plate-mark 
at the bottom. Fine. Royal folio. Nathaniel Kent, after 
Rising. Sm. 44, the only state. The inscription is on a 
Separate plate. Closely trimmed to the plate-mark. Royal 
folio. Thomas Lowten, after Earl. Sm. 48. I, seript 
letter proof. With margin showing the plate- mark, except 
at the bottom. Small folio. (5) 


72 


266 YOUNG (J.). Mrs. Orby Hunter, after J. Hoppner. Sm. 


268 
fe cont 
4 it 

269 


41, II, with the inscription and after the word ‘‘Proof”’ 
was burnished out. With margin trimmed closely to the 
engraved surface at top and sides, at the bottom the plate- 
mark is lacking. Very fine. Royal folio. 


YOUNG (J.). Horatio Lord Nelson, after M. H. Keymer. 


Sm. 57. II, the inscription is strengthened. With large 
margin. Small folio. William Pitt, after a marble bust 
by J. Nollekens. Sm. 59. I, open letter proof. With small 
margin, lacking the plate-mark at the bottom with part of 
the inscription. Fine. Royal folio. (2) 


YOUNG (J.). The Gipsy Fortune Teller, after W. Beechey. 


Sm. No. 72 II, with the inscription. With margin trimmed 
to the plate-mark. Fine. Royal folio. 


YOUNG (T.). The Show (Lady Duncannon and children). 


Sm. 76. I, open proof, before the motto in the ribbon of the 
arms. Trimmed just at the plate-mark. Fine. Royal folio. 
Framed. 


270 ZOBEL (G.). Lady Charlotte Cavendish Greville, after F. 


Am 


Leighton. Print on plate paper. With good margin. 
Small folio. The Infant Johnson, after J. Reynolds. 
Private plate. Print on India paper. With margin. Small 
folio. Archibald Campbell Tait, after J. R. Swinton. 
Print on plate paper. With full margin. Small folio. (3) 


271 


272 


273 


274 


THIRD SESSION : re 18 
LOTS 271-411 * 


AMERICANA 


AND i 

‘ es, Po 

ENGRAVINGS RELATING TO AMERICA ~ 
LOTS 271 to 293 , 


t “ ‘yg 

AMERIGO VESPUCCI. FRANCISCO PIZARRO. FERDI- B 
NAND MAGELLAN. Line engravings, by an unknown 
engraver. Good impressions. With margins showing the : 
plate-marks. 4tos. ct 

ANSON (GEORGE). Commander in chief of the late ex- 
pedition to the South Seas. Line engraving by ©. Grignion 
after A. Pond. Fine impression, trimmed closely to the a 
engraved surface at top and sides, at the bottom it lacks 
only the publication-line. Folio. i. 

BEAUMARCHAIS (P. A. CARON DE). Line hers vin ae 
by de Saint-Aubin after C. N. Cochin. Superb impression 
with large margin. 8vo. | 

BOLIVAR (SIMON). Supreme chief of the armies of 
Venezuela and New Grenada. Stipple by M. N. Bate after ie 
a drawing from life. Fine impression with full margin. a 
Slightly foxed. Folio. (6) a 


BONAPARTE (JOSEPH). Stipple by L. Rados, after J.B. — 
Bosio. Fine impression with margin showing the Plate- 23 
mark. Imperial folio. 7 


BRANT (J.). Mezzotint after G. Romney. Sm. 162. Fine a 
impression of a very scarce print. Folio. . 


BOOTH (EDWIN). Line engraving by H. B. Hall. Very 
fine proof before all letters. With good margin, but lack- 
ing the plate-mark. 4to. This plate was gets and ae 
it is said to have been destroyed by fire. a 

REHAN (ADA). Three color print. 


74 


WASHINGTON (MARY BALL). Photo-mechanical pro- 
cess, similar to half-tone, printed in colors. 


CHENEY (J.). Wisner (B. B.), after F. Alexander. Koeh- 
ler 37. I. With good margin. Kemble (Frances Anne), 
after T. Sully. K. 40 II. With margin. Incognita, 
after S. W. Cheney. K. 74. II of ‘‘The Fair Student.”’ 
With margin showing the plate-mark. Webster (Dan- 
jel), after R. M. Staigg. K. 83. I. With good margin. 

The Same. IJ, the name in autograph facsimile. With 

large margin showing the plate-mark at top and bottom. 

Bryant (William Cullen). K. 86. With good margin. 

Halleck (Fitz-Greene), after C. L. Elliott. K. 87. On 

India paper with large margin. Channing (W. E.), 

after W. Allston. K. 89. With margin. Another Por- 

trait of the Same, after S. Gambardella. K. 90. With 

small margin, inlaid. Jackson (P. T.), after G. P. 

Healey K. 91. I. With good margin. Everett (Ed- 

ward), after R. M. Staige. K. 95. With good margin. 

Clark (Lewis Gaylord), after C. L. Elliott. K. 98 L,, 

the engraving is rectangular. With good margin. The 

Same. II, the border lines are removed and the back- 

ground is vignetted. With large margin showing the plate- 

mark. All 8vos. 


COPLEY (JOHN SINGLETON, BARON LYNDHURST). 
Stipple by R. A. Arlett, after A. F. Chalon. Script letter 
proof, on India paper with good margin. 4to. (17) 


DE JOANNIS (LOUIS DOMINQUE). Engraving in crayon 
manner by Mme. Lingée, after C. N. Cochin. Brilliant 
proof before all letters with small margin, lacking the 
plate-mark. 8vo. 


DE LEVI (FRANCOIS CHRISTOPHLE), Governor of 
Canada, ete. Line-engraving, B. Moncornet ete. Good im- 
pression with big margin. 8vo. 


DE MAZARREDO (JOSEPH). Line-engraving by F. Selma, 
after a painting from life by Dubois. Fine impression with 
large margin trimmed just at the plate-mark. 4to. 


MACDONALD (FLORA). Mezzotint after I. Markluin. 


Sm. p. 1695. No. 64. With good margin. Large 4to. (4) 
75 


276 


277 


278 


DE LA MOTTE-PIQUET (GUILLAUME). Line-engraving 
by A. de Saint-Aubin, after C. N. Cochin fils. Very fine 
impression with large margin. Small 4to. 


DE MONTMORENCY (J. F. Mattieu, Vicomte), took part 
in the siege of Yorktown. Stipple by Van den Berghe. 
Superb proof before all letters, with small margin, lacking 
the plate-mark. Small 4to. 


DE LA ROCHEFOUCAULD-LIANCOURT (F. A. F. DUC), 
author. Travelled in the U. 8. 1795-97. Line-engraving by 
Monsaldi. Fine open letter proof with margin lacking the 
plate-mark. Folio. 


DE SOLIS (DON ANTONIO). Author of ‘‘History of the 
Conquest of Mexico,’’ 1684. Line-engraving by B. Farjat, 
after G. Passari. Good impression with small margin 
trimmed nearly to the engraved surface. Small 4to. 


D’ESTRADES (GODEFROI, CTE.). Etching finished with 
the graver by J. Luyken, after his own drawing. Early 
impression with good margin. Small oblong folio. 


D’EFFIAT (ANTOINE RUZE, MARQUIS), Marshal and 
Governor of Canada. Line-engraving, ‘‘Moncornet excu.”’ 
Fine impression with good margin. 8vo. 


DE WYGNEROD (MARIE DUCHESS D’AGUILLON), — 


Founder of the hospital at Quebec. Line-engraving, ‘‘B. 
Monecornet excu.’’ Early impression before the coat of 
arms. With large margin. 8vo. (7) 


DRAKE (SIR FRANCIS). Line-engraving possibily by 
Thos de Leu. A good impression with Vertue’s retouch 
on late XVIII century paper. With small margin, but 
showing the plate-mark. Folio. Very scarce. 


DRAKE (SIR FRANCIS). Line-engraving by J. Hou- 
braken. Superb proof before all letters with large margin. 
Small folio. Another portrait of same. Line-engraving 
by Jer. Wierix. Magnificient impression with margin 
showing the plate-mark. Exceedingly rare in such fine 
condition. 12mo. (2) 


76 


279 DU COUEDIC DE KERGOUALER (CHARLES LOUIS), 

Commander of La Surveillante. Line-engraving by Vange- 

o- listi, after a drawing from life. Early impression before 

/ ‘‘Reims’’ was changed to ‘“Rennes.’’ With small margin 
xt ' lacking the plate-mark. Large 4to. 

HARRIS (GEORGE), General, wounded at Bunker Hill. 

Mezzotint by S. W. Reynolds, after A. W. Davis. Whit- 


man 134. With full margin (deckle edge). Very fine. 
Small folio. (2) 


| 280 FRANKLIN (B.). Mezzotint by E. Savage, after D. Martin. 
, 30 ” Stauffer 2745 I (of 2). Fine and perfect impression. Ex- 
4 Ae cessively scarce. Folio. 


281 HAMILTON (A.). Stipple by Wm. Rollinson, after A, 


5e i Robertson. Stauffer 2709. I. Lacking two lines of inscrip- 
: 4 tion. Very scarce. Folio, 


282 HEIN (PIETER PIETERSZOON), Lieutenant Admiral. 
Line engraving by W. Hondius, after Joh. Dame. Fine im- 
~ pression with very small margin lacking the plate-mark. 
Folio. Another portrait of the same. Line engraving 
by J. Houbraken, after Schouman. Fine impression with 

eae small margin lacking the plate-mark. 8vo. 


LONGK (HENDRIK CORNELIS). Admiral. Line en- 
graving by W. Hondius. Fine impression with margin 
trimmed just at the plate-mark. Folio. 

VAN WEERDENBURG (THEODORE), Governor of Per- 
nambuco. Line engraving by W. Hondius. Very good im- 
pression with small margin lacking the plate-mark. A 
small tear in the upper border to the right repaired. Folio. 


(4) 


283 JONES (JOHN PAUL). Mezzotint by R. Brookshaw. Sm. 
4 gi p. 1735. 97. Undescribed state, proof before all letters. 


The most desirable portrait of Paul Jones and of the 
Vundl greatest scarcity. Small folio. 


284 LAURENS (H.). Mezzotint by V. Green, after J. I. Cop- 
ley. W. 117. Open letter proof. With margins In per- 
473” ~ fect condition. Extremely scarce. Large folio. 


Bs, &o. 7 


288 


289 


LINCOLN (B.). Mezzotint by J. R. Smith. Stauffer 2924, 
I. Fine, but lacks part of inscription. Folio. | 


| “= - 
MONCKTON (R.). Mezzotint by J. Watson, after B. West. 
G. 157. III. Fine impression. Very scarce. Folio. 7. ev 


PETERS (HUGO). Preached at Salem, Mass. from 1635 
to 1641. Line engraving by an unknown engraver possibly 
an American. Good impression with small margin. Small 
4to. Very scarce. 


PIERCE (FRANKLIN). Line engraving by W. L. Ormsby,, 
after his own design. Fine impression with good margin, ‘ be 
slightly browned. Royal folio. (2) .* 


PRICE (RICHARD), D. D., F. R. 8. Received the degree 
of Ll. D. from Yale in 1781. Line engraving by T. Hollos,, At: 
way, after B. West. Very fine impression printed in!) 
colors. With good margin. Large 4to. 


RAYNAL (GUILLAUME THOMAS), membre de la Poster as 
philosophique de Philadelphie. Engraving in pastel-man-~~ ~ 
ner by P. M. Alix, after a drawing by Garnerey. Superb 
impression, printed in colors. With large margin, buts — 
lacking the plate-mark. Large 4to. cs 


RAYNAL (GUILLAUME THOMAS). Line engraving by 
N. Dupin, after C. N. Cochin. Fine impression with large 
margin. 8vo. The Same. Also fine, but trimmed to the 
engraved surface. Another Portrait of the Same. Line 
engraving by Lebeau, after C. N. Cochin. Very fine im- 
pression. With large margin. Large 8vo.— Another 
Portrait of the Same. Mezzotint, J. J. Haid et fils excud. 
Superb impression with large margin. Another Por- 
trait of the Same. Line-engraving by Legrand, after C. N. 
Cochin. Fine impression before the border was suppressed. — ke 
With good margin but lacking the plate-mark. Large 8vo. 

The Same. Early proof with the portrait in pure 

etching and before all letters. With large margin but lack- 

ing the plate-mark. Another Portrait of the Same. Line- 
engraving by N. de Launay, after C. N. Cochin. Very fine 
impression with large margin. 4to. (7)) +44 


78 


57 291 RITTENHOUSE (D.). Mezzotint, by E. Savage after C. 


/ m W. Peale. Stauffer 2748. Fine impression. Very scarce. 
dnl Folio. 
292 SURRENDER AT YORKTOWN. Line engraving by Tan- 
4 1e7- ner, Vallance, Kearny & Co., after J. F. Renault. A bril- 
4 liant and perfect impression of the very scarce original 
4; 4 issue, signed, in ink, by Renault. Large folio. 


293 NEW YORK. Union Course, L. I. , May 13th, 1845. Pey- 

faisss _ tona and Fashion in their Great Match for $20,000. From 

2 3 0 _ Nature by 8. Severn. Lith. & Pub. by N. Currier. Oblong 
ie folio. 


oho Fine copy, colored. Very scarce. 


AMERICAN ENGRAVINGS 
LOTS 294 to 300 


294 AMERICAN BANK NOTE COMPANY. Three vignettes 
representing Harvest, Summer and a Duckpond. Fine 
trial proofs, of the finished plates, on India paper. With 


large margins. 12mos. 
a 


THE BEGGAR GIRL, after J. Reynolds. Proofs before all 
ey, letters on loose India paper, with large margin. 


ECKSTEIN (JOHN). Martin Luther. Stipple and line 
engraving after Holbein. MeN. S. 684. Good impression. 
with margin showing the plate-mark. Folio. 


HALL (H. B.). Francis Parkman. Line engraving after a 
portrait from life. Proof on Japan paper. 


JOHN TYNDALL, proof on India paper. 


7 F. O. C. DARLEY, proof on Japan paper. The two last 
etchings after portraits from life and all with good mar- 
gins. Small 4tos. (8) 


79 


295 HOLLYER (S.). William Morris—on Japan paper. 


1A) ae | 
re es 


Coventry Patmore—on etching paper.——J. G. Whittier on +4 


Japan paper.—John Ruskin, on India paper. All etchings ~ 


after portraits from life. Proofs signed in pencil by the 
artist. With good margins. Small 4tos. W. W. Cheva- 
lier. Eugene Field, H. W. Herbert. George Meredith and 
O. W. Holmes, all etchings after portraits from life. 
Proofs, signed in pencil by the artist except the last one. 
The two first ones on India paper, the balance on Japan 
paper. All with good margins. Small 4tos. 
‘Sia st? ; ; Rr i, 
0) 7) 


296 KEATS (JOHN, GEORGE, AND TOM). Etchings, litho- 


8 ee 


297 


298 


4H 


graphs, woodcuts and facsimiles. Among them a unique 
collection of lithographs in color after Severn in all states 
of progress of color printing; also a finished impression 
(proof) of all three portraits on one piece of satin. This 
is said to be absolutely unique. With a letter of Mr. L. S. 
Livingston of Dodd Mead & Co. These portraits were 
to illustrate the volume of Keats edited by Dodd Mead 
and Co. in 1894. (85) 


LAURO (AGOSTINO). Portrait of his daughter. Line- 
engraving from life. Fine proof with the artist’s name in 
traced letters. With good margin. Small oblong 4to. 


FREDERICKSON (C. W.). Line-engraving by C. Burt, 


after a portrait from life. Proof on India paper with large 
margin. On the back a dedication in Frederickson’s hand 
writing. 8vo. 


DICKENS (CHARLES). Etching and mezzotint by P. 


Sabin and A. Edwards, after Frith. Proof before all 


letters, on India paper. With large margin. Imperial 
folio. Lamb (Charles). Mezzotint by W. Sartain. 
Artist’s proof on India paper, signed by the engraver. 
Large 4to. (4) 


PARRISH (STEPHEN). Low Tide, Bay of Fundy. Painter 
etching. Signed artist’s proof on satin. Oblong folio. 
Framed. 

80 


299 PROCESS PLATES. Portraits of Fenimore Cooper, C. 

a Russell, R. D. Blackmore, S. Weir Mitchell, etc. Mostly 

yt printed on rice paper. 12mos. Also two after C. D. Gib- 

git son’s pen and ink drawings, mounted in mats, and one of 
them lightly tinted and signed in Pencil. 4to. ( 12) 


/ 
4 


300 WOOD ENGRAVINGS by G. Kruell, Tietze and others. 
Among them the portraits of Bret Harte, Mark Twain, 


_ 
Oliver Wendell Holmes, H. A. Taine, ete. Mostly proofs 
4, 4, on rice paper. 8vos. (12) 


ENGRAVINGS IN COLOR 
LOTS 301 to 36] 
301 BARTOLOZZI (F.) and other engravers. Miss Gwatkin as 


Simplicity, stipple, after Sir J. Reynolds. Impression with 
the inscription printed in colors and having the title sur- 


a ¥ pressed. With large margin. 4to. Mrs. Lenox, Mrs. 
yx Quentin, Lady Jane Gordon, ete. Stipple engravings and 
4 32 one aquatint. Fine impressions colored by hand. Some 


with large margins, others cut down and inlaid. Mostly 
SVOS. Venus Bathing. Unfinished trial proof. From 
Bartolozzi’s own collection. The Duchess of York, 
Mamilia, The Passion Flower, ete. Stipples and one mezzo- 
tint. All colored by hand. 4tos and 8vos. Cla) 


302 BATHING SCENES. A nice place in hot weather. Etching 
by W. Heath, colored with the brush. With good margin. 


Small 4to. Mermaids at Brighton. Etching colored 

£6 a with the brush. With good margin. Oblong 4to. A 
’ Warm Bath. Aquatint by J. Bluck, colored with the brush. 
ful With margin lacking the plate-mark. Oblong 8vo. Le 


Bain Vapeur. Etching by G. de Cari, colored with the 
brush. With margin lacking the plate-mark. Oblong small 
Ato. Le Bain a la Papa. Etching colored with the 
brush. With margin lacking the plate-mark. Oblong 
small 4to. Le miroir. Etching by F. Bracquemond, 
after Chaplin on thin Japan paper lightly tinted with the 
brush. With large margin. Small 4to. All framed. (6) 


81 


303 BATHING SCENES. Psyche au Bain. Stipple by Chou- 

bard, after Chasselat, printed in colors. With good margin. 

Oblong small folio. 

J g Mme. Dabos, partly printed in colors. With good margin. 
Oblong 4to. Le Bain. Stipple after Mallet, colored with 

wl the brush. With good margin. Small 4to. Grand Bath 
at Broussa—The Terrace of the Seraglio. Photogravures, 

tinted with the brush. Oblong small 4tos. Tepidarium. 

Lithograph by Lamy, after Chasserieau, tinted with the 

brush. Oblong small 4to. 


eraved surface. Oblong large 4to. All framed. (7) 


304 BATHING SCENES. Bains des Dames de la Cour. Photo- 

gravure after Fr. Fleming, colored with the brush. Oblong 

uh 3 a imperial folio. An Apodyterium. Photogravure after 

‘ L. Alma-Tadema, colored with the brush. Oblong folio ——— 

. herr Apres Le Bain. French lithograph colored with the brush. 
Oblong folio. All framed. (3) 


305 BAXTER (G.). The Belle of the Village. The title eut off 
and on three sides trimmed to the engraved surface. Laid 


‘Dea down on eardboard. Small 4to. Lord Nelson. On the 
P original mount, with Baxter’s dry stamp. 12mo. Queen 
d oho Victoria. Trimmed to the engraved surface and laid down 


on cardboard. 8vo. All Baxter prints. Very fine impres- 
sions in oil colors. (3) 


‘ 


306 BAXTER (G.). George Baxter’s life and works. 1 vol. 


i folio. Published by Frederick Mockler. 1894. 58 repro- 
[4 ‘ ductions. Original boards. 


| ogee 


307 BONNET (L. M.). Louis XV, King of France. Engraving 
in crayon manner, printed in colors, after the engraver ’s 
$6 ay fc) own drawing. Extremely fine contemporary impression. 
With good margin. Showing the plate-mark. Royal folio. 
jor Framed. 


82 


Le Bain. Stipple by Noel, after | 


Bain Public des Femmes 
Mahometanes. Line-engraving trimmed closely to the en- — 


a at ae : 
to A a 


ee eae eee ee 


310 


BURKE (T.). William & Nancy, or the Sailor’s Return. 
(From a Ballad by Dibdin). Mezzotint, after W. Woolley. 
Magnificent impression with the inscription, printed in 
colors, but, as always, some details have been put in with 
the brush. With large margin. 

Companion to No. 309. 


BURKE (T.). Dick, or the Soldier’s Return. Mezzotint, 
after W. Woolley. In the same state and condition as the 
preceding, both forming a most beautiful pair, and of the 
greatest rarity in such perfect condition. 

Companion to No. 308. 


CHEZ MME. BRETON. II en aura—HEt lui non. Stipples. 
Impressions with large margin (deckle edges), slightly 
tinted with the brush. Ovals. 8vos. Bathing an In- 
fant. Stipple and etching. Fine impression. Colored 
with brush. With margin lacking the plate-mark. Small 
Ato. (3) 


CLAMP AND OTHER ENGRAVERS. Thomas Tickell 


after Harding. Francois Réné Molé,—and La Rive. 
Stipples. Fine impressions in colors. The first trimmed 
down to the engraved surface and inlaid. The third with 
untrimmed margin (deckle edges). (3) 


CLIFFORD (R. J.). Princess Metternich. Mezzotint, after 
T. Lawrence. Signed artist’s proof on India paper, printed 
in colors. With full margin. Folio. 


ENGRAVER NOT ASCERTAINED. Francois Barthelemy. 
Aquatint nicely colored by hand. With margin showing 
the plate-mark. Francois Adrien Boieldieu. Stipple 
probably after Isabey. Superb proof before all letters, 
printed in colors. With large margin. (2) 


ENGRAVER NOT ASCERTAINED. Viscountess Crosbie. 
Stipple after J. Reynolds. Superb proof before all letters 
printed in two tints. With margin trimmed just at the 
plate-mark. Small 8vo. 


83 


316 


317 


FEMMES DE VERSAILLES (LES), par Pierre de Nolhae. 
1 vol. in the five original silk portfolios. Published by | e 
Goupil & Co. One of 100 copies printed (No. 60). Folio.” 


50 portraits of the most beautiful women of the court of Versailles. ae ‘ 
Magnificent impressions printed in colors without retouch by the Goupil A, 
process. Each one of those portraits can be framed separately and . 
most copies of the book have been broken up for that purpose. 


GROZER (J.). The Age of Innocence. Stipple, after J. 
Reynolds. Fine impression in colors. With large margin... 
Second edition. at 


GOTTSCHIK. Alexander I, Czar of Russia. Aquatint 
after V. Kukelgen. Fine impression colored with the brush. 
With margin, but lacking the plate-mark. Small 4to—— 
Alexander Lord Polivath. Engraved in crayon manner 
by D. P. Pariset after P. Falconet. Fine impression col- 
ored with the brush. With large margin. 8vo. (3) “@ 


HUFFAM (A. M.). Beauties of Brighton. The Beach. En- 
graved in mixed manner after T. Harper, nicely colored 
with the brush. Small 4to. 


JANINET (F.). La Noce De Village. Engraving in crayon 
manner after Wille fils, printed in colors. P. & B. II p. 
481 No. 53. Fine contemporary impression with margin, ~* 
but lacking the plate-mark. Oblong folio. Framed. 
Companion to No, 319. ’ 


JANINET (F.). Le Repas Des Moissonneurs. Engraving 
in crayon-manner after Wille fils, printed in colors. P. & 
B. II p. 481. No. 54. Fine contemporary impression with 
margin, but lacking the plate-mark. Oblong folio. Framed. 

Companion to No. 318. 


JANINET (F). Marie Antoinette, Queen of France. En- 
graving in pastel manner printed in colors after P. & B. 
II p. 486. No. 182. Very fine impression with the orna- 
mental border printed in gold on a separate sheet. A small 
strip of the background had been trimmed off on each side 
but is skillfully and unnoticeably rejoined to the print. 
Extremely rare. Small folio. Framed. 


84 


321 KAUFFMANN (A.). Beauty Directed by Prudence. Stip- 
446 o ple by J. M. Delattre. Fine contemporary impression, 


| printed in colors. With margin, but lacking the plate- 
mark. Circular. Small folio. Framed. 
322 KAUFFMANN (A.). An Offering of Love, by G. Scorodo- 
f -” moff. Very fine impression with the inscription; printed 
pm y in colors. With large margin. 
323 KAUFFMANN (A.). The Last Interview of Hector and 
- Andromache by L. Schiavonetti. Fine impression with the 
ge yf inscription; printed in colors. With margin lacking the 
4, as plate-mark and the publication-line. 


324 KAUFFMANN (A.). Venus attired by the Graces. Stipple 
7 i a by F. Bartolozzi, printed in colors. Extremely fine, con- 


temporary impression with very small margin, trimmed 
/ almost to the border line. Oval. Oblong folio. Framed. 


320 KIRK (T.) AND OTHER ENGRAVERS. Penelope Boothby, 
the Countess of Albany, ete. Stipples after J. Reynolds, 
f ” T. Lawrence, ete. Good impressions, colored by hand. 
Mostly with good margins, some of them cut down and in- 
rf laid. 8vos and 12mos. 


LEWIS (F. C.). The Daughters of Thomas P. Courtenay 
and two other portraits of ladies. Engravings in crayon 
manner. Good impressions printed on India paper and 
tinted by hand. Two of them trimmed down beyond the 
plate-mark. Hanna M. Bowdler. Lithograph by W. 
Slater, after Josh. Slater, trimmed by hand. With good 
margin. All small folio. (14) 


326 KRUEGER (A.). Portrait of a man. Wood engraving 
printed from seven blocks after L. Signorelli. Very fine 


4/ -” 
ra proof on Japan paper. 


327 LAURIE AND WHITTLE. The Labourer’s Welcome Home. 
—The Cottage on the Moor. Both colored by hand; fine 
Ze ‘es impressions with full margins (deckle edges). Small folios. 


(2) 


85 


328 
yt 
a 
329 
pay -” 
/ 
330 


LAURIE AND WHITTLE. Vexation—The Happy Cottager. 
Fine impressions colored by hand. With margins showing ~ 
the plate-mark. Small folios. Sir John Jervis, Earl of 
St. Vincent. Mezzotint similar to Laurie’s plate. Sm. 31, 
but reversed ; with the inscription. Nicely printed in colors. 
Closely trimmed, has lost some of the border. Small folio. 
(3) 


LEFEVRE AND OTHER ENGRAVERS. A.Gruyer,C.M. 


Talleyrand-Perigord, G. C. Duroe. 
engravings. Fine impressions. 
colors, the third colored by hand. With good aE 
Small 4tos. (3) 


Stipple and line- 


MACKENZIE AND OTHER ENGRAVERS. Lady C. Dun- 
combe, Lady Dundas and other portraits of ladies. Stipples 
and mezzotints. Good impressions, among them two proofs - 
before letters. All tinted by hand. Four of them closely 
trimmed and inlaid. 8vos. (9) 


MACKLIN (THOS.). The Fortune Teller. Stipple and — 
line-engraving, after J. Reynolds. Fine impression, colored 
with the brush. With small margin lacking the plate- — 
mark. Oblong folio. 


MARTIN (J. F.). Olof of Acrel. Stipple after Lundberg. 
Fine impression printed in colors with small margin lack- 
ing the plate-mark. The border is slightly torn on the left 
side. 12mo. George IV, King of Great Britain. Stipple 
and line-engraving. With margin trimmed closely to the 
plate-mark. Colored with the brush. 8vo. 


MASSARD (H.). M. Lucien Bonaparte, after Baron Gros. 
Heliogravure. Good impression, printed in colors, with 
small margin lacking the plate-mark. Small folio. 


REYNOLDS (J.). Cherub Choir—Madonna and Child, after _ 
Murillo.—He Loves Me, after Falero—The Princess of — 
Wales, after Lafayette. 


silk. (Supplements to ‘‘The Gentlewoman’’). Folios. (7) — 


86 — 


-_ A, mere 


se 


Very fine lithograph printed on 4 


The two first printed in_ 6, + , 


233 MEYER (H.). Margaret Emma, Lady Kenyon. Mezzotint 
| st a after J. Hoppner. With large margin showing the plate- 
mark. Printed in a brownish tint and colored. Fine and 

rare. Large 4to. 


334 MORLAND (G.). The Angler’s Repast. Mezzotint by W. 
Ward. Fr. 11. Printed in colors. Closely trimmed at 
Jd y) <i top and sides, but showing the inscription at the bottom. 
‘ Laid down on account of defects which are skillfully re- 
dyer paired and retouched. Oblong royal folio. Framed. 
Companion to No. 335. 


3385 MORLAND (G.). A Party Angling. Mezzotint by G. Keat- 

ing. Not mentioned by Smith. Fine impression, printed 

590 as in colors. Trimmed to the engraved surface at top and 
‘ sides and remargined, but at the bottom with margin show- 


f oom ing the inscription. Oblong royal folio. Framed. 
Companion to No. 334. 


336 MORLAND (G.). A Tea Garden. Stipple by F. D. Soiron, 

printed in colors. Extremely fine, early impression, before 

$07 vi the rectangular border. With good margin, but lacking the 

plate-mark. The corners of the white margin not quite 
aw clean wiped. Oval. Oblong folio. Framed. 


Companion to No. 337. 


337 MORLAND (G.). St. James Park. Stipple by F. D. Soiron, 
ss printed in colors. Extremely fine early impression, before 
/ st the rectangular border. With good margin, but lacking the 
plate-mark. The corners of the white margin not quite 
hunt clean wiped. Oval. Oblong folio. Framed. 


Companion to No. 336. 


338 MURPHY (J.). Joseph Telling His Dreams, after A. Kauff- . 

_ mann. Not mentioned by Smith. Impression with the in- 

4 vy, scription. Printed in colors. With margin. Slightly rubbed. 
fi 


339 OPIE (J.). The Sleeping Nymph. Mezzotint. Fine impres- 
sion printed in colors, trimmed to the plate-mark. Folio. 


[i-- 87 


344 


REYNOLDS (J.). A Bacchante. Stipple by W. Nutter, 
printed in colors. 


good margin, but lacking the plate-mark. Royal folio. 
Framed. 


REYNOLDS (8S. W.). Simplicity (Miss Palmers), mezzotint 
after J. Reynolds. Very fine impression with the inserip- 


tion, printed in colors. With margin trimmed to the plate- . 


mark. 


ROWLANDSON (T.). Box Lobby Loungers. Etching after 


H. Wigstead. Fine contemporary impression colored with 
the brush. With good margin, but lacking the plate-mark. 
Oblong imperial folio. Framed. 


ROWLANDSON (T.). Vaux Hall. Aquatint and stipple by 


F. Jukes and R. Pollard. Fine contemporary impression, _ 


printed in colors. With good margin but lacking the plate- 
mark inclusive the publication-line. Laid down on account 
of a few small tears. Oblong imperial folio. Framed. 


ROY (C.). J. Massieu.—Boyveau Lafecteur. Aquatints from 


life. Fine impressions printed in colors. The first with 


margin showing the plate-mark, the second lacking it. (2) 


SERGENT (A. F.). Louis Joseph de Montcalm. Engraved 
in pastel manner after 
colors. P. & B. III. p. 546, No. 39. Fine contemporary 
impression with large margin. Small 4to. Framed. 


SMITH (J. R.). Serena. 
after G. Romney. Printed in colors. 


(Miss Honora Sneyd.) Mezzotint 
Folio. Framed. 


SMITH (J. R.). Rural Amusement after G. Morland.— 
Thoughts on a Single Life, after the engraver’s own de- 
sign. Both heliogravures. Very fine impressions printed 
in colors. The first with margin lacking the plate-mark. 
Small folio. The second with margin showing the plate- 
mark. (2) 


88 


Fine contemporary impression, with. 


printed in 


348 SPORT. The Royal Mails. Departure from the General Post- 
| Office, London. Aquatint by R. G. Reeves, after J. Pollard, 
di 1830. Beautifully printed in colors, large margins, folio. 

Spirited scene showing numerous old mail coaches. 


7-349 SPORT. The Edinburgh Express. Aquatint after Pollard. 
4 : Finely colored and with large margins. Folio. 
6 


300 SPORT. Rookstone and Trusty. (Cob and Bull Dog.) 
6 Painted and engraved by W. M. Fellows, 1825. Aquatint 
{ finely printed in colors, full margins, folio. Very attrac- 
tive subject. Rare. One Sided Bargain, after E. L. 
Henry. » colored by hand. (2) 


SPORT. Pigeon Shooting. Aquatint after Pollard. Col- 


351 
re ored. Original impression of a very scarce print, the date 


searified. Small folio. 


352 SPORT. Hambletonian. Aquatint by Whessell, after Sartor- 
ius. Long printed description in two columns. Original 


idle impression partly printed in colors. Very scarce. Small 
folio. 


353 STADLER. The Right Honble. William Pitt, Colonel Com- 
2 mandant of the Cinque Port Volunteers, after Hubert. 
Ir Aquatint. Very fine impression, colored by hand. With 
“4 ee large margin. Folio. 


304 STAINER (R.). The Duchess of Rutland. Stipple printed 
A Ad — in colors, after Stocker. Fine, contemporary impression, 
with very small margin, trimmed very closely to the bor- 

& ‘ der line. Oval. Folio. Framed. 


355 TASSAERT (P.). P. F. J. G. Bisson, after Mlle. de Noire- 

terre—M. J. Emeriau, after Mme. Le Suire—C. C. E. Gudin 

vf ae by Gabriel, after Mme. Le Suire—G. M. T. J. Hedouville 

by July, after M July. All stipple and line engravings. 

mA y. ih) Superb impressions, printed in colors; the last finished with 
' the brush. Mostly with large margins. Small 4tos. (4) 


89 


356 


359 


361 YOUNG (J.). Published by—Othoman Emperors. 2d, 13th, 


io 


TOJETTI (V.). The Three Graces. Photogravure colored 
with the brush. Oblong imperial folio. Passing the Line. 
Engraving in mixed manner, colored with the brush. Ob- Te 
long imperial folio. Both framed. (2) 2 


ne 


WARD (W.). Hesitation. Stipple after the artist’s own — a 
design. Fr. 157. Printed in colors. With margin lacking g 
the plate-mark. The inscription is lost and the name of 
the artist has been erased from the print. m 

WARD (W.). Elizabeth (Stephenson) Countess of Mex- 
borough. Fr. 97. II, before the»plate was cut down to a 
rectangle; printed in colors. With very small margin 
trimmed almost to the engraved surface. Circular. Folio. 
Framed. | Seale 


wa 


WARD (W.). The Mouse’s Petition. Mezzotint, after J. 
Ward. Fr. 206. The only state. Superb impression in 
colors and, as always, slightly touched up with the brush. 
The margin trimmed to the engraved surface and inlaid. © co : 


WESTALL (R.). Girl at a Cottage Door. Aquatint and 
crayon manner. Good impression printed in colors. With t 
large margin. Small 4to. Ophelia. Stipple. Proof 
before all letters slightly tinted’ with the brush. With 
margin lacking the plate-mark. Oval. Oblong 12mo. _ 
Helen. Stipple by G. Scorodomoff, after A. Kauffmann. 
Lightly colored with the brush. With large margin. Oval. 
Small 4to. (38). 


14th, 17th, 18th, 22d, 23d, 25th. Mezzotints printed in 
colors and touched up with the brush. With full margins. 
Very fine. Folios. (8) 


90 


LINE ENGRAVINGS OF THE XVII, XVIII 
: AND XIX CENTURIES 


LOTS 362 to 411 


362 BARON (B.). The Card Players. Line engraving after D. 
Teniers. Fine impression with large margin. 


F ~ CHAMBARS (T.). St. Martin dividing his cloak. Line en- 

[ graving after P. P. Rubens. Proof with the coat-of-arms, 
but before all letters. Fine impression with margin lacking 
the plate-mark. 


: 
ELIOTT (W.) and others. Tivoli. Line engraving after S. 
Rosa. Proof with the artist’s and publisher’s names in 
traced letters and with the coat-of-arms. With good mar- 
gins. 

DE FREY (J.). Christ at Emmaus, after Rembrandt. 
Etching. Proof with the artists’ names only with very 

large margin. (4) 


363 BARTOLOZZI (F.). Jupiter and Leda. Stipple and line 
engraving. The landscape by B. Comte and the figures by 

/ b all F. Bartolozzi after P. Viera. Open letter proof with small 
margin showing the plate-mark. Oblong. Royal folio.— 

ot The Death of Captain Cook. Painted by J. Webber. The 
4 oe figures engraved by F. Bartolozzi. The landscapes by W. 
, Byrne. From ‘‘Cook’s Voyage to the Pacific Ocean.’’ With 
large margin. Swinging—Trap Ball. Stipples after W. 

Hamilton. With margin lacking the plate-marks, one of 

them tinted by hand. Oblong, small 4tos. Flora. Stipple. 

Proof with the publication-line only in traced letters. With 

small margin lacking the plate-mark. Inlaid, oblong 4to. 


(5) 


364 BAZIN (N.). Femme de Qualité Sortant du Lit. Line en- 

graving after J. D. de St. Jean. Fine impression with 

b - margin trimmed to the engraved surface. The print has 
; been folded in the center. 


dol~ BLOT (M.). Les Bergers D’Arcadie. Line engraving after 
N. Poussin. Ap. 9. II, open letter proof. With margin. A 
slight repair in the lower margin. 


91 


365 


fulr 


366 


BOLSWERT (SCH. 4). The Virgin, Infant Christ and St. 
John. Line-engraving after P. P. Rubens. An unusually 
strong counterproof published by G. Hendricx. With the 
inscription and with small margin showing the plate-mark. 

Marriage of the Virgin. Line engraving after P. P. 

Rubens. With small margin showing the plate-mark. 

Folio. 


BLOEMAERT (C.). Daphne. Line engraving after G. F. 
Romanelli. Proof before all letters. With margin showing 
the plate-mark. Small folio. 


MATHAM. Saint Jerome. Line engraving after J. Arpinas. 
Fine impression with small margin showing the plate-mark. 
Small folio. 


COLLET (I. W.). 20 landscapes (on 10 sheets). Line en- 
gravings by W. Byrne, P. C. Canot, Hancock, I. June, J. 
Mason, E. Rocker, S. Smith, 8. Sparrow, and I. Taylor. 
Fine impressions with large margins. Oblong 8vos. (26) 


DELAUNEY LE JEUNE (R.). Le Bain Publie. Line en- 
graving after Le Barbier. Proof having the artists’ names 
only in traced letters. With large margin. Folio. Framed. 


CHATEAU (N.) AND TROUVAIN (A.). Gaieté de Silene. 
Line engraving after A. Coypel. Impression with small 
margin lacking the plate-mark. Folio. 


LUCAS. Le Retour Imprévu. Line engraving after G. 
Terborch. Very fine proof before all letters. With margin 
showing the plate-mark. Folio. 


BEAUVARLET. Le Bourgmestre. Line engraving after 
Van Ostade. Impression with small margin at the top and 
sides at the bottom trimmed to the publication line. Folio. 
(4) | 


DESNOYERS (A.). La Vierge aux Rochers. Line engray- 
ing after Leonardo da Vinci. Very fine early proof with 
Desnoyers’ stamp. Royal folio. Framed. 


DREVET. La Sainte Vierge au ciel. Line-engraving. With 
good margin. Very fine. Small folio. 


92 


367 


EDELINCK (G.). Sainte Famille. Line engraving. Proof 
before all letters with small margin showing the plate-mark 
dt the bottom only. Folio. 


HURET. Image Miraculeuse de Notre Dame. Line en- 
graving. Fine impression with small margin trimmed to 
the plate-mark. 4to. 


LANDRY (P.). Sainte Famille. Line-engraving, after P. 
Mignard. Very fine proof before the coat-of-arms. With 
small margin lacking the plate-mark. Folio. 


DE POILLY. Madonna and Child. Line-engraving. Proof 
with the engraver’s name only. With small margin, lack- 
ing the plate-mark. Folio. 


MASSON (A.). Sainte Famille. Line engraving, after P. 
Mignard. Very fine impression of the first state, with Van 
Merlen’s name. With margin trimmed nearly to the en- 
sraved border. Folio. (7) 


EX-LIBRIS. &. Jackson. Painter-etching by S. Hollyer, 
printed on India paper signed by the artist —F. R. Halsey, 
line engraving by S. Hollyer (three specimens). All Souls 
College of Oxford.—C. W. Sherborn. Line engravings. 
Proof on Japan paper; the first one signed by the artist. 
Portrait of C. W. Sherborn. Process plate. (7) 


FOLKEMA (J.) Youth between Virtue and Vice. Line 
engraving, after B. Picart. Proof with the artists’ names 
only. With margin showing the plate-mark. Small 4to. 


GAUGAIN. The Dutch cook, after Metzu—Invention of 
painting. Line engraving. Also several etchings and 
drawings. (9) 


FRAGONARD (H.). Les Hazards Heureux de L’Escarpo- 
lettes. Line engraving by N. de Launey. P. & B. II. p. 
546 No. 12, IV, before the ‘‘s’’ at the end of ‘‘escarpolettes’’ 
was removed. Fine old impression, but the fold across the 
center, which marks the old impressions, had given way 
and is repaired. With margin trimmed just at the plate- 
mark. Royal folio. Framed. 


93 


372 
ww < 
378 
a 
374 
is 
375 


Ave 


HEATH (J.). Broad Street Riots, after F. Wheatley. Line 
engraving. Proof with the artists’ names and the publica- 
tion line only. With small margin showing the plate-mark. 
Oblong royal folio. Puck, after J. Reynolds. Line en- 
graving. Proof with the artists’ names only. On India 
paper. With large margin. Small folio. (2) 


HOGARTH (W.). The Rake’s Progress. Set of 8 etchings 
finished with the graver after his own drawings. Fine im- 
pressions with margins showing the plate-mark. <A few 
tears in the upper margin carefully repaired. Folios.—— 
Strolling Actresses Dressing in a Barn. Etching finished 
with the graver after his own drawing. Fine impression. 
Folio. Framed. (9) 


KNIGHT (C.). Gleaners II. Stipple, after H. Bunbury. 
Fine impression in brown, with large margin. 


KONEWKA (P.). Blaetter zu Goethe’s Faust. Silhouettes. 
One vol. 4to. In the original wrapper. 


LEGAT (F.). The Continence of Scipio. Line engraving 
after Poussin. Proof with the coat-of-arms, the artists’ 
names and the publication line only in traced letters. Large 
margin. Oblong royal folio. 


LOWRY (W.). The Musical Shepherdess. Line engraving 
after Claude Lorrain. Proof with the coat-of-arms, the 
artists’ names and publication line only in traced letters. 
With margin lacking the plate-mark. Oblong royal folio. 


WALKER (W.). The Power of Beauty. Line engraving, 
after Filippo Lauri. Very fine impression with good mar- 
gin. Oblong royal folio. (3) 


LONGHI (G.). Bust of a man with a beard, after Rem- 
brandt. 4to. Portrait of a Turk. Full-length standing, 
after Rembrandt. 4to. Head of a Young Woman, after 
G. Dow. 12mo. Line engravings. The second is a proof 


94 


before all letters. The last is a proof with the artists’ name 
and bears Longhi’s dry stamp. Portrait of Longhi, line 
engraving by Schiavone, also an autograph letter to Rocco 
Rocca at Gottingen dated June 28, 1821 and a painted 
price list of his engravings. (6) 


3876 MANDEL (E.). La Bella. Line-engraving, after Titian. 


ae 


Very fine artist’s proof on India paper. The plate-mark 
has given way and a tear in the lower margin is carefully 
mended. Folio. Framed. 


MELLAN (C.). David and Saul. Line-engraving. Very 
fine early impression. With margin showing the plate- 
mark. Small folio. Sainte Famille. Line-engraving 
after his own drawing. Very fine, early impression. With 
margin showing the plate-mark. Small folio. Pieta. 
Line- engraving. With large margin showing the plate- 
mark.” Folio. 


ROSA WAS Toe Polyerates crucified by order of the 
Persian Satrap Orestes. B. 10. Painter-etching. Good 
impression with small margin, laid down on brown paper. 
Oblong imperial folio. 


AUDENAERT (R. V.). The Bath of Susannah. Line- 
engraving after C. Maratta. Closely trimmed and laid 
down. Royal folio. 


SAENREDAM (J.). Wine Drinkers asking Bacchus to con- 
tinue his Gifts. Line-engraving after H. Goltzius. B. 72. 
With small margin showing the plate-mark. A small tear 
on the left carefully mended. Folio. (7) 


377 MORGHEN (R.). Diana and her Nymphs. Line-engraving 


ag 


4.x. 


after Domenichino. H. 50, II; proof with the artists’ 
names only in traced letters. Only five impressions were 
struck from the plate in this state. Small margin. Folio. 
Very fine. Framed. Parnassus, or Apollo and the 
Muses. Line-engraving after R. Mengs. H. 137, I; proof 
before all letters. Only seven impressions were struck from 
the plate in this state. With large margin showing the 
plate-mark. Folio. Framed. (2) 


95 


yf 


878 MORGHEN (R.). A portfolio containing 95 impressions of 


diverse plates, some in various states of progress. This 
interesting collection was brought together when the owner 
was writing the catalogue of R. Morghen’s Works and it 
comprises quite a number of fine and rare examples. First 
among many to be mentioned is a proof of the famous plate 
of Leonardo da Vinci’s ‘‘Last Supper.’’ H. 84, I, with 
the dedication in large script. A splendid impression with 
good margin. The plate after Guido’s ‘‘Aurora’’ is repre- 


ae 

Pa ee 
ee 
i‘ | i 


sented in two fine impressions of different states, 4th and 
6th. ‘‘The Three Ages’’ after Gerard, 3rd state, ‘‘ Angelica — 


and Medoro,’’ after T. Matteini, 2nd state-—‘‘Christ Ap- 
pearing to Magdalen,’’ after Baroccio in two impressions, 
a trial proof and a 3rd state,—‘‘Madonna del Granducea,’’ 
after Raphael, 1st state, etc. Added to the collection is the 
original plate of R. Morghen’s portrait, engraved in line, 
by Paolo Caronni after Mediolani and which served as 
frontispiece to the above Catalogue. ( Nianedijmasiiae Pieces. ) 


A" £28 


OGBORNE (J.). Cottage children opening a gate. Stipple 
after J. Hoppner. With margin trimmed just at the plate- 
mark. Fine. Oblong. Small 4to. 


PIOTTI (C.). Queen Semiramis Receiving the News of the 
Mutiny. Line-engraving after Guercino. Ap. 8, I; proof 
before all letters. With full margin. The plate-mark be- 
low has been slightly reinforeed.t—Joseph and Potiphar’s 


Wife. Line engraving by R. Strange, after Guido Reni. 


With wide margin. 


PIRANESI (F.). The Temple of Apollo. Painter-etching 
finished with the graver. Fine impression, but trimmed 
closely to the engraved surface. Oblong royal folio.— 
The Disc-thrower. lLine-engraving after L. Corazzari’s 
drawing from the antique. With full margin. Folio. 


TUSCHER (M.). Triumphal arch erected to Francis III of 


Lorraine. lLine-engraving. Fine impression with small 
margin lacking the plate-mark. Oblong royal folio. (5) 


96 


381 


PICOT (V. M.). Tom Jones and Mr. Western combating 
with Blifil and Thwackum. Line-engraving after P. L. de 
Loutherbourg. Superb impression with untrimmed margin 
(deckle edges). Folio. The Birth of Venus. Etching by 
A. M. after J. Barry. Good impression with small margin 
but showing the plate-mark. Oblong royal folio. 


POLETNICH (J. F.). Le roi boit. Line-engraving after 
J. J. Jordaens. Fine proof with the artist’s names and 
dates only. With small margin just showing the plate- 
mark. Oblong folio. (3) 


POILLY/ (J.B. DE). Jeux de Jeunes Filles. Line-engravings 
after J. Courtin. Fine impressions with margins showing 
the plate-marks. Small folio. (4) 


RAVENET (S. F.). Adolescence—The Young Gypsy. Line- 
engravings after. cong Mercier and Morelli. The Five 
Senses. Line- engravings after Brower. All with small 
margins, lacking the plate-mark, with the exception of the 
second, which has untrimmed margins. 4tos and 8vos. 
Vestale. Line-engraving. Proof before all letters. With 
small margin trimmed to the plate-mark. Folio. Very fine. 


LEMIRE. Le Villageois qui a perdu son veau. Line- -engrav- 
ing after Eisen. Fine. 16mo. 


PAPAVOINE (MLLE.). Necessité n’a point de loi. Line- 
engraving after Delorme. With margin showing the plate- 
mark. Small folio. L’Eté. Photogravure after Mondon. 
(11) 


REPRODUCTIONS of Famous paintings and engravings. 
Mostly portraits of celebrated men and women. Process 
plates. Three printed in colors. 18 4tos and 30 8vos. (48) 


ROULLET (J. L.). La Madone aux raisins. Line-engraving 
after P. Mignard. Fine impression with margin but lack- 
ing the plate-mark. Folio. Venus and Cupid. Line- 
engraving. Proof before all letters. With good margin, 
but lacking the plate-mark. Folio. The Bath. Line- 
engraving. Proof before all letters. With margin trimmed 
to the plate-mark. Folio. (3) 


97 


Pag 


a 


0 
tg 


jeter Sat ae 


386 SADLER (D.). Scandal and Tea. Etching by Gaujean. 
\g"- Artists proof, signed in pencil by the two artists. Folio. 


jun Framed. > 


387 SANDRART (J.). The Twelve Months. Line- engravings . 
lo ae by Falck (J.), Halwech (A.), Matham (F.), Persyn (R. eee 
Van Dalen (C.), Suyderhoef (J.). Fine impressions with 
margins trimmed just at the plate-mark. Folios. (12) 


388 SCHIAVONETTI (L.), and others. Stipples, mezzotints, 
line-engravings and other etchings. Ophelia, Triumph of 
[ 6 ¢ Galatea, Jupiter and Antiope and various other subjects™ Qo. 
after celebrated masters. Mostly with large margins. 
Quartos and 8vos. (19) 


389 SHARP (W.). A collection of @@% engravings, including a — 
set of 61, illustrating the voyage of Captain Cook, oF why 
which 12 are by William Sharp; also two extra proofs. It a 


G28 sia represents the almost complete work of the engraver and 
comprises his most important plates in early impressions. ‘ 

rt. Among them the famous portrait of Dr. Hunter, in a fine a 

4, proof before letters, and in the same state is also Guido 4 


Reni’s ‘‘Doctors of the Church.’’ ‘‘St. Ceclia,’’ after a 
Domenchino and the ‘‘Sortie of Gibraltar’’ are in open 
letter proofs, while the ‘‘Relief of Gibraltar’’ is repre- 
sented in a working proof. Altogether 201 pieces in three 
portfolios. 


390 STOTHARD (T.). Chaucer’s Canterbury Pilgrims. Line, 
ge engraving by L. Schiavonetti, terminated after his death’ 
J. Heath. Open letters proof with margin. Obl 
imperial folio. Very fine. Framed. 


dA 
a. 


° a 
391 STOTHARD (T.), and others. 12 illustrations for the ty 
‘“Spectator,’’? and one for the ‘‘Tatler.’’ Stipple and line- 
Z — engravings by Wm. Sharp, L. Schiavonetti, J. Parker, ete. as. 
Very fine impressions with untrimmed margins (deckle — q 

& ; edges). S8vos. (13) 
98 


392 


393 


396 


STRANGE (R.). Venus and Adonis. Line-engraving after 
Titian. Fine, old impression with full margin. A slight 
crease through the center. Oblong folio. 


MAX (G.). The Greeting to the Martyr. Photograph. 
1514 x 2114. 


ALMA-TADEMA (L.). The Baths of Caracalla. Photo- 
gravure on India paper. Imperial folio. Framed. (3) 


TAYLOR (C.). The four elements. Stipples. Very fine 
impressions in brown. 12mos. The four seasons.— 
Apollo and the Sybil——Hero awaiting Leander. Stipples 
printed in brown and slightly colored with the brush. 
12mos and 8vos. 
printed in brown. Very fine impressions with large mar- 
gins. 8vos. (12) 


TESTI (D.). Fortuna. Line-engraving after M. A. Bona- 
ventura. Remarque proof, with the artists’ names. Folio. 
Framed. 


HAMON (J. L.). Automne. Line-engraving. Framed. 
WEISMAN (R. R.). Etching. Framed. 


MORGHEN (R.). Head. Proof before all letters in passe 
partout. (4) 


TOMKINS (P. W.). The Birth of the Thames, after M. Cos- 
way. Fine impression with the inscription, printed in dark ~ 


brown. With margin showing the plate-mark. A small 
tear in the lower margin carefully repaired. 
trations in stipple. Proofs before letters, some finished and 
some unfinished states. Fine impressions. With small 
margins, some inlaid. 4tos and 8vos. (18) 


TURNER (J. M. W.). Heidelberg Castle—Ancient Italy— 
etc. Line-engravings by various engravers. Very fine 
proofs, before all letters, printed on India paper. With 
full margins. Folio. (7) 


99 


Enjoyment—Enjoyment over. Stipples™ 


Book illus- y 


397 VERNET (JOSEPH). Three portraits of the painter. 


ha 


398 


399 


402 


VERNET (J.). Le Soir. Line-engraving by J. Aliamet. 


Two in line-engravings by L. J. Cathelin, after J. M. 
Moreau le jeune and L. M. Vanloo. Another in pastel 
manner by Duplessis-Berteaux. Very fine impressions, the 
last one, a proof with the artists’ names in traced letters 
only. All with large margins. Folio and two 4tos.——Le 
Matin—Le Soir. lLine-engravings by P. Benazech. The 
first one, proof with the painter’s name in traced letters, 
the second a false proof. Superb impressions with margin 
showing the plate-mark. Folios. (6) 


Le Midi. Line-engraving by P. I. Duret. Proofs with the 
coat-of-arms and the artists’ names only. The first with | 
very large margin and a printer’s crease to the left, the ~ 
second with small margin, but showing the plate-mark. 
Very fine impressions. Oblong folios. Le Soir. Line- 
engraving by J. Balechou. Fine impression with small 
margin but showing the plate-mark. (3) 


VERNET (J.). Storm—Calm. Line-engravings. Superb | 


proofs before all letters, with small margins, but showing 
the plate-marks. Oblong royal folios. (2) 


VERNET (J.). Fishing. 4 prints. La Péche du Jour.—lLa 


Péche de Nuit. Line-engravings by Y. Le Gouaz. Les 
Femmes A la Péche.—Les Jetteurs de Filets. Line-engrav- 
ings by J. J. Le Veau and A. P. Coulet. Fine impressions 


with small margins, but showing the plate-mark. Oblong. 


folios. (4) 


VERNET (J.). Fishing. 4 prints. Le Matin, Le Midi, Le 


Soir, La Nuit. Line-engravings by J. Aliamet. Fine im- 
pressions with small margins, but showing the plate-marks. © 
Oblong folios. (4) | 


VERNET (J.). Fishing. 4 prints. La Péche a la Ligne, 
Retour de la Péche. Line engravings by P. Benazech. 


Fine impressions, the first with margin trimmed closely to 


the plate-mark, the second with large margin. Oblong 


royal folios ——La Péche au Fanal.——La Gondole Italienne, 
100 3 


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a 


ees 


My 


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rd 


Se 


, 


403 


a7 - 


404 
a 


Jot 


405 


A than 


Line engravings by P. J. Duret. Fine impressions, the sec- 
ond a proof before letters with the coat-of-arms, and the 
artists’ initials in traced letters. Small margins, but show- 
ing the plate-marks. Oblong royal folio and folio. (4) 


VERNET (J.). Fishing. 4 prints. Péche Heureuse,—Les 
Pecheurs Fortunés. Line engravings by A. Zingg and Hel- 
man. Fine impressions with untrimmed margins (deckle 
edges). Oblong folios. 
Retour de la Péche au Soleil Couchant. Line engravings 
by S. Hill and J. J. Avril. Fine impressions with small 

“margins but showing the plate-marks. Oblong royal folios. 


(4) 


VERNET (J.). Fishing. 4 prints. Les Pécheurs 4 1’ 
Ouvrage,—Les Pécheurs 4 la Ligne. Line engravings by 


an unknown engraver and M. R. Bertaud. Good impres- : 


sions with small margins, but .showing the plate-marks. 
Oblong folios. Les Pécheurs Napolitains,—Les Pécheurs 
Florentins. Line engravings by A. P. Coulet. Fine im- 
pressions with small margins, but showing the plate-marks. 
Folios. 


ELLIOT (W.). Fishing. Le Retour de la Péche. Line- 


engraving, after J. Pillement. Fine impression with margin. 


lacking the plate-mark. Oblong royal folio. 


GREEN (T.). A View of Twickenham. Etching finished 
with the graver, after T. H. Muntz. Fine impression with 
margin lacking the plate-mark and the publication-line. 
Oblong royal folio. (6) 


VISSCHER (C.). The Ascension. Line engraving, after 
Cagliari. Fine impression with large margin. Folio. 


-VANDALEN (C.). The Virgin nursing the Child. Line- 


engraving, after G. Flinck. Fine impression with good 
margin. Slightly water-stained. Folio. 


VOSTERMAN, Sr. (L.). Peasants fighting over a game of 
eards. Etching finished with the graver, after Peter Breu- 
ghel. Du. VI. p. 171, No. 59. Fine impression with margin 
showing the plate-mark. Oblong royal folio. (3) 


101 


Le Pécheur Encouragé,—Le * *® 


a 


406 WILKIE(D.). The Penny Wedding—The Rent Day. Line 
engravings by J. Stewart and A. Raimbach. Fine open let- 
ter proofs. Folios. Framed. (2) 


407 WOOD ENGRAVINGS. Reinhardt (C.). “Der Léwe 
Kommt’’ (The lion escaped). Very amusing woodeut of 
the middle XIX Century. 


i iy 
THREE WOODCUTS by H. Tallman. A pointer and two 
heads of pointers. In passe partout. 


KAKEMONO. Very fine specimen in a bamboo frame. (5) 


408 WOOLLETT (W.). Apollo and the Seasons. Line engrav- 
ing, after R. W. Wilson. Very fine proof with the artists’ 


the plate-mark. Laid down on account of small imperfec- 
tions. Oblong royal folio. 
engraving after R. Wilson. Fine impression trimmed to 


/6 “ names in traced letters only. With small margin, lacking 
rf. 
a 


the engraved surface and remargined. Oblong royal folio. ~ 


(2) 


409 WOOLLETT (W.). Les Agréments de 1’été, and 


CANOT (P. C.). Les Douceurs de ]’automme. Line en- 
eravings after J. Pillement. Good impressions with mar- 


d ain gins trimmed to the plate-marks. Oblong folios. (2) 


410 WOOLLETT (W.). A view of the garden, ete., at Carlton 
House. Line engraving from his own drawing. Fine im- 
pression, but closely trimmed. 


CANOT (P. C.). The New Building on Shrubs Hill, Etch- 
ing finished with the graver, after T. Sandby. With small 
margin but lacking the plate-mark. 


SANDBY (P.). Virginia River, near the Manour Lodge. 
Etching finished with the graver, after T. Sandby. With 
large margin. All oblong folios. (38) 


411 WOOLLETT (W.). The Spanish Pointer. Line engraving 
by W. Woollett, after G. Stubbs. Brilliant impression of a 
celebrated and exceedingly scarce print. Folio. 


102 


Ceyx and Aleyone. Line- 


FOURTH SESSION 
LOTS 412-568 


PORTRAITS OF ARTISTS 
LOTS 412 to 431 


412 ALLORI(A.). Line-engraving by P. Menozzi, after A. Allori. 


ag 


4’ 


im 


Proof before all letters, with untrimmed margin. 4to. 


ANDERLONI (G. B.). Line-engraving by P. Anderloni. 
With good margin. 4to. 


APPIANI (A.). Line-engraving by G. Longhi, after A. 
Appiani. Superb proof with the engraver’s name only in 
traced letters. With untrimmed margin, bearing in pencil 
a dedication to the publisher Burocco. Folio. Another 
Portrait of the Same. Stipple by L. Rados, after N. Melin1. 
Proof with the artists’ names only. On India paper, with 
margin showing the plate-mark. Folio. 


AUER (J. P.). Line-engraving by J. de Sandrart, Jr. With 
small margin lacking the plate-mark. Large 4to. 


BATONI (P. G.). Line-engraving by A. Marchi, after P. 
Batoni. Proof before letters, with untrimmed margin. 
Small 4to. 

BAZZI (G. A.) ealled ‘‘Il Sondoma.’’ Line-engraving by 

-R. Pozzi(?). With small margin lacking the plate-mark. 
Small 4to. 


BEAUMONT (G. H.). Stipple by an unknown engraver. 
Proof before all letters. With margin showing the plate- 
mark. 4to. (8) 


BELLINI (G.). Line-engraving by S. Richard, after G. 
Bellini. Proof before letters, with untrimmed margin. 
Slightly water-stained. Small 4to. 


BERGER (D.). Stipple and etching by F. Berger. Proof 
with the inscription in traced letters only. With margin 
just showing the plate-mark. 12mo. 


103 


BERVIC (C.). Line-engraving by P. Toschi. Superb trial 
proof from the finished plate, with the graver trials on the 
margin, signed in pencil by the engraver. On India paper, 
with untrimmed margin. 4to. 


BEWICK (T.). Line-engraving by J. Burnet, after S. 
Ramsey. Open letter proof on India paper. With margin 
trimmed to the plate-mark. 8vo. Another Portrait of 
the Same. Line-engraving by T. Ranson, after W. Nichol- 
son. Open letter proof. With margin just showing the 
plate-mark. Small 4to. Another Portrait of the Same. 
Line-engraving by F. Bacon, after J. Ramsay. On India 
paper with full margin. Small 4to. (6) tm} 


414 BLAKE (WILLIAM), after T. Phillips. Original water oe 
~ id color drawing by L. Schiavonetti from which he sper ened a 
rf his plate. Small folio. Very fine. : 


bead 


415 BLOEMAERT (A.). Line-engraving. Copy of J. Matham’s 
engraving after P. Morelsen. With untrimmed margin 
(deckle edges). Small 4to. 


- } : 
r) BROGNIART (A.). Line-engraving by Henriquel-Dupont. 
yt, Proof with the artist’s name only in traced letters. With 
4, ® good margin. Folio. 


BUONARROTI (MICHEL ANGELO). Line- “engraving by 
G. Longhi, after Michel Angelo. With big margin, but lack- 
ing the plate-mark. Oval. 8vo. Another Portrait of 
the Same. Line-engraving by A. Franeois after Michel — 
Angelo. Proof with the artists’ names only in traced 
letters. On India paper, with full margin. Small folio. 


CANALE (A.) ealled Canaletto. Etching finished with the 
graver by G. M. Pitteri, after G. B. Piazzetta. With margin 
Showing the plate-mark at the top and bottom, closely 
trimmed on the sides, particularly on the right where a 
small part of the border is cut off. Small folio. 


CANOVA (A.). Line-engraving by F. Weber, after B. © 
Gerard. Numbered (49) proof before letters on India, 8 
paper. With good margin. Small 4to.——Another Por- 
trait of the Same. Line-engraving by W. H. Worthington, 4 


104 


after F. X. Fabre. Proof with the engraver’s name only 

in traced letters. On India paper with untrimmed margin. 
~4to. Also a proof of the earliest unfinished state of the 

plate. In the same condition. (8) 3 


416 CARAVAGGIO (M. A. DA). Line-engraving by De Lannoy, 


oo 
Aad 


after Caravaggio. Proof before letters, with untrimmed 
margin. Small 4to. 


CARRACCI (L.). ‘Line-engraving by G. Marri, after L. 
Carracci. Proof before letters, with untrimmed margin. 
Small 4to. 


CARRIERA (R.), generally known as Rosalba. Line-engrav- 
ing by J. Wagner, after Rosalba. With good margin. 
Small folio. 


CHALON (J.). Painter-etehing by himself. Proof with the 
artist’s initials and the date 1788. On vergé paper, with 
small margin showing the plate-mark. Small 4to. 


CHAMPAIGNE (P.). Lline-engraving by P. Metzmacher, 
after P. de Champaigne. Numbered (10) proof with the 
engraver’s name only in traced letters and with the blank 
tablet. On India paper with full margin. Small folio. 


CIGNANI (C.). lLine-engraving by Chambars (?), after C. 
Cignani. With margin trimmed just at the plate-mark. 
Small folio. 


DAVID (J. L.). Line-engraving by E. Bourgeois, after 
Rouget. With margin lacking the plate-mark. 4to. (7) 


DAVID (J. L.). The same as the preceding. Very fine im- 
pression with large margin. Folio. 


DOLCE (C.). Line-engraving by J. C. Ulmer, after C. Dolce. 
With small margin lacking the plate-mark. Small 4to. 


DOW (G.). Line-engraving by J. E. Pannier, after G. Dow. 
Proof before letters on India paper. With full margin. 
Small 4to. Another Portrait of the Same. Line-engrav- 
ing after a drawing by W. M. Craig from the painting by 
G. Dow. On satin, laid down in a green passe partout. 
Folio. 3 


105 


418 


419 


/d “ 


4H. 


DELAROCHE (P.). Line-engraving by A. Louis, after P. 
Delaroche. Magnificient proof before all letters, on India 
paper. With full margin: Directly below the design. an 
autograph dedication by the painter to the Due de Feltre. 
Small folio. Unique. (5) 


DENON (V.). Line-engraving by Ad. Huot, after Prud ‘hon. ae 
Proof before all letters with large margin. 4to. ‘4 


DE VOS (M.). Line-engraving by G. Sadeler, after J. Heinz. — 
With very small margin, lacking the plate-mark. Small ~* | 
imperfections in the corners. Scarce, 4to. 


DU JARDIN (K.). Original drawing in black chalk and 
pencil. Apparently by an engraver for his plate. Laid 
down on buff cardboard. 4to. 


HENRIQUEL-DUPONT (L. 'P.). Line-engraving by A. 
Louis, after P. Delaroche. On India paper, with full 
margin. Small 4to. Another Portrait of the Same | 
(?—perhaps Bervic). lLine-engraving. Proof before all 
letters, dated 1818. With margin just showing the pias | 
mark. Small 4to. (5) 4 

7 
3 


DURER (A.). Line-engraving by M. Muller yon Steinla, 
after A. Durer. Proof before letters, with untrimmed 
margin. Small 4to. 


FACIUS (J. G.). Line-engraving. Open letter proof. With 
good margin, but lacking the plate-mark. 4to. 


FALCONET (H.). Crayon manner by Pariset, after M. 
Collot. With large margin. Small 4to. 


FRANCESCHINI (M. A.). Line-engraving by V. Vanni, 
after M. A. Franceschini. Fine impression in brown on 
vergé paper. With good margin. Folio. 


FREY (J. DE). Etching by J. de Frey. Proof before all 
letters on loose India paper. With good margin. Small 4to. 


FUESSLI (H.). Etching finished with the graver by J. H. 
Lips, after the engraver’s serie from life. 1779. With 
good margin. 4to. 


106 


GIORDANO (L.), called ‘‘fa Presto.’’ Line-engraving by 
R. Pozzi, after G. D. Campiglia. Good impression with 
wide margin. 4to. Another Portrait of the Same. Line- 
engraving by F. Floridi, after L. Giordano. Proof before 
letters, with untrimmed margin. Small 4to. 


GRAVES (R.). Line-engraving by himself, after J. Hoppner. 
Proof with the artists’ names only in traced letters. With 
trimmed margin, 8vo. 


GROS (BARON A. J.). Line-engraving by P. J. Vallot, 
after A. J. Gros. Proof with the artist’s names only. On 
India paper with full margin, 4to. 


GUERIN (C.). Etching finished with the graver by C. 
Guerin. With small margin lacking the plate-mark. 4to. 


HOLBEIN (HANS), the Younger. Line-engraving by a 
pupil of P. Toschi, after H. Holbein. Proof before letters 
on India paper. With untrimmed margin. Small 4to. (12) 


HOUBRAKEN (J.). Line-engraving by himself, after J. 
M. Quinkhard. With small margin but showing the plate- 
mark. Small folio. 


HUBERT (ROBERT). Line-engraving by Miger, after 
Isabey. With margin lacking the plate-mark. Small folio. 


HUE (J. F.). Etching and Aquatint. Also a proof of the 
etching alone. Both with small margin lacking plate-mark. 


HUYOT (J. N.). Line-engraving by A. Blanchard, after 
Droling. On India paper, with small margin, but showing 
the plate-mark. Folio. 


KAUFFMANN (A.). lLine-engraving by T. Woolnoth, after 
her own painting. With margin trimmed to the plate-mark. 
8vo. 


KAULBACH (W. von). Line-engraving by J. L. Raab, 
after F. Kaulbach. First state, proof with the engraver’s 
name in traced letters. On India paper with full margin. 
Small 4to. 


KNORR (G. W.). Line-engraving by I. A. Schweikart, after 
I. E. Ihle. With large margin. Folio. (8) 


107 


421 


422 


LAFAGE (R.). Etching finished with the graver by C. 
Vermeulen. With margin trimmed to the engraved border 
at the top and left side, at the right and at the bottom small 7 
margin lacking the plate-mark Folio, 


LEYDEN (L. van). Line-engraving by Geo. Tosella, after 
Van Leyden. Proof before letters, with untrimmed mar- | 
gin. Slightly water-stained. Small 4to. 


LIEVENS (J.). Etching by A. Bartsch. Proof with the 
etcher’s name only in traced letters. With small margin 
lacking the plate-mark. On loose India paper. 8vo. 


LONGHI (G.). Line-engraving by S. Jesi, after his own 
drawing. Open letter proof, with good margin. Small 
4to.—Another Portrait of the Same. Line-engraving by 
C. Lingiardi, after S. Jesi. Open letter proof. With un- 
trimmed margin. Small 4to.——Another Portrait of the 
Same. Line-engraving by F. Anderloni, after his own 
drawing, in medal form. With full margin. Small 4to. 
—Another Portrait of the Same. Line-engraving by N. 
Schiavoni. Also an autograph letter signed by Longhi 
(214 pp.) with a printed list of Longhi’s engravings. (8) 


LONGHI. (G.). lLine-engraving by P. Anderloni, after his 
own drawing. With good margin. Small 4to. 


LICINIO (G. A.), called il Pordenone. Line-engraving by 
L. Tognola, after Pordenone. Proof before letters. With 
untrimmed margin. Small 4to. 


MEMLINCK (H.). Line-engraving by Desvachez, after H. 
Memlinck. Proof before letters on India paper. With full 
margin. Small folio. 


MENGS (A. R.). Line-engraving by M. S. Carmona, after 
R. Mengs. With large margin. Large 4to..—Another 
Portrait of the same. Line-engraving by D. Cunego, after R. 
Mengs. With large margin. 4to.— Another Portrait of 
the Same. Line-engraving by S. F. Ravenet, after R. 
Mengs. Trimmed into the border at the top and sides, but 
showing the full inscription. Folded and on this account 
laid down. Folio. | 


108 


424 


a 
- 


MIERIS (¥.), the Younger. Crayon manner by W. Baillie, 
after F. Mieris. With small margin lacking the plate- 
mark. ‘Small 4to. Another Portrait of the Same. Line- 
engraving by J. Houbraken, after F. Mieris. With margin 
trimmed to the plate-mark. Small folio. (8) 


MASSON (A.). Line-engraving by himself, after P. Mig- 
nard, R. D. 1, I, not mentioned by Dumesnil. The orna- 
ments of the cartouche traced with the needle, before the 
words ‘‘Né a Orléans et est mort 4gé de 66 ans.’’ and with 
the name of the painter in traced letters. ‘Superb proof, 
with small margin, lacking the plate-mark. 


MATTHIOLI (A.). Laid the mosaics in Saint Peters, Vati- 
ean. Etching by M. Oesterreich, after P. L. Ghezzi. With 
margin, but lacking the plate-mark. Folio. 


MATSYS (Q.). Line-engraving by <A. Dalco, after Q. 
Matsys. Proof before letters on India paper. With un- 
trimmed margin. Small 4to. 


MULLER (P.) or Pieter Molyn, called ‘‘el cavaliero Tem- 
pesta.’’ Proof before letters. With large margin. Small 
Ato. 


MULLER (G.). Line-engraving by C. W.. Bock, after G. 


Muller. With margin showing the plate-mark. 4to. . 


MORLAND (G.). Line-engraving after G. Morland by an 
unknown engraver. Very fine proof before all letters with 
margin, but lacking the plate-mark. Inlaid 4to. (6) 


MURILLO (B. E.). lLine-engraving by A. J. B. M. Blanch- 
ard, after Murillo. Proof before letters on India paper. 
With large margin. Small folio. 


NETCHER (C.). Line-engraving by I. 8S. Klauber, after C. 
Netcher. Proof before all letters on India paper, re- 
mounted on new plate paper. 4to. 


PALMA (J.), the younger. Line engraving by E. Salvi after 
J. Palma. Proof before letters, on India paper. With un- 
trimmed margin. Small 4to. 


109 


(6 - 


POUSSIN (N.). Line-engraving by E. F. Lignon, after N. 
Poussin. Proof before all letters, on India paper. With 


good margin. The names of both artists and the date writ- 


ten in pencil by the engraver, also the name of Mr. Caron, 
the engraver, to whom this proof was probably presented. 
Folio. 


PREISLER (J. D.). Line-engraving by I. G. ‘Pings after 
J. M. Schuster. With good margin. 4to. 


PRIMATICCIO (F.). Line-engraving. Proof BB alls ; 
: bi 


letters and with graver trials on India paper. With big 
margin. Small 4to. (6) 4 


425 PUGET (P.). Line-engraving by Jeaurat, after F. Puget, 
fils. Fine impression with good margin. Small folio. 

QUINKHARD (J. M.). Line-engraving by P. Tanjé, after 

J. M. Quinkhard. Fine impression with good margin. 


RAPHAHL at the age of 15. The Louvre portrait also called 
Bindo Altoviti. Line-engraving by E. Mandel, after Raphael. 
Superb proof with the artist’s name and date in traced let- 
ters on India paper, signed in pencil by the engraver. With 
full margin———The Same Portrait. Original India ink 
wash drawing by an engraver (Knolle?). Very fine. Small 
Ato. Another Portrait of the Same. Line-engraving by 
P. Pontius. Good impression, trimmed closely to the en- 
graved surface except at the bottom, where the full in- 
scription is preserved. (5) 


426 REDOUTE (P. J.). Line-engraving by C. 8S. Pradier, after 


E. P. Gerard. Open letter proof on India paper. With 
small margin, lacking the plate-mark and on both sides 
trimmed to the India paper. Small 4to. 


REGNAULT (A. G. H.). Line-engraving by Stern. Minia- 
ture engraving. Proof with the artist’s name only on India 
paper. With full margin. Oblong small 8vo. 


\ “on 
f 


‘ 


REMBRANDT VAN RYN. Line-engraving by G. Levy, after — 


Rembrandt. Numbered (74) proof before letters on India 
paper. Untrimmed. Small 4to.— Another Portrait of 


110 


the Same. Etching finished with the graver by A. Masson, 
after Rembrandt. Proof before all letters. With large 
margin. 4to. Another Portrait of the Same. Etching 
finished with the graver by J. Hissner, after Rembrandt. 
Proof before all letters with large margin. 8vo. An- 
other Portrait of the Same. Mixed manner by J. Fleisch- 
mann, after Rembrandt. Open letter proof with large mar- 
gin. Small folio. 


RIBERA (J.). I] Spagnoletto. Line-engraving by G. Guzzi, 
after Ribera. Proof before letters, with untrimmed mar- 
ein. Small 4to. 


RICCI (M.). Line-engraving by A. Faldoni, after Rosalba. 
With large margin. Small folio. Another Impression 
of the Same. With margin trimmed at the plate-mark. 


RICCI (S.). Line-engraving by Chambars (?), after S. 
Ricci. With large margin. Small folio. (10) 


ROMANO (G.). Line-engraving by EH. Pascali, after G. 
Romano. Proof before letters. With untrimmed margins. 
Small 4to. Another Portrait of the Same. Line-engrav- 
ing by F. Weber, after G. Romano. Proof before letters on 
India paper. With large margin. Slightly foxed. 


ROSI (A.). lLine-engraving by P. A. Pazzi, aftr his own 
drawing. With good margin. 4to. 


RUBENS (P. P.). Line engraving by Laugier, after P. P. 
Rubens. Numbered (13) proof before letters on India 
paper. With full margin. Slightly foxed. Another 
Portrait of the Same. Line-engraving by P. Pontius, after 
A. Dyck. Closely trimmed to the engraved surface, except 
at the bottom where the entire inscription is preserved. 
Small 4to. 


RUBENS’ SONS. lLine-engraving by J. N. Danzel, after 
P. P. Rubens. With good margin. Small folio. 


BRANDT (I.). Rubens’ first wife. Stipple and line en- 
eraving by L. A. Claessens, after P. P. Rubens. With 
large margin. Large 4to. (7) 


1i1 


Leg 


428 SARTO (A.). Line-engraving. Proof before all letters. 


429 


With large margin. Large 4to. Another Portrait of 
the Same. Original crayon drawing by Anastasi for the 
engraving by C. 8. Pradier. Very fine. 4to. 


SALVI (G.) il Sassoferrato. Line-engraving by J. Nardini, 
after Sassoferrato. Proof before letters. With untrimmed 
margin. Small 4to. ; 


SHEEPSHANKS (J.). Stipple and line-engraving by W. H. 
Mote, after Pickersgill. Proof with the artists’ names 
only in traced letters. On India paper. With large mar- 
ein. 

SNYDERS (F.). Reproduction of A. van Dyck’s etching. 
Ato. . 


STOTHARD (T.). Line-engraving by W. H. Worthington, 
after J. H. Harlow. Script letter proof on India paper. 
With large margin. Small folio. Another Portrait of 
the Same. Stipple by E. Scriven, after J. Green. Fine 
impression on India paper. With full margin. Large 8vo. 
Rare. 


STRUTT (J.). Mezzotint by J. Linnell, after the engraver’s 
own painting. Proof before letters on India paper. With 
full margin. Royal folio. (8) 


STUBBS (G.). Crayon manner by B. Reading, after P. Fal- 
conet. With very small margin. Slightly tinted. Inlaid. 
8vo. 


SUTTERMANS (J.). Line-engraving by A. Daleo, after 
J. Suttermans. Proof before letters. With untrimmed 
margin. Small 4to. | 


TENIERS (D.). Line-engraving by L. Vosterman Jun., 
after P. Thys. With good margin. Small folio. 


TERSAN (ABBE C. DE). Painter-etching by himself. 
Fine impression with large margin. 8vo. 


THIBAULT (J. T.). Line-engraving by F. Gerard. Open 


letter proof on India paper, with untrimmed margin, 


Small folio. The Same. The etching only. With mar- 
gin lacking the plate-mark. 


112 


ROBUSTI (J.) called ‘‘Tintoretto. Line-engraving by 
Nardini, after Tintoretto. Proof before letters with the 
untrimmed margin. Small 4to. Another Portrait of 
the Same. Line-engraving by N. Lecomte, after Tin- 
toretto. Proof before letters on India paper. ‘With full 
margin. Small 4to. Another Portrait of the Same. 
Crayon manner by Rinaldi. With small margin lacking the 
plate-mark. Slightly water-stained. 


TOMMASINI (G.). Line-engraving by P. Toschi. Open 


letter proof on India paper. With untrimmed margin. 
(10) 


430 TROOST (C.). Line-engraving by J. Houbraken, after C. 
Troost. With large margin. Fine. Small folio. 


/ / ee TURNER (J. M. W.). Line-engraving. Proof before all 
letters, on India paper. With large margin. Small 4to. 


yt SANSOVINO (L.). Line-engraving by G. P. Lorenzi (deaf- 
A, ' mute), after Titian. Proof before letters on India paper. 
With untrimmed margin. 


VAN DYCK (A.). Line-engraving by C. G. and A. Pazzi, 
after G. D. Ferretti. With large margin. 4to. An- 
other Portrait of the Same. Line-engraving by G. Ber- 
tinot, after A. Van Dyck. Proof with the artists’ names 
and the date, 1865, in traced letters. On India paper with 
full margin. Folio. Another Portrait of the Same (as 
Paris). Line-engraving by L. Schiavonetti, after A. Van 
Dyck. Open letter proof on India paper, with large mar- 
gin. 4to. 

VECELLIO (TITIANO). Line-engraving by G. Cipriani, 
after Titian. Proof before all letters and with the pub- 
lisher’s dry stamp. With large margin but lacking the 
plate-mark. Small 4to. (7) 


421 VELASQUEZ (D.R.). Line-engraving by I. Dujardin, after 
Velasquez. Proof before all letters. Small 4to. The 
ce? Same. lLine-engraving by M. L. Pannier. Proof before 

J 6 9% letters on India paper. With full margin. Small 4to. 
VERNET (C.). Etching by Henriquel-Dupont, after P. 
Delaroche. Proof with the artists’ names and the date 

1837. With large margin. Small 4to. 
113 


VINCI (L. DA). Line-engraving by G. Bonaini, after Da 
Vinci. Proof before letters on India paper. With full 
margin. . 

VOUET (S.). lLine-engraving by R. V. Vorst, after Van 
Dyck. With very large margin. 4to. 


WHISTLER (J. A. MeN.). Painter etching by E. Haskell. 
Very fine artist’s proof, signed in pencil. On Japan paper. 
Only eight proofs. 


WEIROTTER (F. E.). Line-engraving by J. Balzer, after 
Du Greux. Large 4to. | 


WUTKY (M.). Line-engraving by C. de Mechel, after M. 
Wutky. Large margin. 4to. (8) 


PORTRAITS OF ANTIQUARIANS, 
BIBLIOPHILES, ETC. 


LOTS 432 to 437 


432 BARTSCH (J. A. de). Stipple by Thomson, after G. Lewis. 
With good margin but lacking the plate-mark. 8vo. 


a BOWYER (W.). Line-engraving from life by J. Basire. 
ry, Open letter proof with full margin. | 


L’IMPRIMERIE DESCENDANT DES CIEUX. Frontis- 
piece to Vol. II of Nichols Literary Anecdotes of the 
XVIIIth Century. Line-engraving by J. V. Schley, after 
his own drawing. With good margin. 8yvo. With por- 
traits of Guttenberg, Fust, Koster, Caxton, Aldus and 
Etienne. With good margin. 8vo. (3) 


ee ey ae ee ee 


4324 BURROW (J.). Line-engraving by J. Basire, after A. Devis. 
Fine impression with large margin. Folio. 


gf o NICHOLSON (J.). Line-engraving by J. Caldwell, after 
P. Reinagle. With margin showing the plate-mark. Slightly 
foxed. Royal folio. (2) 


114 


434 


DIBDIN, the famous book-collector. Mezzotint by T. Hod- 
getts, after P. Phillips. Open letter proof with good 
margin. Slightly creased. Private plate; only 75 impres- 
sions taken according to Mr. Keppel. Small 4to. Karl 
Grey (Charles), after J. Northcote. Open letter proof, 
closely trimmed, lacking the plate-mark at the bottom. 
Large 4to. (2) 


NAGLER (C. F. F. von). Celebrated print collector. Line- 
engraving by L. Buchhorn, after F. Lieder. With large 
margin. Folio. 


PAYNE (R.). Etching by J. Harding. With large margin. 
Slightly foxed. Small 4to. 


SHARP (T.). Line-engraving after a drawing by J. S. 
Cotman. With good margin. Private plate. 8vo. 


SOMMARIVA (J. B.). Celebrated picture collector. Line- 
engraving by G. Garavaglia, after G. Longhi. With margin 
but lacking the plate-mark. 8vo. (4) 


PAYNE (R.). Etching by J. Harding. Proof before all 
letters. With small margin trimmed just at the plate-mark. 
Unique. Small 4to. 


VISCONTI (E. Q.). Stipple and etching by L. Rados, after 
T. Capitini. With good margin but lacking the plate-mark. 
Laid down. Folio. 


WEST (J.). Mezzotint. Proof before all letters. With 
margin, but lacking the plate-mark. Small 4to. 


WINKELMANN (J.). Line-engraving by F. A. E. M. 
Muller von Steinla, after A. Maron. With large margin. 


Small 4to. (3) 


WALPOLE (H.). Illustrations for ‘‘ Anecdotes of Paintings 
and Catalogue of engravers.’’ Proofs on Indian paper. In 
a book-shaped tin box. 


115 


438 


439 


DRAMATIC PORTRAITS 
LOTS 438 to 457 


put 8 
ae 


BAKER (MRS8.). Stipple by T. Woolnoth, after T. Wage 


man. With margin showing the plate-mark. Small 8vo. 


BANNISTER Jr. Stipple in brown, with margin, but lack- 
ing the plate-mark. Inlaid. 12mo. 


BILLINGTON (MRS.). Stipple by Hopwood. Open letter 


proof lacking the publication-line. Inlaid. 12mo. 


BRACEGIRDLE (MRS.). Line-engraving by J. Slow, after 
S. Harding. With margin. 12mo. Rare. 


BRAHAM (MR.). Stipple by Thomson, after Foster. With 
margin showing the plate-mark. 8vo. 


BRUNTON (MISS; later Mrs. Yates). Stipple by T. Wool- 
noth, after T. Wageman. With margin lacking the plate- 
mark and the publication-line. Inlaid. Small 8vo. 


BRUNTON (MISS). Stipple by J. C. Armytage. With 
margin. 8vo. 


CHESTER (MISS). Stipple by T. Woolnoth, after Wage- 
man. With good margin. 8vo. . 


COPELAND (MISS F. E.). Stipple by Alais. With margin 


showing the plate-mark. 8vo. 


CORBYN (MRS.). Stipple by R. Reading. With large 
margin. 8vo. (10) . 


BOBIN (T.). Stipple published by T. Palser 1815. Very 
fine impression in colors; with margin showing the plate- 
mark. A small tear in the left margin mended. Folio. 


BOOTH (EDWIN). Mezzotint by J. K. Campbell. Signed 
artist’s proof with good margin. 4to. 


MISS S. BOOTH, of the Theatre Royal, Covent Garden. 


Mezzotint by H. Meyer, after W. H. Pickersgill With ™ 


good margin. (3) 
116 


ny 


CATALANI (ANGELICA). Aquatint by Corn. Stuhr, 
after Chr. Stuhr. Fine impression with large margin. 
Folio. Another Portrait of the Same. Stipple by F. 
Fleischmann, after a drawing from life by the same. Fine 
impression with good margin. 4to. (2) 


COOKE (G. F.) as Richard III. Etching by Dighton, after 
a drawing from life by the same. Fine impression, colored 
with the brush and with good margin. 4to. 


DOSAINVILLE (MR.) in ‘‘Les Chasseurs et la laitiére.’’ 
Stipple by Darcis, after C. Vernet. Fine impression 
~ eolored with the brush. With large margin. Small folio. (2) 


DANCE (MISS). Stipple by T. Woolnoth, after R. E. 
Drummond. With margin showing the plate-mark. Small 
Svo. Another Portrait of the Same. Stipple without 
the engraver’s name. With large margin. 8vo. 


DE CAMP (MISS, afterwards Mrs. C. Kemble). Line- 
engraving by Audinet, after Roberts. Open letter proof, 
with good margin. 12mo. 


ELLISTON (MR.). Stipple by A. Cardon, after W. M. 
Bennett. Open letter proof on India paper. With un- 
trimmed margin (deckle edges). 4to. 


FAVART (MME.). Engraving in crayon manner by an un- 
known engraver. Proof before all letters printed in red. 
With good margin, but lacking the plate-mark. 8vo. 


FARLEY (MR.). Stipple by T. Woolnoth, after T. Wage- 
man. With margin showing the plate-mark. Small 8vo. (6) 


ELLISTON (MR.). Very fine impression printed in colors 
with good margin. 4to. Also the original drawing by 
W. M. Bennett for the above engraving, 4to. (2) 


GARRICK (DAVID). Stipple by C. Watson, after R. E. 


Pine. Fine impression. With very small margin, but show- 
ing the plate-mark. Royal folio. | 


GARRICK (MRS.). Stipple by W. P. Sherlock, after C. 
Reid. With margin, trimmed just at the plate-mark. 8vo. 


117 


446 


GLOVER (MRS.). Stipple by A. Cardon. With margin 
lacking the plate-mark. Inlaid. Small 8vo. Scarce. 


GONTHIER (MME.). Stipple by Ruotte, after Lemoine. 


Fine impression with large margin. 4to. 


GRISI (GIULIA). Stipple and line-engraving by F. C. 
Lewis, after Negelen. Fine impression with large margin. 
Folio. 


HARLEY (J. P.). Aquatint and stipple by R. Easton, after 


J. Childe, printed in colors. With margin showing the ~ 


plate-mark. Folio. (6) 


HARLEY (J. P.). Original water-color; the artist has not 
been ascertained. 4to. Another Portrait of the Same. 
Original water-color by De Wilde. Small 4to. (2) 


HENDERSON (JOHN). Original pencil drawing (the head 


in five different positions), by J. Coyte. Small 4to. 


HONEY (MRS.). Lithograph printed and published by 
G. E. Madeley. On India paper. 8vo. 


HUMPHREYS (MRS.). Stipple by Cheeseman, after <A. 
Buck. With small margin, lacking most of the plate-mark. 
8vo. 


INCHBALD (MRS.). Stipple by Ridley, after Drummond. 
With margin showing the plate-mark. Small 8yvo. 


JERVIS (MRS. M. A.). Line-engraving by H. Brett, after 
J. G. Middleton. With margin lacking the plate-mark. 8vo. 


KEAN (EDMUND). Stipple by Hall, after a drawing by 


Saml. Cousins. Proof before all letters, printed in colors. 


With untrimmed margin. Small 4to. Very fine. 


KEMBLE (MRS. C.). Stipple by A. Cardon, after De Wilde. 
With very small margin, lacking the plate-mark with the 
publication-line, Inlaid. 12mo. Another Portrait of the 


Same. Stipple by A. Cardon. With margin lacking the © 


plate-mark. Inlaid. 8vo. (8) 
118 


ee 


447 


JOHNSTON (H.) in the character of Douglas. Line-en- 
eraving by HE. Mitchel, after H. Singleton. Fine impres- 
sion with small margin, lacking the plate-mark with the 
publication line. Folio. 


JONES (R.), as Flutter in ‘‘The Belle’s Stratagem.’’ Aqua- 
tint by H. Meyer, after De Wilde. Proof before all letters, 
with full margin (deckle edges). Folio. (2) 


KEMBLE (FANNY). Lithograph by Richard J. Lane, 
after T. Lawrence. On India paper. Large 4to. The 
Same Portrait. Stipple by Mrs. Batler. Proof before ali 
letters, on India paper, delicately tinted with the brush and 
bearing the autograph dedication in pencil by T. Law- 
rence to Mrs. Kemble. With margin showing the plate- 
mark, 4to. 


LIND (JENNY). Stipple by W. Roffe, after a drawing by 
F. Roffe, from the marble bust by J. Dunham. Very fine 
impression on India paper, with full margin. Small folio. 


(3) 


KEMBLE (J. P.). Original pencil drawing, delicately 
washed with water-color by Geo. Dance, R.A. 4to. 


KNIGHT (P.). Original pencil drawing by Thos. C. Wagga- 
man. 8vo. 

RAE (A.). 
Small 4to. 


Original pencil drawing by W. M. Bennett. 
(2) 


LESCOT (MLLE.). Line-engraving. Very fine proof be- 
fore the lettering on the lower margin and before the num- 
ber. With untrimmed margin. 8vo. Another Portrait 
of the Same. Line-engraving published by Esnault et 
Rapilly. Very fine impression before the number. With 
margin showing the plate-mark. 8vo. 


MAILLARD (MULE.). 
Very fine impression with very large margin. 
foxed. 8vo. (3) 


Line-engraving by P. A. LeBeau. 
Slightly 


LISTON (J.), as Moll Flaggon, in ‘‘the Lord of the Manor.’’ 
Original water-color by De Wilde. Small folio. 


119 


453 


454 


LISTON (J.), as Paul Pry. Aquatint by Alken. Very fine 
impression, colored by hand. Trimmed closely to the en- 
graved surface and inlaid. 4to. 


MARTYR (MRS.). Stipple by Cooke, after De Wilde, with’ 


good margin. Small 8vo. 


MATHEWS (ELIZA). Stipple by J. C. Armytage. With 
margin lacking the plate-mark. Small 8vo. 


McALPINE (MISS). Stipple by J. Bell. With margin 
lacking the plate-mark. 8vo. 


LEAK (MISS). Stipple by Ridley, after W. Beechey, 


With margin lacking the plate-mark. Inlaid 8vo. \ 


MOODY. Stipple. Very fine proof before all letters. With 
very large margin. Folio. 


O’NEILL (MISS). Stipple by T. Woolnoth, after T. Wagga- 
man. With good margin. Small 8vo. 


OPIE (MRS., formerly Amelia Anderson). Line-engraving 
after J. Opie. Fine impression with good margin. Small 
4to. Another Portrait of the Same. Stipple by Hop- 
wood, Jr., after J. Opie. With margin showing the plate- 
mark. Small 8vo. (9) 


O’NEILL (MISS), in the Character of Belvidera. Mezzotint 


by H. Meyer, after A. W. Devis. Open letter proof, with 


margin showing the plate-mark. Fine. Imperial folio. 
PRITCHARD (MRS.). Line-engraving by F. Aliamet, after 


R. E. Pine. With small margin, just showing the plate- 
mark. Folio. (2) 


REAY (MISS). Original water-color drawing. 8vo. 


REEVE (JOHN), in his ‘characters in ‘‘Bachelors Tor- 
ments.’’ Lithograph by E. F. Lambert, colored with the 
brush. Very fine. Small oblong folio. 


REINECKE (J. F.). Comedian. Line-engraving by J. G. 
Seiffert, after A. Graff. Very fine proof with the engraver’s 
name only. With large margin. Folio. 


120 


Fhe + J 


* 
‘¥ 


¢. 
“aes 


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REHAN (ADA). Chromolithograph. Dramatic News. 
Christmas 1889. Small folio. 


RENAULT L’*AINEE (MLLE.). Pastel manner by De 
Brea. With untrimmed margin. Small 4to. (4) 


457 STEPHENS (MISS). Original water-color by E. J. Lam- 
bert. 4to. 
A/=— SCHOLTZ (EDMUND, née Tilly). Line-engraving by J. 
Balzer, after Fahrenschon. With small margin lacking 
the plate-mark. Small folio. 


SHERIDAN (MRS.). Stipple by H. Meyer, after C. 
Humphry. With good margin. Small 4to. 


SIDDONS (MISS). Lithograph by R. J. Lane, after a 
drawing by Sir Thos. Lawrence. Fine impression on India 
paper; closely trimmed. Small 4to. 


TWISLETON (MRS.). Stipple by Ridley, after W. Naish. 
With margin showing only part of the plate-mark. 8vo. 


VESTRIS (MME.). Stipple and line-engraving by R. Wood- 
man, after Stroehling. Fine proof before the name of the 
personage. With margin lacking the plate-mark. Inlaid. 
8vo. : 


WYBROW (MRS.). Stipple by R. Cooper, after Hayter. 
Very fine proof with the engraver ’s name only in traced 
letters. In India paper and with full margin. ByOi. 0) 


PORTRAITS OF DIPLOMATS AND STATESMEN 
LOTS 458 to 463 

458 BAILLY (J.S.). Stipple by an unknown engraver, printed 

in two colors. Cut circular with very small margin. 12mo. 


ie CAMPBELL (LORD F.). Line-engraving by James Stow, 
after H. Edridge. Fine impression with large margin. 4to. 


4 4, 4 BERNIS (F. J.). Line-engraving by Cunego, after A. Callet. 
Fine impression before the address. With good margin. 4to. 


121 


/4 ~ 


459 


460 


COOKE (E.). Line-engraving by I. Burnet, after G. Sanders. 
Open letter proof with good margin. Folio. 


DECAZES (ELIE, DUC). Line-engraving by P. Tochi, after 
F.. Gérard. Proof with the coat-of-arms and the artists’ 
and printer’s names only. On India paper, with margin 
showing the plate-mark. Large 4to. (5) 


DREUX-BREZE (8S. MARQUIS pbs). Line-engraving by 
H. C. Muller, after P. Guerin. Proof with the artists’ 
names in traced letters only. On India paper, with margin 
showing the plate-mark and with an autograph dedication 
in pencil by the engraver to the engraver Bein. Folio. 


DRUMMOND (H.). Line-engraving by W. Walker, after 
Mrs. E. Walker. Proof before all letters. The names of 
the artists and of the personage written in pencil by the 
engraver. With large margin. Small 4to. 


FOX (C. J.). Mezzotint by J. Gillbank. Not mentioned by 
Smith. Open letter proof. Trimmed closely to the plate- 
mark and laid down for no apparent reason. Small folio. 


GATZERT (C. H. S., Fremerr von). Stipple by C. 
Felsing, after F. J. Hill. Very fine impression in reddish 
brown, with margin trimmed just at the plate-mark. Small 
4to. 


HERTZBERG (E. F. von). Line-engraving by J. 8. Klauber, 


after von Schroeder. With very small margin, lacking the 
plate-mark. Large 4to. 


HUME (J.). Mezzotint by Th. Hodgetts, after J. Graham. 
Script letter proof. With large margin. Fine, Royal 
folio. (6) 


LAFITTE (J.). Line-engraving by B. Roger. With margin. 
8vo. 

LAMARTINE (Ds). Mezzotint by F. Girard, after F. 
Girard. Proof with the artists’ names only and with an 


autograph dedication in ink by Mr. De Lamartine. With 
margin showing the plate-mark. Small folio. 


122 


461 


LYNDHURST (LORD). Line-engraving by W. Walker, 
after W. C. Ross. Very fine proof before all letters. With 
very large margin. Folio. 


MIRABEAU (H. G.). Stipple by Fiesinger, after J. Guerin. 
Fine impression with margin, but lacking the plate-mark. 
Ato. 


MOIRA (F. RAWDON, Ear. or). Line-engraving by N. 
Schiavonetti, after T. Phillips. Proof with the artists’ 
names and publication-line in traced letters only. With 
margin showing the plate-mark. Folio. 


MONTAGU (ANTHONY, Viscounr). lLine-engraving by 
W. Greatbach, after C. P. Harding. Proof with the artists’ 
names and the publication-line in traced letters. On India 
paper (which is getting loose), with small margin showing 
the plate-mark on the sides only. Small 4to. 


MORE (SIR THOMAS) The family of. Line-engraving by 
J. A. Dean, after H. Holbein. Open letter proof on India 
paper. With large margin. Oblong 8vo. (7) 


NEWPORT (J.). Mezzotint by Th. Lupton, after J. Ramsay. 
Open letter proof with full margin (deckle edges). 


NORTHUMBERLAND: (H. P., second Duke of). Line- 
engraving by W. Heath, after a drawing by Burney from 
the statue by Nollekens. Open letter proof, on India paper, 
with full margin. Royal folio. 


PITT (W.). Line-engraving by W. Heath, after a drawing 
by Burney from the statue by Nollekens. Open letter 
proof, on India paper, with full margin. Royal folio. (3) 


PEEL (R.). Mezzotint by G. E. Wagstaff, after J. W. 
Walton. Fine impression with margin showing the plate- 
mark. Slightly trimmed and foxed. Imperial folio. 
Another Portrait of the Same. Mezzotint by J. Scott, after 
John Linnell. Open letter proof, with good margin. Royal 
folio. (2) 


123 


463 POZZO DI BORGO (C. A. Counr). Line-engraving by F. 


jb- 
Yh hn 


464 


465 


Garnier, after F. Gérard. Proof with the coat-of-arms, the 
artists’ and printer’s names only. On India paper with 
margin showing the plate-mark. Folio. 


RICHELIEU (Duc pe). Line-engraving by EH. Lignon, 
after Th. Lawrence. Trial proof of the finished plate, with 
numerous graver trials on the margin. With large margin, 
but just showing the plate-mark. 4to. The Same. India 
ink drawing by E. Lignon for his engraving. Very fine. 


ROHAN (F. E. pe). Line-engraving by D. Cunego, after 
Favray. With good margin. Small folio. 


SURREY (H. H. Earu or). Line-engraving by HE. Seriven. 
Very fine proof with the engraver’s name and the date 1821 
in traced letters only. On India paper, with large margin. 
Svo. 


TALLEYRAND-PERIGORD (C. M. pz). Aquatint by J. B. 
Chapuy, after P. Prudhon. Proof before the address. With 
large ‘margin. Small folio. (6) 


PORTRAITS OF JURISTS 
LOTS 464 to 475 


ADDINGTON (H.). Line-engraving by J. Parker, after 
W. Beechey. Open letter proof, with margin lacking the 
plate-mark. Folio. 


BROUGHAM (HENRY, LORD). Stipple by W. Walker, 
after Th. Lawrence. Proof with the publication-line only. 
On India paper with large margin. The India paper is 
peeled off the plate-paper and requires remounting. Folio. 
Very fine. Another Portrait of the Same. Line-engrav- — 
ing by W. H. Lizars. Fine impression with small margin 
but showing the plate-mark. | 


D’AGUESSEAU (H. F.). Stipple by A. Tardieu with full 
margin. 8vo. Another Portrait of the Same. Stipple 
by A. Tardieu with full margin. 8vo. 


BERRYER (A.). Line-engraving by Bertonnier. With full 
margin. 8vo. (5) 


124 


467 


468 


469 


BURROUGH (Justice). Mezzotint after Th. Lupton, after 
T. Phillips. Open letter proof, with large margin. Royal 
folio. Fine. 


DENMAN (T.). Mezzotint by Th. Hodgetts, after T. Barber. 
Open letter proof, with margin lacking the plate-mark, but 
showing the full inscription. Slightly rubbed. Folio. (2) 


CARTER (L.). Line-engraving by G. Vertue, after J. 
Richardson. Folio. 


ELDON (J.). Stipple by C. Picart, after his own drawing. 
Very fine impression printed in colors. Small folio. 


DALLAS (A. J.). Stipple. Proof before all letters. Folio. 
All framed. (3) 


DUPIN (A. M. J. J.). Aquatint by H. Swebach, after Duval 
Le Camus. Proof with the artists’ names and the publica- 
tion-line only. With good margin. Folio. 


FLEURY (G. F. J. pp). lLine-engraving after De Lorraine. 
First state, proof before all letters. With small margin 
showing the plate-mark only on the two sides. Small 4to. 


LE PELETIER (C.). Line-engraving with margin lacking 
the plate-mark. Small 4to. , 


PHILLIPPE, DUC D’ORLEANS. Line-engraving after C. 
Monnet. With good margin. Small 4to. 


PARIS DE MONMARTEL, MARQUIS DE BRUNAY. 


Line-engraving by G. R. LeVillain. With small margin, 
lacking the plate-mark. Large 4to. 


COLBERT (C. J.). Line-engraving by P. Yver. 1740. With 
small margin, trimmed just at the plate-mark. 8vo. (6) 


GILLIES (J.). Line-engraving by C. Picart, after J. Opie. 
Fine impression with the inscription; printed in bistre. 
With large margin. 

GRENVILLE (G.). Line-engraving by A. Fittler, after T. 
Phillips. Proof before letters with untrimmed margin. 
Royal folio. (2) 

125 


470 


JEKYLL (J.). Line-engraving by G. Vertue, after M. Dahl. 


With margin trimmed just at the plate-mark. Large 4to. 


REYNOLDS (J.). lLine-engraving by G. Vertue, after W. 


Parker. With margin showing the plate-mark. Large 4to. > 


KENYON (L.). Line-engraving by J. Fittler, after J. Opie. 


Very fine impression with small margin lacking the plate- 


mark. Folio. (3) 


MURRAY (W.). Lord Mansfield. Line-engraving by D. 


Martin, after his own painting 1775. Very fine impression 


with margin trimmed to the plate-mark. Royal folio. 


NICHOLL (J.). Mezzotint by H. Meyer, after Wm. Owen. 


Proof with the artists’ names only in open letters. With © 


very large margin. Folio. Fine. 


THOMSON (A.). Mezzotint by H. Meyer, after Wm. Owen. 
Open letter proof with good margin. Large 4to. (2) 


PASQUIER (E. D. Duc pg). Line-engraving by A. Martinet, 
after H. Vernet. Proof with the artists’ names only in 
traced letters. On India paper with margin but lacking 
the plate-mark. Folio. 


PASTORET (C. E. J. P. Marquis pp). Line-engraving 
by Henriquel-Dupont, after P. Delaroche. Very fine im- 
pression with full margin.. With an autograph dedication 
by P. Delaroche to the Duc de Feltre. Large 4to. 


PERIER (C.). Line-engraving by A. Lefevre, after Hersent. 
Fine impression with good margin. Folio. Another Por- 
trait of the Same. Line-engraving by Bertonnier, With 
full margin. 8vo. (4) 


PRATT (C.). Line-engraving by 8S. F. Ravenet, after J. 
Reynolds. Very fine proof before letters. With are 
showing the plate-mark. Folio. 

POLLINCHOVE (C. J.). Line-engraving by C. D. J. Mellini, 
after J. Aved. Fine impression with small margin, lacking 
the plate-mark, except at the bottom. Folio. 


WOOD (G.). Mezzotint by Th. Hodgetts, after J. Lonsdale. 


Open letter proof, closely trimmed, but showing the full 


inscription. Imperial folio. (3) 


126 


Beh sd ; 
1 eee 
— Z S 3 bs 
; g F 
0 a ee a. ae wt ae ee 


475 TURBUTT. In the Character of Socia in Amphitryon. 
Mezzotint by A. Miller, after T. Bisse. Sm. 57. I. Before 


1 Overton’s address. With good margin; laid down on ac- 
| [ yf count of a few small tears at the edge. Rare. Small folio. 
4, + VESTRIS (MME.) as Mrs. Page in the ‘‘Merry Wives of 


Windsor.’’ Mezzotint by S. W. Reynolds, after S. Lover. 
Proof before all letters. With margin, but lacking the 
plate-mark. Folio. (2) 


PORTRAITS OF LITERARY CELEBRITIES 
LOTS 476 to 492 


476 AESCHYLUS. lLine-engraving by Bosa, after J. Longhi. 
Open letter proof with margin showing the plate-mark. 
Small folio. 


# af ALFIERI (V. Count). Line-engraving by P. Toschi and 
A. Isac, after F. X. Fabre. Trial proof of the finished 
plate, with graver trials on the margin. With untrimmed 
margin. Large 4to. 


BARTHELEMY (J. J.). Line-engraving by Langlois. Proof 
before all letters, with margin showing the plate-mark. 4to. 


BEAUHARNAIS (FANNY). Stipple. With large margin, 
but lacking the plate-mark. 4to. 


BOCCACCIO (G.). Line-engraving by G. Garavaglia, after 
G. Longhi. Good impression with margin lacking the plate- 
mark. 4to. 


BOERHAAVE. Line-engraving by F. Anderloni. Proof be- 
fore all letters with margin. 4to. With Anderloni’s auto- — 


graph. (6) 


477 BERANGER (P. J. DE). Line-engraving by G. Levy, after 
Be A. Sandoz. With margin showing the plate-mark. Folio. 
a - Another Portrait of the Same. Line-engraving by 
; / Monnin, after Louveau. Proof with the artists’ names only 


5 Hi vm in traced letters. On India paper, with large margin. Folio. 
j 127 


s 


iy 


‘eae 


J/= 


478 


479 


BURNS (R.). Line-engraving by T. Kelly, after Nasmyth. 


On India paper, with untrimmed margin. Folio——An- 


other Portrait of the Same. Lithograph by Schenck and 
McFarlane, after A. Hachnisch. On India paper. Folio. 


lacking the plate-mark. Folio. Another Portrait of the 
Same. Trial proof of the mezzotint and aquatint by W. 
Walker and S. Cousins, after A. Nasmyth. With large 
margin. Folio. Another Impression of the Same. The 
state is a little more advanced, the shadows are darker. 
Laid out in squares. Folio. (7) 


BYRON (LORD). Line-engraving by J. T. Wedgwood, after 
W. E. West. Open letter proof. With large margin show- 
ing the plate-mark. Folio. Another Impression of the 
Same. Line-engraving by R. Graves, after T. Phillips. 


Another Portrait of the Same. Stipple by W. Holl) < 
after A. Skirving. Open letter proof, with small margin, ° 


Proof on India paper with the artists’ names and the publi- .. _ id 


eation-line in traced letters. The India paper remounted. 
Folio. 


COLMAN (G.) the younger. Mezzotint by Th. Lupton, after 
T. Jackson. Proof with the names in seratched letters. 
With good margin. Large 4to. (38) 


CHATEAUBRIAND (R. DE). Line-engraving by Laugier, 
after Girodet-Trioson. Proof with the artists’ names 8 only. 
With large margin. 4to. 


COWPER (W.). Also—Nine other Portraits of Men. on. 
on large paper. 8vos. 


ELIOT (GEORGE). Etching by Paul Rajon. Early proof 
(1858), on loose China paper. 8vo. 


GIBBON (E.). Line-engraving. Proof before all letters, 
with margin showing the plate-mark. Small 4to. 


% 


- a 


E 


GOETHE (J. W. von). Line-engraving by Moritz Muller © a 


von Steinla. With large margin. 4to. (14) 
128 


480 


481 


\ 


HOLME (E.). Mezzotint by J. R. Jackson, after W. Scott. 
Open letter proof on India paper. With good margin. 
Royal folio. — : 


HUSS (JOHANN). 
before all letters. 
plate-mark. Folio. 


L’HOPITAL (M. pr). Line-engraving after Nattier. Proof 
before all letters on India paper. With margin showing 
the plate-mark. Small folio. 


Line-engraving by F. T. Muller. Proof 
With large margin, but lacking the 


HOMER. Line-engraving. With margin, mounted as an 
India proof. Small folio. 

JONSON (BEN). Line-engraving by W. C. Edwards. 
letter proof on India paper, with large margin. 
folio. 

JOHNSON (S8.). Line-engraving by A. Smith, after James 
Barry. With large margin. Folio. 


HACOBL «(Fy 'H.). 
margin, but lacking the plate-mark. Folio. 


Open 
Small 


Line-engraving by E. Thelott. With 


(7) 


KOTZEBUE (A. von). Line-engraving by J. P. Bittheuser, 
after F. Tischbein. "With margin, but lacking the plate- 
mark. Small folio. 

LAVATER (I. C.). Line-engraving by H. Lips, after the 
engraver’s own drawing. With margin trimmed to the 
plate-mark. 


LAFONTAINE (J. pe). line-engraving by F. Delaunay, 
after A. Sandoz. On India paper, with large margin. 
Small 4to. Another Impression of the Same. Proof of 
the portrait before the ornamental border. 

LA ROCHEFOUCAULD (F.). Line-engraving by Gautier, 
after Sandoz. Proof before all letters, with large margin. 
Small 4to. (5) ; 


LA HARPE (J. F.). Stipple by F. Bonneville. With large 


margin, oval 8vo. . 

LAMARCHE (J. F.). lLine-engraving by W. Skelton, after 
H. P. Danloux. With margin, but lacking the plate-mark. 
Imperial folio. 

129 


LAMARTINE (A. DE). Line-engraving by Pelée, after P. 
Delaroche. Proof on India paper, with the engraver’s 
name only. With large margin. Folio. 


LAURA (Petrarch’s Laura). Stipple by Massole, after Ber- 
geret. With margin, but lacking the plate-mark. Small — 
folio. <- 


LOCKE (J.). Line-engraving by M. Bisi. Proof before all 
letters. With margin but lacking the plate-mark. Small 
Ato. 


LUTHER (M.). Line-engraving by R. Woodman. Proof 
before all letters, on India paper. Small 4to.— Another 
Portrait of Same. Mezzotint by Th. Lupton, after L. Cran- 
ach. Open letter proof. With large margin. Fine. Small 
Ato. (7) 


A 


‘ 
* 


7 
is 


483 A LITERARY PARTY AT SIR JOSHUA REYNOLDS’. 


| / or Stipple and line-engraving by Wm. Walker, after Doyle. 
i y' Os Proof before all letters, on India paper. With large mar- 
¥ gin. Oblong royal folio. 


484 MACAULAY (T.B.). Mezzotint by J. Faed, after F. Grout. 
With full margin. Small folio. «. 


LYTTON (LORD BULWER). Etching by Pilotell. On Japan 
| 4 ” paper, with large margin. Small folio. Another In- 
pression of the Same. Stipple by H. Robinson, after R. J. 
Lane. Proof before letters. With margin lacking the 
plate-mark. Small 8vo. 


MAFFEI (S.). Line-engraving by P. Anderloni. Proof | 
with P. A. C. only, in traced letters. With large margin — 
but lacking the plate-mark. 8vo. 


MELANCHTHON (P.). Line-engraving by R. Woodman, 
after Hans Holbein. Proof on India paper, with the ar- 
tists’ names in traced letters only. With large margin. 
Small 4to. 


MILTON (J.). Line-engraving by C. Heath. Also 3 illus- 
trations to his works (among them 2 proofs.). With good 
margins. 8vos. 


130 


MOORE (T.). Mezzotint by G. R. Ward, after G. F. Mul- 
vany. Proof with the artists’ names only. With good mar- 
gin. Slightly foxed. Small folio. 
the Same. Line-engraving by W. H. Watt, after G. S. 
Newton. Proof on India paper, with the artists’ names 
and the publication line only, in traced letters. With large 
margin. 4to. 


PARINI (G.). Line-engraving by G. Garavaglia. Proof 
before all letters. With the engraver’s handwriting in 
pencil. 8vo. 


POPE (A.). Line-engraving by J. Stow, after A. Pond. 
Very fine impression. With untrimmed margin (deckle 
edges). Folio. 


STERNE (L.). Stipple by Holl, after J. Reynolds. Proof 
before all letters, with untrimmed margin (deckle edges). 
8vo. (14) 


ROUSSEAU (J. J.). lLine-engraving by A. J. Chollet, after | 


A. Deveria. Very fine proof before all letters, with large 
margin. 8vo. Two other portraits of the same (one at 
the age of 22). Both line-engravings by H. Huet, after 
Albier. Fine impressions with margins, but lacking the 
plate-marks. 4tos. 


RUSKIN (J.). Etching by Pilotell. Proof on Japan paper. 
With full margin. 8vo. 


REEVE (CLARA). Stipple by T. Blood. With margin 
lacking the plate-mark. 8vo. 


REGNARD. Line-engraving by Geoffroy. With full mar- 
gin. 8vo. 


Another Portrait of ». 


GR» 


SCHILLER (F. von). Line-engraving by F. A. E. M. Mul- , 


ler von Steinla. Good impression with margin. 4to. 


SAND (G.). Line-engraving by L. Calamatta, after his 
own drawing. Very fine impression on India paper. The 
India paper cut down to the border line and remounted. 
Large 4to. Another Portrait of the Same. Line-engrav- 
ing by Metzmacher, after H. Lehmann. Proof with the 


artists’ names in traced letters only. With small margin, | 


, 


lacking the plate-mark. Small folio. (9) 
131 


 - ; 
we tebe 


ges 

— 

ee 

4 aes 
Pee ee 


486 SCOTT (W.). Line-engraving by J. H. Robinson, after 
T. Lawrence. Proof with the artists’ names and the publi- 
yf? eation-line in traced letters only. On India paper with 
yr oo full margin. Small folio. Another Portrait of the Same 
7 and his family. lLine-engraving ‘by R. Graves, after D. 


~ Wilkie. Proof with the artists’ names and publication-line 

hi ha ; in traced letters only. On India paper, with large margin. 
Oblong folio Another Portrait of the Same. Mezzo- a 

tint by G. H. Phillips, after C. R. Leslie. Proof before let- a 

ters. With good margin. Fine. Folio. (3) on 

s ‘ 


.. 487 SHERIDAN.(R. B.). Line-engraving by J. Hall, after J. q 
bf Reynolds. Superb open letter proof with large margin. 
Folio. oi 


488 SEGUR (P. Comrs ve). Line-engraving by Henriquel- 
Dupont, after his own drawing. Proof with the artists’ 
¢ za names only in traced letters. On drawing paper, with large 


a ‘y ‘, = oh y rye 
ee i ellie Sar ail ane? eee pee oe gs 
tines oe ete oe < ae sty ae aaa |, ie oral Sade : 
a Pie —-a sf. oe 2a cs i at am re ru i. o— rs 


Sn A cn, eee ee 


margin. Folio. 3 
y’ yt. ST VINCENT DE PAUL. Line-engraving from G. Ede- 
wiiesng linck’s engraving. Fine impression on India paper. With 
large margin showing the plate-mark. 4to. inten 


SEVIGNE (MADAME be). Line-engraving by Laugier 
after R. Nanteuil. Magnificent proof before all letters on 
India paper. With large margin. Folio. Another Por- 
trait of the Same. Line-engraving by Delegorgue, after R. 
Nanteuil. Superb open letter with margin showing the 
plate-mark. Folio. (4) 


489 SHAKESPEARE (W.). Mezzotint by C. Turner. With 


54 margin showing the plate-mark. Folio.Another Por- 

4 yp} va trait of the Same. Line-engraving by I. Godefroy. 
4 Trimmed to the engraved border. Small folio. 

ty eo. FRONTISPIECE FOR SHAKESPEARE’S WORKS. Line- 


engraving by Moitte, after P. P. de St. Ours. Very fine 
proof with the artists’ names in traced letters only. With — 
good margin. 8yvo, (3) 3 


490 SISMONDI (S.). Line-engraving by G. Nardini. Proof 
/ gn with the name of the personage in unshaded letters only. 
p On India paper, with large margin. Folio. 
‘ ? 


& 132 


491 


A 
4.94. 


Fae IT go | Se ee 


SPENCE (MISS). Stipple with small margin. 8vo. 


SPENCER (H.). Line-engraving. Proof with the auto- 
graph facsimile. On India paper, with good margin. Folio. 


SOCRATES. Line-engraving by G. Longhi, after Bossi. 
With very large margin but lacking the plate-mark. Small 
Ato. 


TASSO (T.). Line-engraving by P. Mercury. Magnificent se 


impression on India paper, with large margin. Small 8vo. 
Very scarce. 


| TENNYSON (A.). Line-engraving by J. Stephenson, after 


G. F. Watts. Proof with the artists’ names and in traced 
letters, on India paper with full margin. Small folio. (6) 


THACKERAY (W.). Line-engraving by F. Holl, after S. 
Laurence. Proof with the autograph—facsimile. On India 
paper, with full margin. Fine folio. 


VOLTAIRE (A. pE). Le lever du Philosophe de Fer***x. 
Line-engraving published by Robt. Sayer. With margin 
showing the plate-mark. 8vo. Very scarce. 


WALTON (I.). Line-engraving by H. Robinson, after J. 
Inskipp. On India paper, with large margin. Small 4to. 


WESLEY (J.). Stipple and line-engraving by J. B. Long- 
acre, after J. Jackson. Open letter proof on India paper. 
With full margin. 4to. (4) 


WISHART (J.). Stipple by F. Bartolozzi, after J. Faber. 
For ‘‘Biographia Navalis’’ by John Charnock, London 
1797. With margin trimmed to the plate-mark. Small 8Vvo. 

Another Impression of the Same. Beautiful proof be- 

fore all letters; printed in bistre. With large margin show- 

ing the plate-mark. 


WORDSWORTH (C.). Stipple by W. Walker, after G. 
Richmond. On India paper, with margin trimmed to the 
plate-mark. Folio. Another Impression of the Same. 
Proof before all letters. With small margin, lacking the 
plate-mark. The Same. The original pencil drawing 
by W. Walker for the above engraving. (5) 


133 


ee f° 
” & 


PORTRAITS OF MEDICAL CELEBRITIES 
“LOTS 493 to 497 
493 BARCLAY (J.). Mezzotint by Th. Hodgetts, after J. C. 
Syme. Open letter proof with large margin. Large 4to. 
BLAMPIGNON (N.). lLine-engraving by Jacquemot, after — 


g2 ath Vivien. Proof with the engraver’s name and the date 1827 
yl only, in traced letters. On India paper, with untrimmed 
4 margin. Small 4to. 


BROOKES (J.). Line-engraving by J. Fittler, after T. 
Phillips. Open letter proof with small margin showing the 
plate-mark at top and bottom only. Folio. 


BROUSSAIS (F. J. V.), Dubois (A.) and Orfila (M. J. B.) 
by P. F. Bertonnier, Dupuytren (G. M.), Gall (F. G.) and 
Pare (A.) by F. J. De Quevauviller. All line-engravings. 
With good margins. 8vos. | 


MORAND (S. F.). Line-engraving by ©. P. de Tressan, ~_ 
after C. N. Cochin. Very fine impression with small mar- \e S 
gin lacking the plate-mark. 8vo. Na 


- 
BROUSSAIS (F. J. V.). Line-engraving by H. Bonvoison, — 
after C. Duchesne. Proof before all letters, on India 
paper. With full margin and with Duchesne’s dry Race 
Large 4to. 


COOPER (SIR ASTLEY). Stipple by J. 8S. Agar, after A. 
Wivell. Fine impression on India paper with untrimmed © 
margin. Small folio. (12). 


494 DE WENZEL (Baron). Stipple by J. Condé, after his % : 
own design. Very fine impression printed in bistre. With _ 
large margin. | “te 

/ ] a HAHNEMANN (S.). Mezzotint by Wm. O. Geller, aftera 
KH. marble bust by P. J. David. Open letter proof, with good - 
¢. My margin. Royal folio. <4 


* 


HENISIUS (J.). line-engraving - W. Kilian, after 2 
Kilian. With small margin, lacking the plate-mark. deg: 


(3) 


134 


im , 495 JENNER (E.). Line-engraving by Monsaldi. Fine impres- 
A iA ‘ sion with good margin. Folio. 


496 ODRIAAN (J.). Line-engraving. ‘‘Hugo Allardt Ex- 
cudit.’’? With small margin showing the plate-mark. Folio. 


7” QUISTOUT (W.). Line-engraving by C. Lauwers, after N. 
4 yt : de Largilliére. With very small margin. Folio. 


UDALRICK, Count of Frisland. Line-engraving by C. 
Koning, after A. Andressen. With very small margin, 


lacking the plate-mark. Border and background slightly 
rubbed. Folio. (3) 


497 MACBRIDE (D.). Line-engraving by J. T. Smith, after 


J. Reynolds. Open letter proof with big margin. Royal 


folio. 
pet 
oH MEAD (R.). Line-engraving by B. Baron, after A. Ramsay. 
; A ; Fine impression with large margin. Royal folio. 
‘eg 


THOMSON (J.). Mezzotint by Th. Hodgetts, after A. 
Geddes. Open letter proof. With large margin. Fine. 
Royal folio. 

WOODWILLE (W.). Stipple by Perrot, after J. J. E. A. 
Ansiaux. Fine impression with small margin lacking the 
plate-mark. Very scarce. Royal folio. (4) 


PORTRAITS OF MILITARY CELEBRITIES 
. LOTS 498 to 504 


498 BERTHIER, General. Stipple by Payen, after Mlle. Boze: 

With small margin lacking the plate-mark. Creased. 

. Small 4to. Another Portrait of the Same. Stipple by 

; a . Ruotte, after Desrais. With margin showing the plate- 
mark. Small 4to. 


; 4 7 ‘ BEURNONVILLE. Stipple by J. B. Gautier l’ainé, after 


Hilaire le Dru. With margin. 4to. 


F 


in traced letters only. With full margin. 4to. 


185 


BRUDERN (Baron). Line-engraving by G. Longhi, after vy 
his own drawing from life. Proof with the artist’s name i 


499 


| 


500 


CAMBRONNE (P. J. E.). Stipple by Boo afters i 
Mulnier fils. With large margin. 4to. ws 


COMPANS (J. D., Comte de). Stipple and lindkegeaweate 
by Velyn, after Mlle. de Noireterre. Proof with the artists’ on 
‘names and the date only. With large margin. Small 4to. | 
(6) ae 


EBLE (J. B.). Stipple by W. Arndt, after A. Fischer. Fine 
impression in brown. With margin shoriee the Pale . 
4to. . 


FABVIER, Colonel. Aquatint from life. ‘‘A Paris, ihes!s 
Jean.’’ Brilliant impression with large margin. Folio. 


FERGUSON, Major General. Mezzotint by Th. Lupton, 
Proof before all letters. With large margin, but lacking» 3 
the plate-mark. Small folio. 


GATTINARA (F. A. pr). Line-engraving by F. de ne 
after F. Schor. With Italian text on the back. With good ie 4 
margin. ‘ 


HUBERT, General. Line-engraving by Ortman, after P. — 
L. de Laval. Proof before all letters. With large margin. 
Small 4to. F Pecher 


JOUBERT. Stipple by Bourgeois, after Hilaire le Dru. : 
With margin trimmed just at the plate-mark. ae ‘ 
foxed. Small 4to. 


LAUDON (G. E., Baron von). Line-engraving by J. fem a 


after C. Vinazer. With margin lacking the plate-mark. 1 
Inlaid. 12mo, (7) _ ; Cah 


ae. 

KEITH (G.). Line-engraving by P. Audinet, after H. P. 
Danloux. Proof before all letters, with the artists’ names — 
and publication-line written in ink, With small margin — 
showing the plate-mark. Slightly foxed. Small folio. 


MAZARREDO (J. pe). Line-engraving by F. Selnia afar 
Dubois. With large margin, but lacking the per at 
both sides. Fine. 4to. Ree hi: 


136 


503 


PEERS APES 


BFS x 
ess ae 


MELO (F. pe). Line-engraving by De Passe. With small 


margin, showing the plate-mark. Small folio. 


MORRIS. Mezzotint after A. J. Oliver. Proof before all 
letters. With margin showing the plate-mark. Small folio. 
(4) 


MONCADA (F. pr). Line-engraving by R. Morghen, after 
A. Van Dyck. Open letter proof with large margin. 
Imperial folio. Fine. 


NELSON (LORD H.). Mezzotint by Wm. Barnard, after 
a marble bust by Gahagen. With margin. Large 4to. 
Another Portrait of the Same. Mezzotint by Th. Hodgetts, 
after Wm. Beechey. Proof before all letters. With margin 
showing the plate-mark. A small piece of the margin out- 
side. the plate-mark missing. Large 4to. Another Por- 
trait of the Same. Line-engraving by R. Graves, after F. L. 
Abbott. Proof before all letters on India paper. With full 
margin. Folio. (3) : 


REGNAUD DE SAINT JEAN D’ANGELY (A. M.). Line- 
engraving by J. C. Pradier, after F. Gérard. Proof with 
the artists’ names only. Fine. Royal folio. 


SCHULENBURG (J. M., Count von.) Line-engraving by 
G. M. Pitteri, after F. C. Rusca. Very fine unfinished trial 


proof (the hands, part of the star, part of the sash, the « | 


sword handle and the sails of the vessel are still in outline 
only). Trimmed to engraved surface except at the bottom, 
where the coat-of-arms is traced. 


VAUBAN, Marshal. Aquatint by Cheron, after Bouchot. 
Good impression with good margin. Folio. 


WELLESLEY (R. M., Marquis of). lLine-engraving by 
J. Heath, after R. Home. Proof before all letters. With 
margin showing the plate-mark except at the bottom. Royal 
folio. (4) 


WELLINGTON (A. WELLESLEY, Duke of). Mezzotint 
by J. R. Jackson, after T. Lawrence. Proof before letters, 
with good margin. Small folio. Another Portrait of the 


137 


Same. Mezzotint published 1845 by J. Watson. Proof 
with the publishing line only. On India paper. Full 
margin. 4to. | 


UNKNOWN PORTRAIT. Mezzotint by J. R. Jackson, after 
Mrs. C. Pearson. Proof before letters, on India paper. 
With margin. Folio. 


APSLEY HOUSE. Line-engraving by Willmore, after a 
Campion. Illustrations to ‘‘Life of the Duke Wellington,’ ih ee 
Vol. III. With margin. 8vo. 


WINTER (J. W. VAN). Stipple by B. Roger, after Siocon 
Proof with the artists’ names in traced letters only, and 
with a vignette. With good margin, but lacking the plaige 
mark. (5) 


a ; 
PORTRAITS OF MUSICIANS, COMPOSERS, ETC. J i 
LOTS 505 to 507 


505 BOIELDIEU (F. A.). Line-engraving by M. F. Dien. With 


margin showing plate-mark. 8vo. . ind 7 
L! = BROSCHI (called Farinelli). Line-engraving by G. A. Fal- 4 
doni. Good impression with margin trimmed to the plate- nh 
4 mark. 4to. 
? 


CORELLI (A.). Line-engraving by Faustino Apasoeat 
Fine proof before all letters. With large margin, but lack- 
ing the plate-mark. Small 4to. 


GLUCK (C.). Line-engraving by S. C. Miger, after J. 
Duplessis. Very fine impression with large margin. 4to. 


GRETRY (A. E. M.). Stipple by L. P. Simon, after Isabey. _ 
Proof with the artists’ names only in traced letters and _ 
with a vignette. With untrimmed margin. 8vo. 4 


HAENDEL (G. F.). View of his monument in Westminster : 
Abbey. lLine-engraving by L. M. Delatre, after E. FPF. 
Burney. Good impression with small margin showing the 
plate-mark. 8vo. a §% 


138 


METASTASIO (P.). Line-engraving by J. E. Mansfeld, 
after J. Steiner. With margin, trimmed to the plate-mark. 
4to. Another Portrait of the Same. Line-engraving by 
L. Zucchi, after M. de Meitens. With margin showing the 
plate-mark. Folio. 

OWENSON (MISS). Stipple by J. Godby, after E. Dighton. 
With small margin lacking the plate-mark. Inlaid. 8vo. 
ROSSINI (G. A.). Line-engraving by J. J. Lefevre. With 
good margin. 8vo. Another Portrait of the Same. Line- 
engraving by A. Réné et Cie. With large margin. 8vo. 

(11) 


LISZT (FRANZ). Line-engraving by Robt. Reyher, after 
a photograph from life. Fine impression on India paper, 
with full margin. Small folio. 


PAISIELLO. Line-engraving by E. Beisson, after Mme. 
Lebrun. With very large margin. Small folio. 


MOZART (W. A.). Line-engraving by P. Barfus, after F. 
Schworer. Fine impression with margin, just showing the 
plate-mark. Royal folio. (3) 


A CONCERT. Line-engraving by T. Chambars, after M. A. 
da Caravaggio. Proof with the artists’ and publisher’s 
names only in traced letters, also the coat-of-arms and 
‘No. 7.’? With good margin. Oblong royal folio, 


L) (_) ‘\ A 


JOOP oL 


PORTRAITS OF ROYALTY AND NOBILITY 


LOTS 508 to 540 


508 ADELAIDE (Queen of William IV of Great Britain). 


4% 
a é 
~; e 

d : 

fy 


- 
| 


/ 
. 


Line-engraving by J. Thomson, after J. Richmond. Open 
letter proof with margin, but lacking the plate-mark. 4to. 
Another Impression of the Same. Proof before all 
letters on India paper. With small margin, trimmed to 
the plate-mark at top and sides. 


139 


ALEXANDER THE GREAT. Line-engraving by P. An- 
derloni, after a drawing by G. Longhi from an antique 
marble bust. Open letter proof, with full margin. Small 
Ato. : ee 

ALICE (Princess, when eleven months old). tipple 
and line-engraving by J. Posselwhite, after R. Thorburn. 

On India paper with full margin. Small 4to. 


ADOLPHUS FREDERICK (Prince), Duke of Cambridge. 
Line-engraving by W. Skelton, after W. Beechey. With 4 
the inscription. ve 

ERNEST AUGUSTUS (Prince) , Duke of Cumberland. Line- 
engraving by W. Skelton, after W. Owen. Open letter 
proof. Both with untrimmed margins, deckle edges. 
Folios. (6) 


509 ALEXANDER I (Emperior of Russia). Line-engraving ~ ‘3 
by P. Audouin, after P. Bourdon. With large margin, be i 


Folio. Another Portrait of the Same. Line-engraving ° 

/ b - by T. Wright, after G. Dawe. Very fine impression with 
large margin, but lacking the plate-mark. With the stamp —_ ; 
A of the Ministry of Education guaranteeing the copyright. a 
A 4 A small piece of white paper replaced in the lower margin, a 


right edge. Folio. Another Portrait of the Same, to- 

gether with Constantin Paulowitch, Grand Duke of Russia, 
Friedrich Wilhelm, King of Prussia, and Queen Louise, his *f 
wife. Aquatint by Clar, after H. Smith. Fine impression __ 


with margin, but lacking the plate-mark. Folio. Pains 4 
~~ ee Portrait of the Same” 'Stipple by Bourge ela’ ag 
“seer Richardiére, after “A. "Desnoyers”” Very fine#finpression, 


with margin trimmedat* thé’ platémark. Folio. An- | 
other Portrait of the Same. Stipple by E. Scriven, after . 
G. Kiugelgen. With large margin, but lacking the plate- 
mark. Small 4to.—Another Portrait of the Same. Stip- 
ple by J. Minasi, after G. Kiigelgen. Fine impression with 


untrimmed margin. 12mo. 

ALEXANDRA FEODOROVNA (Empress of Russia). 
Stipple and line-engraving by S. Bull, after F. Kriiger. Very 
fine impression on India paper, with very large margin. sacle 

AUGUSTA (Princess; only child of King George IV). Stip- 
ple by E. Scriven, after N. Beechey. With small margin, — 


lacking the plate-mark inclusive the publication line. (8) 
140 


tag 


510 ANNE (Queen of England). Line-engraving by Vander 

Gucht (?). Superb proof before all letters. The inscrip- 

ty o tion on the medals written in ink. Trimmed almost to the 

border line. Small folio. Another Portrait of the Same. 

Line-engraving by J. Christian. With margin, but lacking 
the plate-mark. Folio. 


ANNE MARIE (Princesse de Baden-Baden, Duchesse D’Or- 
leans). Etching by Henriquel-Dupont, after Ary Schef- 
fer. Very fine proof with the artists’ monograms only. 
Printed in brown. With large margin. 4to. 


HELENE (Princesse de Mecklenburg, Duchesse D’Orleans, 
holding on her arm the Comte de Paris). Line-engraving 
by A. Lefevre, after Winterhalter. Proof with the artists’ 
names and the publication line only. On India paper, with 
large margin. Folio. (4) 


* 


511 ARAGON (JEANNE qd’). Very fine original sepia drawing 
| by P. Bouillon, after Raphael’s, painting for the engraving 
/ py oe by M. Leroux. Large 4to. The Same. Line-engraving 
by M. Leroux, after the above drawing. Proof with the 
: ‘ artists’ names in traced letters only. With full margin. 
A “alg Large 4to. The Same. Line-engraving by A. Lefevre. 
Proof with the artists’ and printers’ names only. On In- 
dia paper with good margin, but lacking the plate-mark. 

Large 4to. (3) 


512 BEAUHARNAIS (E.). Line-engraving by G. Cagnoni, 

a : after Bosio. With full margin. Large 4to. Rare. An- 
& 3 o- other Portrait of the Same. Aquatint by Chapuy, after 
| Nodet. With margin lacking the plate-mark. Royal folio. 
f 7 A Very interesting plate and very scarce. Originally it rep- 


resented the portrait of General Marceau, engraved by An- 
toine F. Sergent, after his own drawing; later the head was 
burnished out and that of E. Beauharnais substituted. 
Another Portrait of the Same. Stipple and line-engraving 
by L. C. Ruotte, after the marble-bust by Chinard. With 
large margin. Folio. 


AUGUSTA AMELIA of Bavaria (wife of E. Beauharnais). , 
Stipple. With large margin 4to. (4) 


141 


jr 


Gautier.’’ With small margin lacking the plate-mark. 4to. © 

Another Portrait of the Same (when King). Line- 
engraving by F. Garnier, after F. Gérard. Proof with the 
artists’ names only in traced letters. With large margin, 
but trimmed just at the plate-mark. Small folio. 

_ Another Portrait of the Same (when King). Aquatint by 
Massard, after Callet. With margin trimmed just at the 
plate-mark. A small piece of white paper in the lower 
corner replaced. Royal folio. (4) 


520 CHARLOTTE (Princess; daughter of George IV). Line- 


40 


521 


engraving by W. Skelton, after the marble bust by P. Rouw. 
Proof with theeartists’,.mames. only, , With good margin. 
Large 4to. Another Portrait of the Same. Line-engray- — 
ing by R. Golding, after T. Lawrence. Proof with thes ~~ 
artists’ names only in traced letters. With margin show- 
ing the plate-mark. Folio. Another Portrait of the 

Same. Stipple by H. Meyer (Oto trimmed and inlaid. 


Svos. : . 
CHRISTIAN (Prince of Denmark and Norway, afterwards 


4 


King Christian VII of Denmark). Line-engraving by F. M: * Lh 
Preisler, after C. G. Pils. Fine impression with Eve | 
margin. Small folio. (4) mea 


CORNARO (Catharina, Queen of Cyprus). Line-engraving 
by C. G. Schultze, after Pordenone. With large margin. 
Small folio. 


DASCKOW (Ekaterina Romanowna). Stipple by J. C. : 4) 
Mayer, after Levitzky. Printed in brown. With un - . 
trimmed margin. Small 4to. 


DANDOLO (E., Doge of Venice). Line-engraving by G. 
Longhi, after Matteini. Proof with the artists’ names only 
and the publishers dry stamp is POS eo ie 
large margin. 

ENGHIEN (Due d’). Stipple by Cheesman, after Gillberg. 
Proof with the artists’ names only; printed in brown. With 
untrimmed margin. 12mo. 


CONDE (Henri II, Prince de).—Condé (Charlotte Marguerite 
de Montmorenci, Princesse de). Both line-engravings with 
small margins, lacking the plate-marks. 8vos. 


144 


522 
Jgl- 
gh iM 


COLIGNY (Gaspard de). lLine-engraving. With margin 
showing the plate-mark. Small 4to. 


COURTENAY (Gaspard de, and his wife Emée du Chesnay). 
Sepulchral monument. Line-engraving. With small mar- 
gin, lacking the plate-mark. Folio. 


ALBERT (Prince D’Aremberg). lLine-engraving by P. 
van Ballin, after A. van Dyck. LeBl. 29. I, before the 
address of ‘‘Romboudt van de Velde’’ was added below 
the word ‘‘Aeques.’’ With small margin, lacking the plate- 
mark. <A small tear at the bottom carefully repaired. (9) 


EDWARD VI (King of England). Line-engraving by J. A. 
Dean. Proof before all letters on India paper, with full 
margin. Small 4to. 


HENRY VIII (King of England). Line-engraving by J. 
Cook. Fine impression on India paper, with large margin. 
Svo. 


HENRY STUART (Lord Darnley). Line-engraving by H. 
Robinson with small margin and inlaid. 8vo. Another 
Portrait of the Same. lLine-engraving by J. A. Dean. 
Proof before all letters on India paper. With large margin. 
Small 4to. 


ELIZABETH (Queen of England). Stipple and line-engrav- 
ing by R. Cooper, after L. Oliver. Open letter proof on 
India paper with full margin. Small 8vo. Another 
Portrait of the Same. Line-engraving by W. T. Fry, after 
Yucchero. With margin but lacking the plate-mark. 8vo. 

Another Portrait of the Same. Line-engraving by 

A. Smith. With very small margin, lacking the plate-mark. 

12mo. Another Portrait of the Same. Line-engraving 

after the contemporary engraving by C. Van de Passe. On 

India paper, with full margin. 8vo. , 


ELIZABETH (Queen of Edward IV of England). Stipple 
and line-engraving by W. N. Gardiner. Trimmed closely 
to the plate-mark. 8vo. 


ELIZABETH (Princess, daughter of George III). Stipple 


by Mackenzie, after W. M. Craig. Inlaid. 8vo. (10) 
145 


after J. Coéts. With good margin. 12mo. Another 
Portrait of the Same. Line-engraving by F. Forster, after 
Lanerenon. Very fine open letter proof before the publi- 
cation-line. On India paper with full margin. 4to. With 
the dry stamp ‘‘N’’ in a circle. Another Portrait of the 
Same (on horseback). lLine-engraving.. With margin 
trimmed to the engraved border. Small 8vo. Another 
Portrait of the Same (on horseback). Jine-engraving. 
With small margin, but showing the plate-mark. 8vo. fe 
Statue Equestre of the Same. Line-engraving. Engraver igs b 
unknown. Trimmed closely to the engraved surface and ’ Wa 
lacking the inscription below. Laid down and a border | 

line added at the bottom. Folio. 


Assassination of the 


Same. Etching. Illustration to a German history. Oblong. — 2 


8Syo. (7) 


ENTREE DE HENRI IV A PARIS. Line-engraving by 
P. Toschi, after Baron Gérard. Very fine and brilliant 
proof before all letters. With an autograph dedication by 
the engraver. Imperial folio. Framed. Also the key. (2) 


HENRIETTE MARIE OF GREAT BRITAIN AND HER 
CHILDREN. Line-engraving by Robert Strange, after 
Van Dyck. Proof before all letters. With large margins. — 
Royal folio. Framed. oy 


HENRIETTE MARIE (Queen of Charles I of Great 
Britain). Line-engraving by T. Wright, after A. Van 
Dyck. Proof before all letters on India paper. With full 
margin. Small 4to. 


HORTENSE (Queen of Holland, Mother of Napoleon III). 


Line-engraving by N. Laugier, after Girodet. Fine impres- 


sion with margin, but lacking the plate-mark. 4to. 


ISABELLA CLARA EUGENIA (Archduchess of Austria i 


and Infanta of Spain). lLine-engraving by J. Levasseur, 
after Van Dyck. Proof with the artists’ names and 
‘Gallerie du Louvre’’ only, in traced letters. With full — 
margin on India paper. A dedication in pencil to Mr. Fo 

-Girard from his pupil, the engraver of this plate. ‘Folio. 


148 ee 


Ao 


531 


532 


Another Portrait of the Same. Line-engraving. Fine 
impression trimmed closely to the engraved surface. The 
bottom remargined. Small 8vo. 


INNOCENT XII. Etching finished with the graver. Good 
impression. With small margin but showing the plate- 
mark. 4to. (5) 


JOSEPH II (Emperor of Austria). Line-engraving by C. G. 


Schultze, after Kymly. Proof with the artists’ names and 
the name of the personage in etched letters on the margin ; 
the tablet is shaded but without any inscription. With 
small margin, but lacking the plate-mark. 4to. Another 
Portrait of the Same. Line-engraving by A. Tischler, after 
P. Lion. With small margin, lacking the plate-mark, but 
showing the full inscription. Royal folio. Very scarce. (2) 


LEOPOLD I (German Emperor). Line-engraving by Cor- 
nelis Bloemaert(?). Proof before all letters. With small 
margin just showing the plate-mark. 

LEOPOLD (Duke of Saxony). Line-engraving by J. S. 
Wedgwood, after George Hayter. Open letter proof on 
India paper. With very small margin, but showing the 
plate-mark. Laid down. 4to. 

LEOPOLD II (Grand Duke of Tuscany). Line-engraving 
by P. Toschi, after E. Eichens. Proof with the artists’ 
names only, in traced letters. With full margin. 4to. 


LEOPOLD OF SAXE COBOURG. Mezzotint by R. Hod- 
getts, after G. Dawe. Open letter proof, trimmed closely 
to the plate-mark. 4to. 

LOUIS XIII (King of France). Line-engraving. With 
margin showing the plate-mark. Small folio. 

VOEU DE LOUIS XIII. Line-engraving by L. Calamatta, 
after Ingres. Open letter proof on India paper. With 
margin lacking the plate-mark. Royal folio. With stamp 
‘Coraver, brush and crayon.’’ Possibly the engravers’ 
mark. 

MARIE DE MEDICIS (Wife of Henri IV, King of France). 
Line-engraving. Fine impression with large margin show- 
ing the plate-mark. Small folio. (7) 

149 


533 


539 


536 
rT ees 
gh, 


LOUIS PHILIPPE (King of France; when Due D’Orleans). 
Line-engraving by F. Lignon, after F. Gérard. Proof with ; 
the artists’ names in traced letters and the coat-of-arms in 
etching only. With good margin. Folio. 4 


MARIE AMELIE (wife of the above). Line-engraving by 
Laugier, after F. Gérard. Proof with the artists’ names 
and the coat-of-arms in etching only. On India paper with a 
margin showing the plate- mark. Folio. Two superb 
proofs, (2) | | es a 


LOUIS PHILIPPE (King of France). lLine-engraving. A wi 
second plate by Laugier, after F. Gérard. Proof before all . 
letters with large margin. 4to.— Another Portrait of the 
Same. Stipple and line-engraving by J. Thompson, after 
Dubufe. Proof with the artists’ names and the publication- | 
line only in traced letters. Folio. Another Portrait of 
the Same. Mezzotint by F. Girard, after L. Hersent. Proof — 
with the artists’ names only. Royal folio. (3) | a 


LOUISE MARIE D’ORLEANS (Queen of Belgium, daughter 
of Louis Philippe). Line-engraving by E. Corr, after 
A. Scheffer. Open letter proof on India paper. With 
margin lacking the plate-mark. Folio. } | 

MARIE (Princesse d’Orleans, Duchesse de Wirtemberg). 
Line-engraving by A. Lefévre, after Winterhalter. Proof = 

_ with the artists’ names and the publication-line only. On 
India paper. With good margin. Folio. | 

LOUISE (Queen of Prussia, wife of Frederick William III). 
Stipple by Clar, after Lauer. Printed in brown. With 
good margin. Small folio. | | 


LUDWIG I (King of Bavaria). Line-engraving by F. Forster, 
after J. Stieler. Open letter proof on India paper. With 
margin showing the plate-mark. Folio. (4) 


MARGUERITE DE LORRAINE (Duchesse d’Orleans). 4 
Stipple. Proof before all letters on India paper. With a 
margin showing the plate-mark. 8vo. sl 

MARIA ANNA (Queen of Spain). Line-engraving ie E. 
Widemann. With margin trimmed to the engraved border — 
at top and sides, at the bottom showing ter the engraver’s 
name. Small 4to. 

150 


538 


Bia - 


MARIE ANNA CAROLINE (Empress of Austria). Litho- 


graph by A. Maurin. Small 4to. . 


MARIE LUISA (Wife of Charles IV of Spain). Line- 
engraving by C. Faucci, after M. Vieri. With large margin 
showing the plate-mark. Folio. Another Impression of 
the Same. Same quality. 


MARIE ANNA CAROLINE (of Saxony, Wife of Leopold IT, 
Last Grand Duke of Tuscany). Line-engraving by A. 
Perfetti, after G. Martellini. Proof with the artists’ names 
only. With full margin. Small 4to. 


MARIE LOUISE (Princess of Austria, Second wife of 
Napoleon I). Stipple by Bertrand, after Desenne. With 
small margin, but showing the plate-mark. Folio. (7) 


MARY STUART (Queen of Scots). lLine-engraving by 
Robert Strange. With large margin. 12mo.——Another 
Portrait of the Same. Line-engraving, after an original 
painting in the collection of Prince Alexander Lobanoff. 
Proof with the engraver’s name only, in traced letters. On 
India paper with full margin. Small 4to. Extremely 
scarce.——Another Portrait of the Same. Line-engraving 
after F. Zucchero. Open letter proof with full margin. 
Ato. Another Portrait of the Same. Mezzotint by Th. 
Hodgetts, after Farino. With large margin. Slightly 
foxed. 4to. 


MARY TUDOR. Stipple by B. Vasqez, after A Mor. Fine 
impression with margin, but lacking the plate-mark. 
Another Portrait of the Same. Stipple by J. Vasqz, after 
A. Mor. Very fine impression with large margin showing 
the plate-mark. Folio. (6) 


MARIA THERESIA (Empress of Austria). Line-engrav- 
ing by J. Schmuzer, after Du Greux. With large margin. 
Folio. Another Portrait of the Same. Line-engraving 
by C. F. Fritsch, after Wenen. With small margin lacking 
the plate-mark. Small folio. Another Portrait of the 
Same. Stipple and line-engraving by J. Vendramini, after 

J. Pencini. Open letter proof, with margin lacking the 
plate-mark. 8vo. 


151 


7 


539 


MARLBOROUGH (JOHN, Duke of). Lineengraving by) 


a German engraver. Closely trimmed to the engraved bor- 
der at the top and sides and showing only two lines of the 
inscription at the bottom. Folio. 


PHILIPPE LE BON (Due de Bourgogne). lLine-engraving 
by Delboéte, after L. Calamatta. Proof before the name 
of the personage. On India paper, with full margin. Small 
folio. Another Portrait of the Same. Line-engraving 
trimmed closely to the engraved surface. Small 4to. 


PHILIP II (King of Spain). Line-engraving by C. Mogally, 
after Titian. With large margin. Folio. (7) 


NAPOLEON LE GRAND. Stipple by N. Bertrand, after 
E. Bourgeois. Folio. Framed. 


RUSSIA. Mr. Chancelor’s first audience with the Czar. 
Line-engraving by C. Cooke, after Corbould. Etching fin- 


ished with the graver. The etching only, a proof before 


all letters and an impression from the finished plate. 
PETER THE GREAT—ALEXANDER II, both 4to. “¥ 


LIEVEN (Princesse de). Stipple and line-engraving by T. 
Wright, after G. Dawe, on India paper with large margin. 
8vo. 


NICHOLAS I, (Emperior of Russia)—also the Empress 
Alexandra Feodorovna and the Grand Duke Alexander. 


Stipple and line engraving by T. Wright, after G. Dawe. 
Another 


Fine impression on loose India paper. §8vo. 
Impression of the Same. Proof with the artists’ names 
only. On India paper with large margin. 8vo.—An- 
other Portrait of Nicolas I, Prince Galitzin, Prince Vol- 
konsky and Comte Jan D’Istria. Stipple and line engrav- 
ings by T. Wright, after G. Dawe. On loose India paper. 
Svos. ‘ 


PAULOWITZ (Grand Duke). Stipple by Vallardi. 
Trimmed closely to the plate-mark. Small 4to. 


STANISLAS AUGUST (King of Poland). Line engraving. 
~ 8vo. 
152 


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oa 


a | 


. 


hel 


q 4 ‘_ 
m | | 


HT 


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540 


541 


As 
£47, 


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e 


PETER ALEXEWITZ (Peter the Great, Czar of Russia). 


Line-engraving. Closely trimmed to engraved border. 
Small 4to. 


SHEREMETYEV (Boris Petrovitch). Stipple and line en- 
eraving. Proof before all letters. 8vo. (17) 


VICTORIA (Queen of Great Britain). Stipple by H. T. 
Ryall, after W. C. Ross. Proof before the name of the per- 
sonage. On India paper. With large margin. Small folio. 

Another Portrait of the Same (when Princess). Line- 

engraving by E. Finden, after R. Westall. Open letter 

proof, with full margin. Small folio. 


WILLIAM III AND MARY, (King and Queen of Great 
Britain). Line-engraving by J. Parker, after J. Northcote. 
“With small margin but showing the plate-mark. Slightly 
water-stained. Oblong royal folio. (3) 


PORTRAITS OF SCIENTISTS 


LOTS 541 to 547 


BAILY (FR.). Mezzotint by Th. Lupton, after T. Philhps. 
Proof with the autograph facsimile. On India paper, with 
good margin. Royal folio. 


BELL (H.). Mezzotint. Proof with the autograph fac- 
simile. On India paper with full margin. Small folio. 


BERTHOLLET (CL. L.). Aquatint by Allais, after R. 
Peale. Fine impression with large margin. Small 4to. 


BUFFON (ComrTe pe). Line-engraving by A. de St. Aubin. 
Open letter proof with large margin. Small 4to. 
Another Portrait of the Same. Line-engraving by Baron, 
after Drouais. Proof before all letters with margin 
showing the plate-mark. Small 4to. Another Portrait 
of the Same. Line-engraving by L. J. Cathelin, after 
Drouais. Proof before all letters. With margin but lack- 
ing the plate-mark. 4to. (6) 


153 


/s42 QLAIRAULT (A.). Etching by C. P. C, de Tressan, after 
C. N. Cochin fils. Fine impression. Remargined. Small 
Ato. | 


CUVIER (B. G.). Line-engraving by T. Doo, after W. H. 
Pickersgill. Open letter proof, with large margin. Folio. 


DAVY (H.). Line-engraving. Proof before all letters on 
India paper. With large margin. Folio. Another Por- 
trait of the Same. Mezzotint by S. W. Reynolds, after H. 
Howard. W. 68. Open letter proof. With full margin. | 
Very fine. Royal folio. Another Portrait of the Same. 7 
Mezzotint by D. Lucas, after J. Lonsdale. Proof with the 
artists’ names only in traced letters. With good margin. 3 
Fine. 4to.—Another Portrait of the Same. Line-engray- __ 
ing by W. Walker, after J. Jackson. Fine impression. 
With margin showing the plate-mark. Folio. (6) 


5438 FOWLER (J.). Line-engraving by T. C. Barlow, after J. 
HK. Millais. Proof before the name of the personage, on 
India paper. With large margin. Folio. Private plate. 


HERSCHEL (W.). Stipple by F. Bonneville. With mar- 
gin showing the plate-mark. 8vo. 


HUDDART (J.). Line-engraving by J. Stow, after J. Hopp- 
r ner. With small margin, lacking the plate-mark. Small 
Ato. : co 
f - EY 
HUMBOLDT (A. von). Line-engraving by F. Forster, 
after C. Steuben. With margin, showing the plate-mark., a 
Small 4to. ag 


JUSSIEU (A. L. pg). Line-engraving. Proof before all let- 
ters. With untrimmed margin (deckle edges). Small 4to. 


(9) 


544 LAGRANGE (J. L.). Line-engraving by A. Martinet, after 
Heim. India paper with large margin bearing the en- 
graver’s signature in pencil. Small 4to. 


LANDRIANI (M.). Stipple by G. Rados, after Bruni. 
With large margin. Small folio. 


154 


Ce 


Aes Ty. Wile tee me hc es at a ee aes i. ¥en ; 
aed -* = e~ ee | ee Te . = s ~ ‘ a * age 
: - ‘ ‘ z , 7° 


MACKENZIE (WM.). Mezzotint by G. R. Ward, after 
T. H. Illidge. Proof with the autograph—facsimile. On 
India paper, with full margin. Private plate. Imperial 
folio. 


} 


NARRIEN (J.). Mezzotint by C. E. Wagstaff, after H. W. 
Pickersgill. Open letter proof on India paper. With full 
margin. Small folio. (4) 


545 NEWTON (I.). Line-engraving by B. Reading, after P. 
Lely. Open letter proof on India paper, with large mar- 
gin. Small folio. Another Portrait of the Same. Line- 
engraving by J. O. Barlow, after G. Kneller. Proof with 
the crest and the engraver’s signature in pencil, on the 
lower margin. On India paper, with large margin. Folio. 


(2) 


546 PALUADIO (A.). Line-engraving by P. Caronni, after G. 
Longhi. Open letter proof with large margin, but lacking 
the plate-mark. 8vo. 


PIAZZI (G.). Stipple by L. Rados, after Frocosi. With 
margin trimmed to the plate-mark and laid down. Folio. 


STEPHENSON (G.). Mezzotint by T. L. Atkinson, after 
J. Lucas. Artist’s proof on India paper, signed by both 
artists. Imperial folio. Another Portrait of the Same. 
Mezzotint by J. R. Jackson, after J. Lucas. With large 
margin. Royal folio. (4) 


547 TELFORD (T.). Line-engraving by W. Raddon, after S. 
Lane. Proof before all letters on India paper. With full 
margin. Slightly foxed. Folio. 


VOLTA (A.). Line-engraving by G. Garavaglia, after his 


\ own drawing. Proof with the engraver’s name only. With 
\ large margin. Small 4to. (2) 
155 


MISCELLANEOUS PORTRAITS OF CELEBRATED 


548 


549 


MEN AND WOMEN 
LOTS 548 to 568 


ALBERT (G. E.). Line-engraving by J. W. Windter. With 
margin showing the plate-mark. Folio. 


ALBERTUS (L. B.). Line-engraving without margin. Large 


4to. 


ALISON (A.). Line-engraving by W. Walker, after H. Rae- 
burn. Trimmed to the border line. 4to. 


ARBUTHNOT (MRS.). Tiine-engraving by W. Ensom, after 


Ln ae ee 


a Ore = “a — 
i, ee el a ee a ee ee 


Th. Lawrence. Also nine other portraits, mostly female — ta 
celebrities. Stipple and line-engravings. Small 4to and 


Svos. 


BATEMAN (MISS). Also eight other portraits of Ladies. 
Stipple and line-engravings. 8vos. (22) 


BAIER (J. J.). Line-engraving by G. M. Preisler, after his 
own drawing. With margin trimmed to the plate-mark. 
Folio. 


BOUILLON (Cardinal de). Line-engraving by J. M. Preis- 
ler, after H. Rigaud. Brilliant i impression with untrimmed 
margin (deckle edges). Folio, 


BURDER (G.). Mezzotint by H. Meyer, after H. W. Pickers- 
gill. Open letter proof with the publisher’s dry stamp 
R.C. (R. Cribb and son). Good margin. Small folio. 


FYERS (Colonel). Mezzotint by H. Meyer, after J. Hopp- 
ner. Proof before all letters with large margin. Small folio. 


GREVILLE (C. F.). Mezzotint by H. Meyer, after G. 


Romney. With untrimmed margin (deckle edges). Small 
folio. 

HORSLEY (S.), Bishop of Rochester. Mezzotint by H. 
Meyer, after J. Green. With margin. Folio. 


JONES (J.). Vestry Clerk of St. Marylebone. Mezzotint 
by H. Meyer, after J. Northcote. Proof before all letters 


with good margin, but lacking the plate-mark at the bottom. 


Fine. Folio. (7) 
156 


= 
oy 
, 


502 


CALMADY CHILDREN. Stipple by F. C. Lewis, after T. 
Lawrence. Proof with the artists’ names only, on India 
paper and slightly washed in red and white. With full 
margin. Royal folio. 


CAMPBELL (T.). Mezzotint by Wm. O. Geller, after T. C. 
Thompson. Proof before letters, with full margin. Royal 
folio. 


CADOGAN (C. S.). Mezzotint by R. B. Parkes, after J. 
Reynolds. Proof before all letters on India paper. With 
large margin. Large 8vo. 


CACAULT (F.). Line-engraving. Proof before all letters 
with big margin. Small 4to. 


CENCI (BEATRICE). Line-engraving after Guido Reni. 
Two proofs before all letters, on India paper. 


CONRAD (F. W.). Stipple by L. Portman, after J. Anspach. 
With large margin. 4to. (6) 


CHIGI CLAIA (BEATRICE DELLA). Line-engraving by 
J. Testana, after J. J. de Rubeis. With margin showing 
the plate-mark. Folio. 


COLE (C.). Mezzotint by G. H. Phillips, after W. Owen. 
Open letter proof, with full margin. Royal folio. 
CROMWELL (ELIZABETH). Line-engraving. Also five 


other portraits of Ladies. Fine impressions, some proofs 
Svos and small 4tos. (8) 


DEVONSHIRE (GIORGIANA, Duchess of). Stipple by inks 
Meyer, after T. Gainsborough. Slightly colored with the 
brush. With small margn lackng the plate-mark. 4to. 


CAMDEN (Marchioness). Stipple by J. S. Agar, after J. 
Reynolds. With good margin but lacking the plate-mark. 
Small 4to. Also five other portraits of ladies. Some proofs. 
SVOS. 

DIESSELDORFFIN. Line-engraving by Bernigeroth, after 
D. Klein. Fine impression with small margin showing the 
plate-mark. Folio. 


157 


504 


DRURY (H.). Mezzotint by Th. Hodgetts, after Mrs, Wm, 
Carpenter. Open letter proof, with large margin showing Los 
the plate-mark. Folio. ye | 

EBNERIN (M. §.). Lne-engraving by J. W. Windter, after 


M. F. Kleinert. With large margin showing the plate-mark. 
Folio. (10) 


ELLIS (GEORGIANA AGAR). Also six other portraits of __ 
Ladies. Mezzotint, stipples and line-engravings. Some — 
proofs, 8vos and 4tos. 


FRY (ELIZABETH). Stipple by Blood, after Leslie. oe 
before the name of the personage; on India paper. With 
margin, but lacking the plate-mark. 4to. 


FABRONI (THERESA). Line-engraving by Palmerini, 
after G. A. Santarelli. Open letter proof with untrimmed 
margin. 8vo. i 


HODGES (ANN MARIE). Line-engraving by J. Parker, 


after O. Humphrey. Fine impression with margin showing 
the plate-mark. Small 4to. . 


HAMILTON (MISS). 


Also six other portraits of Ladies. 


Fine impressions, some proofs, 8vos and 4tos. (17) : “ i 
FRANCIS (F.). Mezzotint after Th. Lupton, after J. Lons- 
dale. ine impression, with full margin. Slightly toxed, | a 
Small folio. - 
GEORG (J.). Line-engraving by J. Sandrart. With margin 


showing the plate-mark. Folio. 


HAMMERSLEY (T.). Line-engraving by R. Golding, after 
Hamilton. Open letter proof with margin showing the 
plate-mark. Small folio. ‘av 


HEYSE (E. G.). Line-engraving by E. Heinzelman, after —_ 
A. Stech. With small margin trimmed to the plate-mark. 
Small folio. 3 

HOLTZSCHUHER (J. 8.). Line-engraving by G. M. Preis- — 
ler, after J. J. Preisler. With large margin showing the __ 
plate-mark. Folio. | | 


158 | a 


KOCH (M. C.). Line-engraving by G. A. Wolfgang, after 
G. Bichler the elder. With small margin lacking the plate- 
mark. 4to. 

eg UNKNOWN CLERGYMAN seated in an armchair. Mezzo- 

_ tint by Th. Lupton, after H. P. Briggs. Proof before letters 

a with margin showing the plate-mark. Folio. (7) 


fe 556 LADY AND CHILD. Very fine original drawing by Anastasi, , _ 
Ad M after P. Veronese. ; a 


507 


LEIBNITZ (J. J.). Line-engraving by J. Sandrart, after 
D. Preisler. With margin showing the plate-mark. Folio. 

MALASPINA (Marcuzse C. C.). Line-engraving by G. 
Garavaglia, after his own drawing. Proof before all letters. 
With very large margin. Small 4to. 

MARCHDRENKER (C. G.). Line-engravings by owe 
Windter, after G. Miller. With margin showing the plate- 

- mark. Folio. 

_ - MENTZELIN (C. E.). Line-engraving by J. M. Bernigeroth, 

- after C. W. Seydel. With margin showing the plate-mark. 

Folio. (5) : ai iqgla 


L’ENCLOS (NINON pe). Stipple by EB. Seriven. On 
India paper with untrimmed margin. Small 4to. 

STROZZI DONI (MADDALENA). Line-engraving by M. 
Zignani, after Raphael. Proof with the coat-of-arms only. 
With good margin. 4to. 2 

LAURA JUSTA (wife of Pietro Vittore Pisano). Stipple by 
Cristofano dell’? Aqua. Fine impression in brown with 
large margin. 8vo. 

SMITH (MRS. MARY). Also six other portraits of 
Ladies; some proofs. 8vos and 4tos. Beautiful Albiness 
(The).—Smiling.— Woman in XVth Century Costume.— | 
Bust of a Lady, etched by Th. Worlidge. Portrait of a 


159 ‘ SAN 


Lady in Persian costume.—The Lady Seymour.—Stipples 
and line-engravings by Robinson, Mote, ete. Good impres- 
sions. Some proofs. 8vos. (16) 


009 MORE (HANNAH). Line-engraving by W. H. Worthing- — 
ton, after H. W. Pickersgill. Proof with the artists’ names 


p ” and the publication line only—— Another Impression of 
{ the Same. The etching only. On India paper. Both proofs _ 
4 d, with untrimmed margins. Folios. a. 


NOBLE (S.). Mezzotint by C. E. Wagstaff, after B. R. 
wee F'aulkner...Proof. with. the nai 9. 0: on.. India 
paper... Folio. - cad 


“UNKNOWN CLERGYMAN, aaieee in an armchair, after H. 
W. Pickersgill. Proof before letters, with the words ‘‘ First 
Class Proof,’’ on India paper. With large margin. Folio. 


O’CONNELL (D.). Mezzotint by Th. Hodgetts. Proof ae i: 
fore letters, on India paper. The India paper is remounted. 
With good margin. Folio. (5) 


060 PFEIL (J. W.). Line-engraving by B. Kilian. With Tee 
trimmed to the plate-mark. Folio. 


ie ws POMER (REGINA MARIA). Line-engraving by J. Send- 
rart. With large margin showing the plate-mark. Folio. — 
REGNY (F. DE). Etching by the brothers C. C. and 


. Campion de Tressan, after C. N. Cochin. With small 
margin, lacking the plate-mark. 8vo. 


RITTERSHAUSEN (G.). Line-engraving by A. Kohl, after 
H. Tedering. With the margin trimmed to the engraved — 
border. 8vo. a 


ROHAN-GUEMENE (Le Prince Louis de). Etching by 
C. P. Campion de Tressan, after C. N. Cochin. 8vo. 


SCALICHIUS (J. G.). Line-engraving by P. Kilian, after 
J. J. Pejer. With small margin lacking the plate-mark. — 
Folio. (6) 


561 RUSSELL (LADY LOUISA JANE). Also 8 other portraits 
of Ladies. Some proofs. 8vos. (9) 


160 
4 


SCHAFF (J.). Line-engraving by J. Sandrart. With margin 


trimmed to the plate-mark. Small folio. 


SCHWARTZENBERG (W. G. FREIHERR zu). Line- 


engraving by J. Schweizer, after P. Schik. With margin 
showing the plate-mark. 1“olio. 


STETTEN (C. A.). Line-engraving by B. Kilian, after J. ie 
Mayr. With small margin lacking the plate-mark. Folio. 


STTEBAR VON BUTTENHEIM (A.'C. J.). Line-engraving 


by J. W. Windter. With margin showing the plate-mark. © » 


Folio. 


URLSPERGER (S.). Line-engraving by I. L. Kleinschmidt, 
after G. Kichler. With margin trimmed to the plate-mark. 


Folio. (5) 


SHAFTSBURY (Tur Earu or). Very fine pencil draw- 
ing touched up with the brush. Also eight other por-. 
traits of men. Line-engravings. Some proofs. 8vos and 


one small 4to. (9) 


UNKNOWN PORTRAIT OF A MAN. Stipple in Bartolozzi’s 
manner. Proof before all letters. With large margin show- 


ing the plate-mark. 4to. 

UNKNOWN PORTRAIT OF A LADY. Stipple by F. G. 
Lewis, after Th. Lawrence. Proof before all letters printed 
on India paper. With large margin showing the plate- 
mark, 4to. : . 

UNKNOWN PORTRAIT OF A LADY. Original charcoal 
drawing, washed with water color by an artist of the Down- 
man school. Small 4to. (3) 


UNKNOWN PORTRAIT OF iA LADY. Stipple by C. 
Picart, after H. Edridge. Proof before the name of the 
personage. On India paper, delicately colored with the 
brush. With margin showing the plate-mark. 4to. Also 
the original drawing in pencil and water-color by EL. 
Edridge, for the above engraving. 4to. | 


161 


Pe: 
rm, 


VERRI (N. DE). Etching by C. P. C. de Tressan, after 
C. N. Cochin. With small margin, but lacking the plate- 
mark. §8vo. Another Impression of the Same. The — 
etching of the head only. With margin, but lacking the © 
plate-mark. 8vo. Very scarce. (4) 


WALDEGRAVE (Lapy) and the Duke of Gloucester. 
Line-engraving by G. H. Jeens, after T. Gainsborough. On — 
India paper. 4to. Also thirty-one other portraits, mostly 
ladies; some proofs. 8vos and small 4tos. (32) 


WALLSCOURT (Viscounrsss). Stipple by F. G. Lewis, — 
after Th. Lawrence. On gray India paper and delicately 
tinted with the brush. With large margin. Royal folio. 


WILKINSON (TATE). Mezzotint by M. U. Sears & Co. 
Open letter proof, with the dedication plate attached. On 


India paper, with good Lede Small 4to. 
UNKNOWN PORTRAIT OF A CHILD. Stipple Se F. G. 


Lewis, after Th. Lawrence. Delicately colored by hand. 
With margin, but lacking the plate-mark. Royal folio. (3) 


WEISS (L.). Line-engraving by E. Heinzelman, after J. 
Werner. With small margin trimmed to the plate-mark. ae 
4to. 1 

% = 

WELSER (J. C.). Line-engraving by J. W. Windter, after 
Hirschmann. With very small margin lacking the plate- 
mark. Laid down. Folio. 

WURSTER (J. P.). Line-engraving by G. M. Preisler, after 
J. M.‘Schuster. With large margin showing the plate- — 
mark. Folio. 

PORTRAIT OF AN UNKNOWN LADY. Line-engraving ~ 
by M. Kiisel. Proof with the artists’ names only. With 
large margin showing the plate-mark. Folio. (4) “ J 

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~ 1919 Feb. 10 NeAnH c.1 
Anderson /Frederic R. Halsey coll 
88-P3046 


IAI 


3 3125 01171 4901 


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